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DENIED
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ROLE_USER
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Show voter details
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2 |
DENIED
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moderate
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Proxies\__CG__\App\Entity\Entry {#2142
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My partner almost cried when they read about the LLM begging not to have its memory wiped. Then less so when I explained (accurately, I hope?) that slightly smarter auto-complete does not a feeling intelligence make.\n
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They approve this message with the following disclaimer:\n
\n
> you were sad too!\n
\n
What can I say? Well-arranged word salad makes me feel!
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Show voter details
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3 |
DENIED
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edit
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Proxies\__CG__\App\Entity\Entry {#2142
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My partner almost cried when they read about the LLM begging not to have its memory wiped. Then less so when I explained (accurately, I hope?) that slightly smarter auto-complete does not a feeling intelligence make.\n
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They approve this message with the following disclaimer:\n
\n
> you were sad too!\n
\n
What can I say? Well-arranged word salad makes me feel!
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…2
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Show voter details
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4 |
DENIED
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moderate
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Proxies\__CG__\App\Entity\Entry {#2142
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My partner almost cried when they read about the LLM begging not to have its memory wiped. Then less so when I explained (accurately, I hope?) that slightly smarter auto-complete does not a feeling intelligence make.\n
\n
They approve this message with the following disclaimer:\n
\n
> you were sad too!\n
\n
What can I say? Well-arranged word salad makes me feel!
"""
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…2
} |
|
Show voter details
|
5 |
DENIED
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ROLE_USER
|
null |
|
Show voter details
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6 |
DENIED
|
moderate
|
App\Entity\EntryComment {#2188
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My partner almost cried when they read about the LLM begging not to have its memory wiped. Then less so when I explained (accurately, I hope?) that slightly smarter auto-complete does not a feeling intelligence make.\n
\n
They approve this message with the following disclaimer:\n
\n
> you were sad too!\n
\n
What can I say? Well-arranged word salad makes me feel!
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date: 2024-01-26 17:37:49.0 +01:00
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Show voter details
|
7 |
DENIED
|
edit
|
App\Entity\EntryComment {#2188
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…2
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My partner almost cried when they read about the LLM begging not to have its memory wiped. Then less so when I explained (accurately, I hope?) that slightly smarter auto-complete does not a feeling intelligence make.\n
\n
They approve this message with the following disclaimer:\n
\n
> you were sad too!\n
\n
What can I say? Well-arranged word salad makes me feel!
"""
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date: 2024-01-26 17:37:49.0 +01:00
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|
Show voter details
|
8 |
DENIED
|
moderate
|
App\Entity\EntryComment {#2188
+user: App\Entity\User {#265 …}
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My partner almost cried when they read about the LLM begging not to have its memory wiped. Then less so when I explained (accurately, I hope?) that slightly smarter auto-complete does not a feeling intelligence make.\n
\n
They approve this message with the following disclaimer:\n
\n
> you were sad too!\n
\n
What can I say? Well-arranged word salad makes me feel!
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Show voter details
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moderate
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Proxies\__CG__\App\Entity\Post {#3019
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Gentle reminder to everyone that support for #windows10 ends in about 90 weeks. Many computers can't upgrade to Win 11 so here are your options:\n
\n
1. Continue on Win 10 but with higher security risks. \n
2. Buy new and expensive hardware that supports Win11. \n
3. Try a beginner friendly #Linux distro like #linuxmint. It only takes about two months to acclimate.\n
\n
@nixCraft@mastodon.social @linux@lemmy.ml @windowscentralbot@mastodon.online
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Jerry Nixon definitely said Windows 10 would be the last big release of windows, and for years, sourced reporting parroted that there will be no Windows 11.\n
\n
> “Right now we’re releasing Windows 10, and because Windows 10 is the last version of Windows, we’re all still working on Windows 10,” said Jerry Nixon, Microsoft’s developer evangelist, at the Ignite tech conference.\n
\n
There’s no shortage of the claim being made by MS staff during keynote speeches, and those same people being quoted saying as much in reporting by TechRadar, The Verge, PC Mag, Ars Technica, CNET, for example.
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Show voter details
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11 |
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Proxies\__CG__\App\Entity\Post {#3019
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Gentle reminder to everyone that support for #windows10 ends in about 90 weeks. Many computers can't upgrade to Win 11 so here are your options:\n
\n
1. Continue on Win 10 but with higher security risks. \n
2. Buy new and expensive hardware that supports Win11. \n
3. Try a beginner friendly #Linux distro like #linuxmint. It only takes about two months to acclimate.\n
\n
@nixCraft@mastodon.social @linux@lemmy.ml @windowscentralbot@mastodon.online
"""
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Jerry Nixon definitely said Windows 10 would be the last big release of windows, and for years, sourced reporting parroted that there will be no Windows 11.\n
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> “Right now we’re releasing Windows 10, and because Windows 10 is the last version of Windows, we’re all still working on Windows 10,” said Jerry Nixon, Microsoft’s developer evangelist, at the Ignite tech conference.\n
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Show voter details
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12 |
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moderate
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Proxies\__CG__\App\Entity\Post {#3019
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Gentle reminder to everyone that support for #windows10 ends in about 90 weeks. Many computers can't upgrade to Win 11 so here are your options:\n
\n
1. Continue on Win 10 but with higher security risks. \n
2. Buy new and expensive hardware that supports Win11. \n
3. Try a beginner friendly #Linux distro like #linuxmint. It only takes about two months to acclimate.\n
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@nixCraft@mastodon.social @linux@lemmy.ml @windowscentralbot@mastodon.online
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Jerry Nixon definitely said Windows 10 would be the last big release of windows, and for years, sourced reporting parroted that there will be no Windows 11.\n
\n
> “Right now we’re releasing Windows 10, and because Windows 10 is the last version of Windows, we’re all still working on Windows 10,” said Jerry Nixon, Microsoft’s developer evangelist, at the Ignite tech conference.\n
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"""
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Show voter details
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Show voter details
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Gentle reminder to everyone that support for #windows10 ends in about 90 weeks. Many computers can't upgrade to Win 11 so here are your options:\n
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Jerry Nixon definitely said Windows 10 would be the last big release of windows, and for years, sourced reporting parroted that there will be no Windows 11.\n
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> “Right now we’re releasing Windows 10, and because Windows 10 is the last version of Windows, we’re all still working on Windows 10,” said Jerry Nixon, Microsoft’s developer evangelist, at the Ignite tech conference.\n
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15 |
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App\Entity\PostComment {#2172
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Gentle reminder to everyone that support for #windows10 ends in about 90 weeks. Many computers can't upgrade to Win 11 so here are your options:\n
\n
1. Continue on Win 10 but with higher security risks. \n
2. Buy new and expensive hardware that supports Win11. \n
3. Try a beginner friendly #Linux distro like #linuxmint. It only takes about two months to acclimate.\n
\n
@nixCraft@mastodon.social @linux@lemmy.ml @windowscentralbot@mastodon.online
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Jerry Nixon definitely said Windows 10 would be the last big release of windows, and for years, sourced reporting parroted that there will be no Windows 11.\n
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> “Right now we’re releasing Windows 10, and because Windows 10 is the last version of Windows, we’re all still working on Windows 10,” said Jerry Nixon, Microsoft’s developer evangelist, at the Ignite tech conference.\n
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Show voter details
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16 |
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App\Entity\PostComment {#2172
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Jerry Nixon definitely said Windows 10 would be the last big release of windows, and for years, sourced reporting parroted that there will be no Windows 11.\n
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> “Right now we’re releasing Windows 10, and because Windows 10 is the last version of Windows, we’re all still working on Windows 10,” said Jerry Nixon, Microsoft’s developer evangelist, at the Ignite tech conference.\n
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17 |
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19 |
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20 |
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21 |
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Show voter details
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23 |
DENIED
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edit
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App\Entity\EntryComment {#2259
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24 |
DENIED
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App\Entity\EntryComment {#2259
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Show voter details
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25 |
DENIED
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ROLE_USER
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null |
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Show voter details
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26 |
DENIED
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moderate
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Proxies\__CG__\App\Entity\Entry {#2262
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Hello frens,\n
\n
As a great opponent of any form of IP, I have been following the event of Disney’s *Steamboat Willie* entering the public domain with great amusement. The incidents where creators have been falsely demonetized on youtube for rightfully using this film is further underpinned by Disney’s decades-long shameless practices. [The linked article](https://www.forbes.com/sites/danidiplacido/2024/01/04/the-steamboat-willie-mickey-mouse-situation-explained/) sums it up quite well I think.
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[walledculture.org/…/Walled-Culture-the-Book.epub](https://walledculture.org/wp-content/uploads/2022/09/Walled-Culture-the-Book.epub)\n
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Free book about copyright and IP stealing our culture with great citations and examples.
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…2
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|
Show voter details
|
27 |
DENIED
|
edit
|
Proxies\__CG__\App\Entity\Entry {#2262
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Hello frens,\n
\n
As a great opponent of any form of IP, I have been following the event of Disney’s *Steamboat Willie* entering the public domain with great amusement. The incidents where creators have been falsely demonetized on youtube for rightfully using this film is further underpinned by Disney’s decades-long shameless practices. [The linked article](https://www.forbes.com/sites/danidiplacido/2024/01/04/the-steamboat-willie-mickey-mouse-situation-explained/) sums it up quite well I think.
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Free book about copyright and IP stealing our culture with great citations and examples.
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…2
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|
Show voter details
|
28 |
DENIED
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moderate
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Proxies\__CG__\App\Entity\Entry {#2262
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Hello frens,\n
\n
As a great opponent of any form of IP, I have been following the event of Disney’s *Steamboat Willie* entering the public domain with great amusement. The incidents where creators have been falsely demonetized on youtube for rightfully using this film is further underpinned by Disney’s decades-long shameless practices. [The linked article](https://www.forbes.com/sites/danidiplacido/2024/01/04/the-steamboat-willie-mickey-mouse-situation-explained/) sums it up quite well I think.
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[walledculture.org/…/Walled-Culture-the-Book.epub](https://walledculture.org/wp-content/uploads/2022/09/Walled-Culture-the-Book.epub)\n
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Free book about copyright and IP stealing our culture with great citations and examples.
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…2
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Show voter details
|
29 |
DENIED
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ROLE_USER
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null |
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Show voter details
|
30 |
DENIED
|
moderate
|
App\Entity\EntryComment {#2265
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Hello frens,\n
\n
As a great opponent of any form of IP, I have been following the event of Disney’s *Steamboat Willie* entering the public domain with great amusement. The incidents where creators have been falsely demonetized on youtube for rightfully using this film is further underpinned by Disney’s decades-long shameless practices. [The linked article](https://www.forbes.com/sites/danidiplacido/2024/01/04/the-steamboat-willie-mickey-mouse-situation-explained/) sums it up quite well I think.
"""
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…2
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[walledculture.org/…/Walled-Culture-the-Book.epub](https://walledculture.org/wp-content/uploads/2022/09/Walled-Culture-the-Book.epub)\n
\n
Free book about copyright and IP stealing our culture with great citations and examples.
"""
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date: 2024-01-07 06:20:36.0 +01:00
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} |
|
Show voter details
|
31 |
DENIED
|
edit
|
App\Entity\EntryComment {#2265
+user: App\Entity\User {#265 …}
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+url: "https://lemmy.world/pictrs/image/c55f803d-6c8c-44a6-8db7-1b034e13f285.jpeg"
+body: """
Hello frens,\n
\n
As a great opponent of any form of IP, I have been following the event of Disney’s *Steamboat Willie* entering the public domain with great amusement. The incidents where creators have been falsely demonetized on youtube for rightfully using this film is further underpinned by Disney’s decades-long shameless practices. [The linked article](https://www.forbes.com/sites/danidiplacido/2024/01/04/the-steamboat-willie-mickey-mouse-situation-explained/) sums it up quite well I think.
"""
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…2
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[walledculture.org/…/Walled-Culture-the-Book.epub](https://walledculture.org/wp-content/uploads/2022/09/Walled-Culture-the-Book.epub)\n
\n
Free book about copyright and IP stealing our culture with great citations and examples.
"""
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} |
|
Show voter details
|
32 |
DENIED
|
moderate
|
App\Entity\EntryComment {#2265
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+url: "https://lemmy.world/pictrs/image/c55f803d-6c8c-44a6-8db7-1b034e13f285.jpeg"
+body: """
Hello frens,\n
\n
As a great opponent of any form of IP, I have been following the event of Disney’s *Steamboat Willie* entering the public domain with great amusement. The incidents where creators have been falsely demonetized on youtube for rightfully using this film is further underpinned by Disney’s decades-long shameless practices. [The linked article](https://www.forbes.com/sites/danidiplacido/2024/01/04/the-steamboat-willie-mickey-mouse-situation-explained/) sums it up quite well I think.
"""
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…2
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[walledculture.org/…/Walled-Culture-the-Book.epub](https://walledculture.org/wp-content/uploads/2022/09/Walled-Culture-the-Book.epub)\n
\n
Free book about copyright and IP stealing our culture with great citations and examples.
"""
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|
Show voter details
|
33 |
DENIED
|
ROLE_USER
|
null |
|
Show voter details
|
34 |
DENIED
|
moderate
|
Proxies\__CG__\App\Entity\Entry {#2209
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+magazine: Proxies\__CG__\App\Entity\Magazine {#1680 …}
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+slug: "Prime-is-adding-ads-to-their-streaming-service"
+title: "Prime is adding ads to their streaming service"
+url: null
+body: """
I think I might cancel. I’m not watching ads and I’m not going to pay the extra $3/mo to opt out. I don’t know if I’d end up paying more than the subscription cost in shipping though…\n
\n

"""
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[arstechnica.com/…/amazon-jacks-up-price-of-ad-fre…](https://arstechnica.com/gadgets/2023/09/amazon-jacks-up-price-of-ad-free-prime-video-by-2-99-starting-in-2024/)\n
\n
News broke on this a few months ago, and I jumped ship. Their failed music app is another reason I ditched their ecosystem. Kept crashing; music would pause mid-song; couldn’t play downloaded music offline without a data connection.\n
\n
Video service had such poor title coverage and nothing compelling for the price. As many others have said, the value proposition didn’t work. Enshittification is in full swing. Sail the high seas.
"""
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…2
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|
Show voter details
|
35 |
DENIED
|
edit
|
Proxies\__CG__\App\Entity\Entry {#2209
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I think I might cancel. I’m not watching ads and I’m not going to pay the extra $3/mo to opt out. I don’t know if I’d end up paying more than the subscription cost in shipping though…\n
\n

"""
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[arstechnica.com/…/amazon-jacks-up-price-of-ad-fre…](https://arstechnica.com/gadgets/2023/09/amazon-jacks-up-price-of-ad-free-prime-video-by-2-99-starting-in-2024/)\n
\n
News broke on this a few months ago, and I jumped ship. Their failed music app is another reason I ditched their ecosystem. Kept crashing; music would pause mid-song; couldn’t play downloaded music offline without a data connection.\n
\n
Video service had such poor title coverage and nothing compelling for the price. As many others have said, the value proposition didn’t work. Enshittification is in full swing. Sail the high seas.
"""
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…2
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|
Show voter details
|
36 |
DENIED
|
moderate
|
Proxies\__CG__\App\Entity\Entry {#2209
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I think I might cancel. I’m not watching ads and I’m not going to pay the extra $3/mo to opt out. I don’t know if I’d end up paying more than the subscription cost in shipping though…\n
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[arstechnica.com/…/amazon-jacks-up-price-of-ad-fre…](https://arstechnica.com/gadgets/2023/09/amazon-jacks-up-price-of-ad-free-prime-video-by-2-99-starting-in-2024/)\n
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News broke on this a few months ago, and I jumped ship. Their failed music app is another reason I ditched their ecosystem. Kept crashing; music would pause mid-song; couldn’t play downloaded music offline without a data connection.\n
\n
Video service had such poor title coverage and nothing compelling for the price. As many others have said, the value proposition didn’t work. Enshittification is in full swing. Sail the high seas.
"""
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…2
} |
|
Show voter details
|
37 |
DENIED
|
ROLE_USER
|
null |
|
Show voter details
|
38 |
DENIED
|
moderate
|
App\Entity\EntryComment {#2208
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I think I might cancel. I’m not watching ads and I’m not going to pay the extra $3/mo to opt out. I don’t know if I’d end up paying more than the subscription cost in shipping though…\n
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…2
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[arstechnica.com/…/amazon-jacks-up-price-of-ad-fre…](https://arstechnica.com/gadgets/2023/09/amazon-jacks-up-price-of-ad-free-prime-video-by-2-99-starting-in-2024/)\n
\n
News broke on this a few months ago, and I jumped ship. Their failed music app is another reason I ditched their ecosystem. Kept crashing; music would pause mid-song; couldn’t play downloaded music offline without a data connection.\n
\n
Video service had such poor title coverage and nothing compelling for the price. As many others have said, the value proposition didn’t work. Enshittification is in full swing. Sail the high seas.
"""
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} |
|
Show voter details
|
39 |
DENIED
|
edit
|
App\Entity\EntryComment {#2208
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+title: "Prime is adding ads to their streaming service"
+url: null
+body: """
I think I might cancel. I’m not watching ads and I’m not going to pay the extra $3/mo to opt out. I don’t know if I’d end up paying more than the subscription cost in shipping though…\n
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…2
}
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[arstechnica.com/…/amazon-jacks-up-price-of-ad-fre…](https://arstechnica.com/gadgets/2023/09/amazon-jacks-up-price-of-ad-free-prime-video-by-2-99-starting-in-2024/)\n
\n
News broke on this a few months ago, and I jumped ship. Their failed music app is another reason I ditched their ecosystem. Kept crashing; music would pause mid-song; couldn’t play downloaded music offline without a data connection.\n
\n
Video service had such poor title coverage and nothing compelling for the price. As many others have said, the value proposition didn’t work. Enshittification is in full swing. Sail the high seas.
"""
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} |
|
Show voter details
|
40 |
DENIED
|
moderate
|
App\Entity\EntryComment {#2208
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+entry: Proxies\__CG__\App\Entity\Entry {#2209
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I think I might cancel. I’m not watching ads and I’m not going to pay the extra $3/mo to opt out. I don’t know if I’d end up paying more than the subscription cost in shipping though…\n
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[arstechnica.com/…/amazon-jacks-up-price-of-ad-fre…](https://arstechnica.com/gadgets/2023/09/amazon-jacks-up-price-of-ad-free-prime-video-by-2-99-starting-in-2024/)\n
\n
News broke on this a few months ago, and I jumped ship. Their failed music app is another reason I ditched their ecosystem. Kept crashing; music would pause mid-song; couldn’t play downloaded music offline without a data connection.\n
\n
Video service had such poor title coverage and nothing compelling for the price. As many others have said, the value proposition didn’t work. Enshittification is in full swing. Sail the high seas.
"""
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Show voter details
|
41 |
DENIED
|
ROLE_USER
|
null |
|
Show voter details
|
42 |
DENIED
|
moderate
|
Proxies\__CG__\App\Entity\Entry {#2290
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Didn’t the show runner say that the dumb public was to blame for the failure of the show?\n
\n
Edit: he blamed dumb Americans.\n
\n
> Baginski said, “When a series is made for a huge mass of viewers, with different experiences, from different parts of the world, and a large part of them are Americans, these simplifications not only make sense, they are necessary.”
"""
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…2
} |
|
Show voter details
|
43 |
DENIED
|
edit
|
Proxies\__CG__\App\Entity\Entry {#2290
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Didn’t the show runner say that the dumb public was to blame for the failure of the show?\n
\n
Edit: he blamed dumb Americans.\n
\n
> Baginski said, “When a series is made for a huge mass of viewers, with different experiences, from different parts of the world, and a large part of them are Americans, these simplifications not only make sense, they are necessary.”
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…2
} |
|
Show voter details
|
44 |
DENIED
|
moderate
|
Proxies\__CG__\App\Entity\Entry {#2290
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Didn’t the show runner say that the dumb public was to blame for the failure of the show?\n
\n
Edit: he blamed dumb Americans.\n
\n
> Baginski said, “When a series is made for a huge mass of viewers, with different experiences, from different parts of the world, and a large part of them are Americans, these simplifications not only make sense, they are necessary.”
"""
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…2
} |
|
Show voter details
|
45 |
DENIED
|
ROLE_USER
|
null |
|
Show voter details
|
46 |
DENIED
|
moderate
|
App\Entity\EntryComment {#2294
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Didn’t the show runner say that the dumb public was to blame for the failure of the show?\n
\n
Edit: he blamed dumb Americans.\n
\n
> Baginski said, “When a series is made for a huge mass of viewers, with different experiences, from different parts of the world, and a large part of them are Americans, these simplifications not only make sense, they are necessary.”
"""
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}
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date: 2023-12-19 18:10:10.0 +01:00
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} |
|
Show voter details
|
47 |
DENIED
|
edit
|
App\Entity\EntryComment {#2294
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…2
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Didn’t the show runner say that the dumb public was to blame for the failure of the show?\n
\n
Edit: he blamed dumb Americans.\n
\n
> Baginski said, “When a series is made for a huge mass of viewers, with different experiences, from different parts of the world, and a large part of them are Americans, these simplifications not only make sense, they are necessary.”
"""
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Show voter details
|
48 |
DENIED
|
moderate
|
App\Entity\EntryComment {#2294
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Didn’t the show runner say that the dumb public was to blame for the failure of the show?\n
\n
Edit: he blamed dumb Americans.\n
\n
> Baginski said, “When a series is made for a huge mass of viewers, with different experiences, from different parts of the world, and a large part of them are Americans, these simplifications not only make sense, they are necessary.”
"""
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|
Show voter details
|
49 |
DENIED
|
ROLE_USER
|
null |
|
Show voter details
|
50 |
DENIED
|
moderate
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|
Show voter details
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51 |
DENIED
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edit
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Proxies\__CG__\App\Entity\Entry {#2217
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|
Show voter details
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52 |
DENIED
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moderate
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Proxies\__CG__\App\Entity\Entry {#2217
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Show voter details
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53 |
DENIED
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ROLE_USER
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null |
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Show voter details
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54 |
DENIED
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moderate
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App\Entity\EntryComment {#2219
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Show voter details
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55 |
DENIED
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edit
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App\Entity\EntryComment {#2219
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Show voter details
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56 |
DENIED
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moderate
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App\Entity\EntryComment {#2219
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57 |
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58 |
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59 |
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edit
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60 |
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61 |
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62 |
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App\Entity\EntryComment {#2297
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63 |
DENIED
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edit
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App\Entity\EntryComment {#2297
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Show voter details
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64 |
DENIED
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moderate
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App\Entity\EntryComment {#2297
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…2
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+"title": 206159
} |
|
Show voter details
|
65 |
DENIED
|
ROLE_USER
|
null |
|
Show voter details
|
66 |
DENIED
|
moderate
|
Proxies\__CG__\App\Entity\Entry {#2162
+user: Proxies\__CG__\App\Entity\User {#3303 …}
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+slug: "Court-Cloudflare-is-Liable-for-Pirate-Site-But-Not-as"
+title: "Court: Cloudflare is Liable for Pirate Site, But Not as a DNS Provider"
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1 => App\Entity\EntryComment {#2230
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+image: null
+parent: null
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> The music industry welcomed the development, stating that a service that helps infringers evade prosecution through anonymization also acts illegally.\n
\n
But a service that artificially inflates revenues with shady accounting of song plays while simultaneously withholding payments toward creators, that’s totally not criminal.\n
\n
-Also the music industry\n
\n
Copyright laws based in the eighteenth century sure are awesome when applying analog scarcity to the digital world! /s
"""
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date: 2023-11-28 20:05:49.0 +01:00
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I’m for publishers and other representatives of the old system pulling away from the digital world close to entirely. Their whole business model requires scarcity that used to exist when creators were on the other side of the world and fans were lucky to have them come within 200 miles for a chance to enjoy them, and in the meantime, want to buy a record to experience them at home.\n
\n
Now, creators can be in our hands, on our desks, and easily in our living rooms. The middlemen that brought those scarce physical objects to us (records, tapes, vhs and audio, books, etc) aren’t needed anymore, because the distribution of the art or idea is instant and on demand and already paid for by the communications package we all subscribe to.\n
\n
Fans can connect directly with creators, who no longer need millions of fans to give them a huge slice of overall music (or other creative work) revenue. Just a few hundred devoted fans is enough to live comfortably, instead of being a superstar.\n
\n
I’m dreaming, though…\n
\n
ETA: the publishers could rethink their role and evolve to help creatives reach their audience, but, currently, they impede that. Creatives do better (per fan) when they know their fans and can connect directly with them.
"""
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date: 2023-11-28 19:09:00.0 +01:00
}
+__isInitialized__: true
…2
} |
|
Show voter details
|
67 |
DENIED
|
edit
|
Proxies\__CG__\App\Entity\Entry {#2162
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1 => App\Entity\EntryComment {#2230
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+parent: null
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> The music industry welcomed the development, stating that a service that helps infringers evade prosecution through anonymization also acts illegally.\n
\n
But a service that artificially inflates revenues with shady accounting of song plays while simultaneously withholding payments toward creators, that’s totally not criminal.\n
\n
-Also the music industry\n
\n
Copyright laws based in the eighteenth century sure are awesome when applying analog scarcity to the digital world! /s
"""
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date: 2023-11-28 20:05:49.0 +01:00
}
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}
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I’m for publishers and other representatives of the old system pulling away from the digital world close to entirely. Their whole business model requires scarcity that used to exist when creators were on the other side of the world and fans were lucky to have them come within 200 miles for a chance to enjoy them, and in the meantime, want to buy a record to experience them at home.\n
\n
Now, creators can be in our hands, on our desks, and easily in our living rooms. The middlemen that brought those scarce physical objects to us (records, tapes, vhs and audio, books, etc) aren’t needed anymore, because the distribution of the art or idea is instant and on demand and already paid for by the communications package we all subscribe to.\n
\n
Fans can connect directly with creators, who no longer need millions of fans to give them a huge slice of overall music (or other creative work) revenue. Just a few hundred devoted fans is enough to live comfortably, instead of being a superstar.\n
\n
I’m dreaming, though…\n
\n
ETA: the publishers could rethink their role and evolve to help creatives reach their audience, but, currently, they impede that. Creatives do better (per fan) when they know their fans and can connect directly with them.
"""
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"@hal_5700X@lemmy.world"
"@s38b35M5@lemmy.world"
"@wolfshadowheart@kbin.social"
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date: 2023-12-08 19:01:01.0 +01:00
}
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date: 2023-11-29 02:46:46.0 +01:00
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0 => App\Entity\EntryComment {#2163}
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date: 2023-11-28 19:09:00.0 +01:00
}
+__isInitialized__: true
…2
} |
|
Show voter details
|
68 |
DENIED
|
moderate
|
Proxies\__CG__\App\Entity\Entry {#2162
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+slug: "Court-Cloudflare-is-Liable-for-Pirate-Site-But-Not-as"
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1 => App\Entity\EntryComment {#2230
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+parent: null
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> The music industry welcomed the development, stating that a service that helps infringers evade prosecution through anonymization also acts illegally.\n
\n
But a service that artificially inflates revenues with shady accounting of song plays while simultaneously withholding payments toward creators, that’s totally not criminal.\n
\n
-Also the music industry\n
\n
Copyright laws based in the eighteenth century sure are awesome when applying analog scarcity to the digital world! /s
"""
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date: 2023-11-28 20:05:49.0 +01:00
}
+"title": 174489
}
+body: """
I’m for publishers and other representatives of the old system pulling away from the digital world close to entirely. Their whole business model requires scarcity that used to exist when creators were on the other side of the world and fans were lucky to have them come within 200 miles for a chance to enjoy them, and in the meantime, want to buy a record to experience them at home.\n
\n
Now, creators can be in our hands, on our desks, and easily in our living rooms. The middlemen that brought those scarce physical objects to us (records, tapes, vhs and audio, books, etc) aren’t needed anymore, because the distribution of the art or idea is instant and on demand and already paid for by the communications package we all subscribe to.\n
\n
Fans can connect directly with creators, who no longer need millions of fans to give them a huge slice of overall music (or other creative work) revenue. Just a few hundred devoted fans is enough to live comfortably, instead of being a superstar.\n
\n
I’m dreaming, though…\n
\n
ETA: the publishers could rethink their role and evolve to help creatives reach their audience, but, currently, they impede that. Creatives do better (per fan) when they know their fans and can connect directly with them.
"""
+lang: "en"
+isAdult: false
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+score: 0
+lastActive: DateTime @1701222406 {#2214
date: 2023-11-29 02:46:46.0 +01:00
}
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"@hal_5700X@lemmy.world"
"@s38b35M5@lemmy.world"
"@wolfshadowheart@kbin.social"
]
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+nested: Doctrine\ORM\PersistentCollection {#2228 …}
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-id: 175635
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+editedAt: DateTimeImmutable @1702058461 {#2213
date: 2023-12-08 19:01:01.0 +01:00
}
+createdAt: DateTimeImmutable @1701222406 {#2225
date: 2023-11-29 02:46:46.0 +01:00
}
+"title": 175635
}
0 => App\Entity\EntryComment {#2163}
]
-id: 17911
-titleTs: "'cloudflar':2 'court':1 'dns':12 'liabl':4 'pirat':6 'provid':13 'site':7"
-bodyTs: null
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+createdAt: DateTimeImmutable @1701194940 {#3325
date: 2023-11-28 19:09:00.0 +01:00
}
+__isInitialized__: true
…2
} |
|
Show voter details
|
69 |
DENIED
|
ROLE_USER
|
null |
|
Show voter details
|
70 |
DENIED
|
moderate
|
App\Entity\EntryComment {#2230
+user: App\Entity\User {#265 …}
+entry: Proxies\__CG__\App\Entity\Entry {#2162
+user: Proxies\__CG__\App\Entity\User {#3303 …}
+magazine: Proxies\__CG__\App\Entity\Magazine {#1680 …}
+image: Proxies\__CG__\App\Entity\Image {#3344 …}
+domain: Proxies\__CG__\App\Entity\Domain {#3346 …}
+slug: "Court-Cloudflare-is-Liable-for-Pirate-Site-But-Not-as"
+title: "Court: Cloudflare is Liable for Pirate Site, But Not as a DNS Provider"
+url: "https://torrentfreak.com/court-cloudflare-is-liable-for-pirate-site-but-not-as-a-dns-provider-231127/"
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}
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1 => App\Entity\EntryComment {#2230}
0 => App\Entity\EntryComment {#2163
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+magazine: Proxies\__CG__\App\Entity\Magazine {#1680 …}
+image: null
+parent: null
+root: null
+body: """
> The music industry welcomed the development, stating that a service that helps infringers evade prosecution through anonymization also acts illegally.\n
\n
But a service that artificially inflates revenues with shady accounting of song plays while simultaneously withholding payments toward creators, that’s totally not criminal.\n
\n
-Also the music industry\n
\n
Copyright laws based in the eighteenth century sure are awesome when applying analog scarcity to the digital world! /s
"""
+lang: "en"
+isAdult: false
+favouriteCount: 92
+score: 0
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date: 2023-12-14 22:10:31.0 +01:00
}
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"@hal_5700X@lemmy.world"
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date: 2023-11-28 20:05:49.0 +01:00
}
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}
]
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date: 2023-11-28 19:09:00.0 +01:00
}
+__isInitialized__: true
…2
}
+magazine: Proxies\__CG__\App\Entity\Magazine {#1680 …}
+image: null
+parent: Proxies\__CG__\App\Entity\EntryComment {#2231 …}
+root: App\Entity\EntryComment {#2163}
+body: """
I’m for publishers and other representatives of the old system pulling away from the digital world close to entirely. Their whole business model requires scarcity that used to exist when creators were on the other side of the world and fans were lucky to have them come within 200 miles for a chance to enjoy them, and in the meantime, want to buy a record to experience them at home.\n
\n
Now, creators can be in our hands, on our desks, and easily in our living rooms. The middlemen that brought those scarce physical objects to us (records, tapes, vhs and audio, books, etc) aren’t needed anymore, because the distribution of the art or idea is instant and on demand and already paid for by the communications package we all subscribe to.\n
\n
Fans can connect directly with creators, who no longer need millions of fans to give them a huge slice of overall music (or other creative work) revenue. Just a few hundred devoted fans is enough to live comfortably, instead of being a superstar.\n
\n
I’m dreaming, though…\n
\n
ETA: the publishers could rethink their role and evolve to help creatives reach their audience, but, currently, they impede that. Creatives do better (per fan) when they know their fans and can connect directly with them.
"""
+lang: "en"
+isAdult: false
+favouriteCount: 12
+score: 0
+lastActive: DateTime @1701222406 {#2214
date: 2023-11-29 02:46:46.0 +01:00
}
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"@hal_5700X@lemmy.world"
"@s38b35M5@lemmy.world"
"@wolfshadowheart@kbin.social"
]
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-id: 175635
-bodyTs: "'200':50 'alreadi':123 'anymor':108 'aren':105 'art':114 'audienc':195 'audio':102 'away':13 'better':203 'book':103 'brought':91 'busi':23 'buy':64 'chanc':54 'close':18 'come':48 'comfort':171 'communic':128 'connect':136,213 'could':184 'creativ':158,192,201 'creator':32,73,139 'current':197 'demand':121 'desk':81 'devot':165 'digit':16 'direct':137,214 'distribut':111 'dream':179 'easili':83 'enjoy':56 'enough':168 'entir':20 'eta':181 'etc':104 'evolv':189 'exist':30 'experi':68 'fan':42,134,146,166,205,210 'give':148 'hand':78 'help':191 'home':71 'huge':151 'hundr':164 'idea':116 'imped':199 'instant':118 'instead':172 'know':208 'live':86,170 'longer':142 'lucki':44 'm':2,178 'meantim':61 'middlemen':89 'mile':51 'million':144 'model':24 'music':155 'need':107,143 'object':95 'old':10 'overal':154 'packag':129 'paid':124 'per':204 'physic':94 'publish':4,183 'pull':12 'reach':193 'record':66,98 'repres':7 'requir':25 'rethink':185 'revenu':160 'role':187 'room':87 'scarc':93 'scarciti':26 'side':37 'slice':152 'subscrib':132 'superstar':176 'system':11 'tape':99 'though':180 'us':97 'use':28 'vhs':100 'want':62 'whole':22 'within':49 'work':159 'world':17,40"
+ranking: 0
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+editedAt: DateTimeImmutable @1702058461 {#2213
date: 2023-12-08 19:01:01.0 +01:00
}
+createdAt: DateTimeImmutable @1701222406 {#2225
date: 2023-11-29 02:46:46.0 +01:00
}
+"title": 175635
} |
|
Show voter details
|
71 |
DENIED
|
edit
|
App\Entity\EntryComment {#2230
+user: App\Entity\User {#265 …}
+entry: Proxies\__CG__\App\Entity\Entry {#2162
+user: Proxies\__CG__\App\Entity\User {#3303 …}
+magazine: Proxies\__CG__\App\Entity\Magazine {#1680 …}
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+title: "Court: Cloudflare is Liable for Pirate Site, But Not as a DNS Provider"
+url: "https://torrentfreak.com/court-cloudflare-is-liable-for-pirate-site-but-not-as-a-dns-provider-231127/"
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}
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1 => App\Entity\EntryComment {#2230}
0 => App\Entity\EntryComment {#2163
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+magazine: Proxies\__CG__\App\Entity\Magazine {#1680 …}
+image: null
+parent: null
+root: null
+body: """
> The music industry welcomed the development, stating that a service that helps infringers evade prosecution through anonymization also acts illegally.\n
\n
But a service that artificially inflates revenues with shady accounting of song plays while simultaneously withholding payments toward creators, that’s totally not criminal.\n
\n
-Also the music industry\n
\n
Copyright laws based in the eighteenth century sure are awesome when applying analog scarcity to the digital world! /s
"""
+lang: "en"
+isAdult: false
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date: 2023-12-14 22:10:31.0 +01:00
}
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"@hal_5700X@lemmy.world"
]
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date: 2023-11-28 20:05:49.0 +01:00
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]
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date: 2023-11-28 19:09:00.0 +01:00
}
+__isInitialized__: true
…2
}
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+image: null
+parent: Proxies\__CG__\App\Entity\EntryComment {#2231 …}
+root: App\Entity\EntryComment {#2163}
+body: """
I’m for publishers and other representatives of the old system pulling away from the digital world close to entirely. Their whole business model requires scarcity that used to exist when creators were on the other side of the world and fans were lucky to have them come within 200 miles for a chance to enjoy them, and in the meantime, want to buy a record to experience them at home.\n
\n
Now, creators can be in our hands, on our desks, and easily in our living rooms. The middlemen that brought those scarce physical objects to us (records, tapes, vhs and audio, books, etc) aren’t needed anymore, because the distribution of the art or idea is instant and on demand and already paid for by the communications package we all subscribe to.\n
\n
Fans can connect directly with creators, who no longer need millions of fans to give them a huge slice of overall music (or other creative work) revenue. Just a few hundred devoted fans is enough to live comfortably, instead of being a superstar.\n
\n
I’m dreaming, though…\n
\n
ETA: the publishers could rethink their role and evolve to help creatives reach their audience, but, currently, they impede that. Creatives do better (per fan) when they know their fans and can connect directly with them.
"""
+lang: "en"
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date: 2023-11-29 02:46:46.0 +01:00
}
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"@hal_5700X@lemmy.world"
"@s38b35M5@lemmy.world"
"@wolfshadowheart@kbin.social"
]
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-id: 175635
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+editedAt: DateTimeImmutable @1702058461 {#2213
date: 2023-12-08 19:01:01.0 +01:00
}
+createdAt: DateTimeImmutable @1701222406 {#2225
date: 2023-11-29 02:46:46.0 +01:00
}
+"title": 175635
} |
|
Show voter details
|
72 |
DENIED
|
moderate
|
App\Entity\EntryComment {#2230
+user: App\Entity\User {#265 …}
+entry: Proxies\__CG__\App\Entity\Entry {#2162
+user: Proxies\__CG__\App\Entity\User {#3303 …}
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1 => App\Entity\EntryComment {#2230}
0 => App\Entity\EntryComment {#2163
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+parent: null
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+body: """
> The music industry welcomed the development, stating that a service that helps infringers evade prosecution through anonymization also acts illegally.\n
\n
But a service that artificially inflates revenues with shady accounting of song plays while simultaneously withholding payments toward creators, that’s totally not criminal.\n
\n
-Also the music industry\n
\n
Copyright laws based in the eighteenth century sure are awesome when applying analog scarcity to the digital world! /s
"""
+lang: "en"
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date: 2023-12-14 22:10:31.0 +01:00
}
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"@hal_5700X@lemmy.world"
]
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date: 2023-11-28 20:05:49.0 +01:00
}
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}
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date: 2023-11-28 19:09:00.0 +01:00
}
+__isInitialized__: true
…2
}
+magazine: Proxies\__CG__\App\Entity\Magazine {#1680 …}
+image: null
+parent: Proxies\__CG__\App\Entity\EntryComment {#2231 …}
+root: App\Entity\EntryComment {#2163}
+body: """
I’m for publishers and other representatives of the old system pulling away from the digital world close to entirely. Their whole business model requires scarcity that used to exist when creators were on the other side of the world and fans were lucky to have them come within 200 miles for a chance to enjoy them, and in the meantime, want to buy a record to experience them at home.\n
\n
Now, creators can be in our hands, on our desks, and easily in our living rooms. The middlemen that brought those scarce physical objects to us (records, tapes, vhs and audio, books, etc) aren’t needed anymore, because the distribution of the art or idea is instant and on demand and already paid for by the communications package we all subscribe to.\n
\n
Fans can connect directly with creators, who no longer need millions of fans to give them a huge slice of overall music (or other creative work) revenue. Just a few hundred devoted fans is enough to live comfortably, instead of being a superstar.\n
\n
I’m dreaming, though…\n
\n
ETA: the publishers could rethink their role and evolve to help creatives reach their audience, but, currently, they impede that. Creatives do better (per fan) when they know their fans and can connect directly with them.
"""
+lang: "en"
+isAdult: false
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date: 2023-11-29 02:46:46.0 +01:00
}
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"@hal_5700X@lemmy.world"
"@s38b35M5@lemmy.world"
"@wolfshadowheart@kbin.social"
]
+children: Doctrine\ORM\PersistentCollection {#2232 …}
+nested: Doctrine\ORM\PersistentCollection {#2228 …}
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date: 2023-12-08 19:01:01.0 +01:00
}
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date: 2023-11-29 02:46:46.0 +01:00
}
+"title": 175635
} |
|
Show voter details
|
73 |
DENIED
|
ROLE_USER
|
null |
|
Show voter details
|
74 |
DENIED
|
moderate
|
App\Entity\EntryComment {#2163
+user: App\Entity\User {#265 …}
+entry: Proxies\__CG__\App\Entity\Entry {#2162
+user: Proxies\__CG__\App\Entity\User {#3303 …}
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+image: Proxies\__CG__\App\Entity\Image {#3344 …}
+domain: Proxies\__CG__\App\Entity\Domain {#3346 …}
+slug: "Court-Cloudflare-is-Liable-for-Pirate-Site-But-Not-as"
+title: "Court: Cloudflare is Liable for Pirate Site, But Not as a DNS Provider"
+url: "https://torrentfreak.com/court-cloudflare-is-liable-for-pirate-site-but-not-as-a-dns-provider-231127/"
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1 => App\Entity\EntryComment {#2230
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+entry: Proxies\__CG__\App\Entity\Entry {#2162 …2}
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+image: null
+parent: Proxies\__CG__\App\Entity\EntryComment {#2231 …}
+root: App\Entity\EntryComment {#2163}
+body: """
I’m for publishers and other representatives of the old system pulling away from the digital world close to entirely. Their whole business model requires scarcity that used to exist when creators were on the other side of the world and fans were lucky to have them come within 200 miles for a chance to enjoy them, and in the meantime, want to buy a record to experience them at home.\n
\n
Now, creators can be in our hands, on our desks, and easily in our living rooms. The middlemen that brought those scarce physical objects to us (records, tapes, vhs and audio, books, etc) aren’t needed anymore, because the distribution of the art or idea is instant and on demand and already paid for by the communications package we all subscribe to.\n
\n
Fans can connect directly with creators, who no longer need millions of fans to give them a huge slice of overall music (or other creative work) revenue. Just a few hundred devoted fans is enough to live comfortably, instead of being a superstar.\n
\n
I’m dreaming, though…\n
\n
ETA: the publishers could rethink their role and evolve to help creatives reach their audience, but, currently, they impede that. Creatives do better (per fan) when they know their fans and can connect directly with them.
"""
+lang: "en"
+isAdult: false
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date: 2023-11-29 02:46:46.0 +01:00
}
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"@s38b35M5@lemmy.world"
"@wolfshadowheart@kbin.social"
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date: 2023-12-08 19:01:01.0 +01:00
}
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date: 2023-11-29 02:46:46.0 +01:00
}
+"title": 175635
}
0 => App\Entity\EntryComment {#2163}
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-id: 17911
-titleTs: "'cloudflar':2 'court':1 'dns':12 'liabl':4 'pirat':6 'provid':13 'site':7"
-bodyTs: null
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+apId: "https://lemmy.world/post/8880872"
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date: 2023-11-28 19:09:00.0 +01:00
}
+__isInitialized__: true
…2
}
+magazine: Proxies\__CG__\App\Entity\Magazine {#1680 …}
+image: null
+parent: null
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> The music industry welcomed the development, stating that a service that helps infringers evade prosecution through anonymization also acts illegally.\n
\n
But a service that artificially inflates revenues with shady accounting of song plays while simultaneously withholding payments toward creators, that’s totally not criminal.\n
\n
-Also the music industry\n
\n
Copyright laws based in the eighteenth century sure are awesome when applying analog scarcity to the digital world! /s
"""
+lang: "en"
+isAdult: false
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date: 2023-12-14 22:10:31.0 +01:00
}
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"@hal_5700X@lemmy.world"
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date: 2023-11-28 20:05:49.0 +01:00
}
+"title": 174489
} |
|
Show voter details
|
75 |
DENIED
|
edit
|
App\Entity\EntryComment {#2163
+user: App\Entity\User {#265 …}
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}
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+children: [
1 => App\Entity\EntryComment {#2230
+user: App\Entity\User {#265 …}
+entry: Proxies\__CG__\App\Entity\Entry {#2162 …2}
+magazine: Proxies\__CG__\App\Entity\Magazine {#1680 …}
+image: null
+parent: Proxies\__CG__\App\Entity\EntryComment {#2231 …}
+root: App\Entity\EntryComment {#2163}
+body: """
I’m for publishers and other representatives of the old system pulling away from the digital world close to entirely. Their whole business model requires scarcity that used to exist when creators were on the other side of the world and fans were lucky to have them come within 200 miles for a chance to enjoy them, and in the meantime, want to buy a record to experience them at home.\n
\n
Now, creators can be in our hands, on our desks, and easily in our living rooms. The middlemen that brought those scarce physical objects to us (records, tapes, vhs and audio, books, etc) aren’t needed anymore, because the distribution of the art or idea is instant and on demand and already paid for by the communications package we all subscribe to.\n
\n
Fans can connect directly with creators, who no longer need millions of fans to give them a huge slice of overall music (or other creative work) revenue. Just a few hundred devoted fans is enough to live comfortably, instead of being a superstar.\n
\n
I’m dreaming, though…\n
\n
ETA: the publishers could rethink their role and evolve to help creatives reach their audience, but, currently, they impede that. Creatives do better (per fan) when they know their fans and can connect directly with them.
"""
+lang: "en"
+isAdult: false
+favouriteCount: 12
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date: 2023-11-29 02:46:46.0 +01:00
}
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"@hal_5700X@lemmy.world"
"@s38b35M5@lemmy.world"
"@wolfshadowheart@kbin.social"
]
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-id: 175635
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}
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date: 2023-11-29 02:46:46.0 +01:00
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}
0 => App\Entity\EntryComment {#2163}
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date: 2023-11-28 19:09:00.0 +01:00
}
+__isInitialized__: true
…2
}
+magazine: Proxies\__CG__\App\Entity\Magazine {#1680 …}
+image: null
+parent: null
+root: null
+body: """
> The music industry welcomed the development, stating that a service that helps infringers evade prosecution through anonymization also acts illegally.\n
\n
But a service that artificially inflates revenues with shady accounting of song plays while simultaneously withholding payments toward creators, that’s totally not criminal.\n
\n
-Also the music industry\n
\n
Copyright laws based in the eighteenth century sure are awesome when applying analog scarcity to the digital world! /s
"""
+lang: "en"
+isAdult: false
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date: 2023-12-14 22:10:31.0 +01:00
}
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"@hal_5700X@lemmy.world"
]
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-id: 174489
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+createdAt: DateTimeImmutable @1701198349 {#2160
date: 2023-11-28 20:05:49.0 +01:00
}
+"title": 174489
} |
|
Show voter details
|
76 |
DENIED
|
moderate
|
App\Entity\EntryComment {#2163
+user: App\Entity\User {#265 …}
+entry: Proxies\__CG__\App\Entity\Entry {#2162
+user: Proxies\__CG__\App\Entity\User {#3303 …}
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}
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1 => App\Entity\EntryComment {#2230
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+entry: Proxies\__CG__\App\Entity\Entry {#2162 …2}
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+image: null
+parent: Proxies\__CG__\App\Entity\EntryComment {#2231 …}
+root: App\Entity\EntryComment {#2163}
+body: """
I’m for publishers and other representatives of the old system pulling away from the digital world close to entirely. Their whole business model requires scarcity that used to exist when creators were on the other side of the world and fans were lucky to have them come within 200 miles for a chance to enjoy them, and in the meantime, want to buy a record to experience them at home.\n
\n
Now, creators can be in our hands, on our desks, and easily in our living rooms. The middlemen that brought those scarce physical objects to us (records, tapes, vhs and audio, books, etc) aren’t needed anymore, because the distribution of the art or idea is instant and on demand and already paid for by the communications package we all subscribe to.\n
\n
Fans can connect directly with creators, who no longer need millions of fans to give them a huge slice of overall music (or other creative work) revenue. Just a few hundred devoted fans is enough to live comfortably, instead of being a superstar.\n
\n
I’m dreaming, though…\n
\n
ETA: the publishers could rethink their role and evolve to help creatives reach their audience, but, currently, they impede that. Creatives do better (per fan) when they know their fans and can connect directly with them.
"""
+lang: "en"
+isAdult: false
+favouriteCount: 12
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date: 2023-11-29 02:46:46.0 +01:00
}
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"@hal_5700X@lemmy.world"
"@s38b35M5@lemmy.world"
"@wolfshadowheart@kbin.social"
]
+children: Doctrine\ORM\PersistentCollection {#2232 …}
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date: 2023-12-08 19:01:01.0 +01:00
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date: 2023-11-29 02:46:46.0 +01:00
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0 => App\Entity\EntryComment {#2163}
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date: 2023-11-28 19:09:00.0 +01:00
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> The music industry welcomed the development, stating that a service that helps infringers evade prosecution through anonymization also acts illegally.\n
\n
But a service that artificially inflates revenues with shady accounting of song plays while simultaneously withholding payments toward creators, that’s totally not criminal.\n
\n
-Also the music industry\n
\n
Copyright laws based in the eighteenth century sure are awesome when applying analog scarcity to the digital world! /s
"""
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|
Show voter details
|
77 |
DENIED
|
ROLE_USER
|
null |
|
Show voter details
|
78 |
DENIED
|
moderate
|
App\Entity\Entry {#1724
+user: App\Entity\User {#265 …}
+magazine: Proxies\__CG__\App\Entity\Magazine {#1680 …}
+image: null
+domain: Proxies\__CG__\App\Entity\Domain {#1554 …}
+slug: "YouTube-Ad-Blocker-policy-Can-it-be-explained-by-ad-revenue"
+title: "YouTube Ad-Blocker policy - Can it be explained by ad revenue numbers?"
+url: null
+body: """
**First, a disclaimer: I’m no expert, and I only know what is on these documents I linked. I haven’t read in-depth reporting by real investigative journalists, nor any reporting sourced or quoted from YT insiders** (When I see articles about the ad-blocking, I knock wood that SmartTube is still working and keep scrolling, keen to avoid getting angry at another trillion-dollar company).\n
\n
I’ve been doing some light research into Alphabet’s YT ad revenue numbers today on my lunch hour. [Here](https://abc.xyz/investor/) is where you find that info.\n
\n
My curiousity was piqued by a few posts here and elsewhere regarding YouTube’s new push to eliminate ad-blockers that indicate the push is because they’ve been losing money. Per my plebian understanding of these documents: Rather than a substantial decrease, YT had finally seen a ‘leveling off’ of ad revenue that had previously been enjoying explosive growth for the available history I can view. The historical (according to the data I have available to me) 32-43% increase in revenue leveling in 2022 to almost -2% is likely responsible for this push to more vigorously monetize users.\n
\n
It’s not easy to relate to earnings when they have to be counted in “thousands of millions” of dollars, but if we reduce it all to simple percentages, I suppose we can agree at least that the data they are working from *does* show a drop in revenue. I suspect (as many do) that the loss in revenue growth in Q3 2022 could at least motivate them to look for ways to make more growth. Where we may find debate is on the concept that growth must continue into infinity.\n
\n
#Notes\n
\n
The links below are for Q3, so we’re comparing apples>apples. Earnings are provided in millions ($1,000 = $1B) My percentages after the link include ONLY YouTube Ad revenues, not the rest of YT revenues, which are liumped into “Google Other.” Revenue!=Profit, and YT expenses are hard (read:impossible) to discern from this simplified report.\n
\n
[Q3 2020](https://web.archive.org/web/20231127210329/https://abc.xyz/assets/c9/43/e5378ab141d4a9d819df4e5a81cf/2020q3-alphabet-earnings-release.pdf), YT ad revenue up 32.42% from same period in 2019 ($3.80B to $5.03B).\n
\n
[Q3 2021](https://web.archive.org/web/20220617092830/https://abc.xyz/investor/static/pdf/2021Q3_alphabet_earnings_release.pdf?cache=f1ba3f6), YT ad revenue up 43.04% from same period in 2020 ($5.03B to $7.20B).\n
\n
[Q3 2022](https://web.archive.org/web/20231127205154/https://abc.xyz/assets/b1/d0/c66d744443e698fd63a3ae81e12a/2022q3-alphabet-earnings-release.pdf), YT ad revenue down 1.86% from same period in 2021 ($7.20B to $7.07B).\n
\n
[Q3 2023](https://web.archive.org/web/20231127023748/https://abc.xyz/assets/4a/3e/3e08902c4a45b5cf530e267cf818/2023q3-alphabet-earnings-release.pdf), YT ad revenue up 12.45% from same period in 2022 ($7.07B to $7.95B).\n
\n
I’ve enjoyed the discussion on this topic, with good points being made all over, like how we can’t lose sight of the value a non-ad-viewing user brings to YT simply by watching and increasing viewer counts, subscribing, donating super chat or otherwise, and linking/sharing videos elsewhere.\n
\n
Lastly: My lunch break is over; I can’t respond to any comments for a while, so this is a post-and-run.\n
\n
#YouTube #Google #EarningsReport #AdBlocker\n
\n
EDIT: @db0@lemmy.dbzer0.com if this doesn’t fit the sub please let me know or remove.
"""
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} |
|
Show voter details
|
79 |
DENIED
|
edit
|
App\Entity\Entry {#1724
+user: App\Entity\User {#265 …}
+magazine: Proxies\__CG__\App\Entity\Magazine {#1680 …}
+image: null
+domain: Proxies\__CG__\App\Entity\Domain {#1554 …}
+slug: "YouTube-Ad-Blocker-policy-Can-it-be-explained-by-ad-revenue"
+title: "YouTube Ad-Blocker policy - Can it be explained by ad revenue numbers?"
+url: null
+body: """
**First, a disclaimer: I’m no expert, and I only know what is on these documents I linked. I haven’t read in-depth reporting by real investigative journalists, nor any reporting sourced or quoted from YT insiders** (When I see articles about the ad-blocking, I knock wood that SmartTube is still working and keep scrolling, keen to avoid getting angry at another trillion-dollar company).\n
\n
I’ve been doing some light research into Alphabet’s YT ad revenue numbers today on my lunch hour. [Here](https://abc.xyz/investor/) is where you find that info.\n
\n
My curiousity was piqued by a few posts here and elsewhere regarding YouTube’s new push to eliminate ad-blockers that indicate the push is because they’ve been losing money. Per my plebian understanding of these documents: Rather than a substantial decrease, YT had finally seen a ‘leveling off’ of ad revenue that had previously been enjoying explosive growth for the available history I can view. The historical (according to the data I have available to me) 32-43% increase in revenue leveling in 2022 to almost -2% is likely responsible for this push to more vigorously monetize users.\n
\n
It’s not easy to relate to earnings when they have to be counted in “thousands of millions” of dollars, but if we reduce it all to simple percentages, I suppose we can agree at least that the data they are working from *does* show a drop in revenue. I suspect (as many do) that the loss in revenue growth in Q3 2022 could at least motivate them to look for ways to make more growth. Where we may find debate is on the concept that growth must continue into infinity.\n
\n
#Notes\n
\n
The links below are for Q3, so we’re comparing apples>apples. Earnings are provided in millions ($1,000 = $1B) My percentages after the link include ONLY YouTube Ad revenues, not the rest of YT revenues, which are liumped into “Google Other.” Revenue!=Profit, and YT expenses are hard (read:impossible) to discern from this simplified report.\n
\n
[Q3 2020](https://web.archive.org/web/20231127210329/https://abc.xyz/assets/c9/43/e5378ab141d4a9d819df4e5a81cf/2020q3-alphabet-earnings-release.pdf), YT ad revenue up 32.42% from same period in 2019 ($3.80B to $5.03B).\n
\n
[Q3 2021](https://web.archive.org/web/20220617092830/https://abc.xyz/investor/static/pdf/2021Q3_alphabet_earnings_release.pdf?cache=f1ba3f6), YT ad revenue up 43.04% from same period in 2020 ($5.03B to $7.20B).\n
\n
[Q3 2022](https://web.archive.org/web/20231127205154/https://abc.xyz/assets/b1/d0/c66d744443e698fd63a3ae81e12a/2022q3-alphabet-earnings-release.pdf), YT ad revenue down 1.86% from same period in 2021 ($7.20B to $7.07B).\n
\n
[Q3 2023](https://web.archive.org/web/20231127023748/https://abc.xyz/assets/4a/3e/3e08902c4a45b5cf530e267cf818/2023q3-alphabet-earnings-release.pdf), YT ad revenue up 12.45% from same period in 2022 ($7.07B to $7.95B).\n
\n
I’ve enjoyed the discussion on this topic, with good points being made all over, like how we can’t lose sight of the value a non-ad-viewing user brings to YT simply by watching and increasing viewer counts, subscribing, donating super chat or otherwise, and linking/sharing videos elsewhere.\n
\n
Lastly: My lunch break is over; I can’t respond to any comments for a while, so this is a post-and-run.\n
\n
#YouTube #Google #EarningsReport #AdBlocker\n
\n
EDIT: @db0@lemmy.dbzer0.com if this doesn’t fit the sub please let me know or remove.
"""
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date: 2023-12-06 13:55:11.0 +01:00
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date: 2023-11-27 22:45:04.0 +01:00
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Show voter details
|
80 |
DENIED
|
moderate
|
App\Entity\Entry {#1724
+user: App\Entity\User {#265 …}
+magazine: Proxies\__CG__\App\Entity\Magazine {#1680 …}
+image: null
+domain: Proxies\__CG__\App\Entity\Domain {#1554 …}
+slug: "YouTube-Ad-Blocker-policy-Can-it-be-explained-by-ad-revenue"
+title: "YouTube Ad-Blocker policy - Can it be explained by ad revenue numbers?"
+url: null
+body: """
**First, a disclaimer: I’m no expert, and I only know what is on these documents I linked. I haven’t read in-depth reporting by real investigative journalists, nor any reporting sourced or quoted from YT insiders** (When I see articles about the ad-blocking, I knock wood that SmartTube is still working and keep scrolling, keen to avoid getting angry at another trillion-dollar company).\n
\n
I’ve been doing some light research into Alphabet’s YT ad revenue numbers today on my lunch hour. [Here](https://abc.xyz/investor/) is where you find that info.\n
\n
My curiousity was piqued by a few posts here and elsewhere regarding YouTube’s new push to eliminate ad-blockers that indicate the push is because they’ve been losing money. Per my plebian understanding of these documents: Rather than a substantial decrease, YT had finally seen a ‘leveling off’ of ad revenue that had previously been enjoying explosive growth for the available history I can view. The historical (according to the data I have available to me) 32-43% increase in revenue leveling in 2022 to almost -2% is likely responsible for this push to more vigorously monetize users.\n
\n
It’s not easy to relate to earnings when they have to be counted in “thousands of millions” of dollars, but if we reduce it all to simple percentages, I suppose we can agree at least that the data they are working from *does* show a drop in revenue. I suspect (as many do) that the loss in revenue growth in Q3 2022 could at least motivate them to look for ways to make more growth. Where we may find debate is on the concept that growth must continue into infinity.\n
\n
#Notes\n
\n
The links below are for Q3, so we’re comparing apples>apples. Earnings are provided in millions ($1,000 = $1B) My percentages after the link include ONLY YouTube Ad revenues, not the rest of YT revenues, which are liumped into “Google Other.” Revenue!=Profit, and YT expenses are hard (read:impossible) to discern from this simplified report.\n
\n
[Q3 2020](https://web.archive.org/web/20231127210329/https://abc.xyz/assets/c9/43/e5378ab141d4a9d819df4e5a81cf/2020q3-alphabet-earnings-release.pdf), YT ad revenue up 32.42% from same period in 2019 ($3.80B to $5.03B).\n
\n
[Q3 2021](https://web.archive.org/web/20220617092830/https://abc.xyz/investor/static/pdf/2021Q3_alphabet_earnings_release.pdf?cache=f1ba3f6), YT ad revenue up 43.04% from same period in 2020 ($5.03B to $7.20B).\n
\n
[Q3 2022](https://web.archive.org/web/20231127205154/https://abc.xyz/assets/b1/d0/c66d744443e698fd63a3ae81e12a/2022q3-alphabet-earnings-release.pdf), YT ad revenue down 1.86% from same period in 2021 ($7.20B to $7.07B).\n
\n
[Q3 2023](https://web.archive.org/web/20231127023748/https://abc.xyz/assets/4a/3e/3e08902c4a45b5cf530e267cf818/2023q3-alphabet-earnings-release.pdf), YT ad revenue up 12.45% from same period in 2022 ($7.07B to $7.95B).\n
\n
I’ve enjoyed the discussion on this topic, with good points being made all over, like how we can’t lose sight of the value a non-ad-viewing user brings to YT simply by watching and increasing viewer counts, subscribing, donating super chat or otherwise, and linking/sharing videos elsewhere.\n
\n
Lastly: My lunch break is over; I can’t respond to any comments for a while, so this is a post-and-run.\n
\n
#YouTube #Google #EarningsReport #AdBlocker\n
\n
EDIT: @db0@lemmy.dbzer0.com if this doesn’t fit the sub please let me know or remove.
"""
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Show voter details
|
81 |
DENIED
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ROLE_USER
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null |
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Show voter details
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82 |
DENIED
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moderate
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Proxies\__CG__\App\Entity\Entry {#2110
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+magazine: Proxies\__CG__\App\Entity\Magazine {#1589 …}
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+slug: "My-first-year-using-Linux-My-experience"
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+url: null
+body: """
In the end of November 2022 (1 year ago), I switched from MacOs to Linux (Debian with KDE Plasma) on my MacBook.\n
\n
No regret! Was a very good decision.\n
\n
I think, I’ll never go back.\n
\n
Experience:\n
\n
- I did not know about KDE Plasma until 1 year ago. The picture in my head about Linux was pretty much GNOME. I’m a huge fan of KDE Plasma now. KDE Plasma 6 in 2024 will probably be awesome.\n
- The GitHub repository “Awesome-Linux-Software” was awesome during the first weeks. It made me realize that most of the stuff I was already using, is also available for Linux. Only software I had to leave behind: Affinity Designer (IMO far more intuitive to use than GIMP, sorry FOSS community) and Visual Studio for Mac (which is dead anyway)\n
- The only advanced thing I had to do in the beginning: My WIFI connection is always gone when I close my MacBook, but there is not automatic reconnect when I reopen it. None of the usual stuff recommended when using Debian on a MacBook helped. So, I had to write a service that checks for this (something with rmmod, modprobe, brcmfmac, …). Probably too much for a casual user and hopefully not necessary for them…\n
\n
TODO in the next year:\n
\n
- Trying out gaming on Linux, maybe buying a Steam Deck\n
- Migrating to KDE Plasma 6 (and switching to Wayland)\n
- Recommending our religion Linux to others
"""
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Show voter details
|
83 |
DENIED
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edit
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Proxies\__CG__\App\Entity\Entry {#2110
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+magazine: Proxies\__CG__\App\Entity\Magazine {#1589 …}
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+slug: "My-first-year-using-Linux-My-experience"
+title: "My first year using Linux: My experience"
+url: null
+body: """
In the end of November 2022 (1 year ago), I switched from MacOs to Linux (Debian with KDE Plasma) on my MacBook.\n
\n
No regret! Was a very good decision.\n
\n
I think, I’ll never go back.\n
\n
Experience:\n
\n
- I did not know about KDE Plasma until 1 year ago. The picture in my head about Linux was pretty much GNOME. I’m a huge fan of KDE Plasma now. KDE Plasma 6 in 2024 will probably be awesome.\n
- The GitHub repository “Awesome-Linux-Software” was awesome during the first weeks. It made me realize that most of the stuff I was already using, is also available for Linux. Only software I had to leave behind: Affinity Designer (IMO far more intuitive to use than GIMP, sorry FOSS community) and Visual Studio for Mac (which is dead anyway)\n
- The only advanced thing I had to do in the beginning: My WIFI connection is always gone when I close my MacBook, but there is not automatic reconnect when I reopen it. None of the usual stuff recommended when using Debian on a MacBook helped. So, I had to write a service that checks for this (something with rmmod, modprobe, brcmfmac, …). Probably too much for a casual user and hopefully not necessary for them…\n
\n
TODO in the next year:\n
\n
- Trying out gaming on Linux, maybe buying a Steam Deck\n
- Migrating to KDE Plasma 6 (and switching to Wayland)\n
- Recommending our religion Linux to others
"""
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…2
} |
|
Show voter details
|
84 |
DENIED
|
moderate
|
Proxies\__CG__\App\Entity\Entry {#2110
+user: Proxies\__CG__\App\Entity\User {#3189 …}
+magazine: Proxies\__CG__\App\Entity\Magazine {#1589 …}
+image: null
+domain: Proxies\__CG__\App\Entity\Domain {#1554 …}
+slug: "My-first-year-using-Linux-My-experience"
+title: "My first year using Linux: My experience"
+url: null
+body: """
In the end of November 2022 (1 year ago), I switched from MacOs to Linux (Debian with KDE Plasma) on my MacBook.\n
\n
No regret! Was a very good decision.\n
\n
I think, I’ll never go back.\n
\n
Experience:\n
\n
- I did not know about KDE Plasma until 1 year ago. The picture in my head about Linux was pretty much GNOME. I’m a huge fan of KDE Plasma now. KDE Plasma 6 in 2024 will probably be awesome.\n
- The GitHub repository “Awesome-Linux-Software” was awesome during the first weeks. It made me realize that most of the stuff I was already using, is also available for Linux. Only software I had to leave behind: Affinity Designer (IMO far more intuitive to use than GIMP, sorry FOSS community) and Visual Studio for Mac (which is dead anyway)\n
- The only advanced thing I had to do in the beginning: My WIFI connection is always gone when I close my MacBook, but there is not automatic reconnect when I reopen it. None of the usual stuff recommended when using Debian on a MacBook helped. So, I had to write a service that checks for this (something with rmmod, modprobe, brcmfmac, …). Probably too much for a casual user and hopefully not necessary for them…\n
\n
TODO in the next year:\n
\n
- Trying out gaming on Linux, maybe buying a Steam Deck\n
- Migrating to KDE Plasma 6 (and switching to Wayland)\n
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85 |
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Show voter details
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App\Entity\EntryComment {#2106
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In the end of November 2022 (1 year ago), I switched from MacOs to Linux (Debian with KDE Plasma) on my MacBook.\n
\n
No regret! Was a very good decision.\n
\n
I think, I’ll never go back.\n
\n
Experience:\n
\n
- I did not know about KDE Plasma until 1 year ago. The picture in my head about Linux was pretty much GNOME. I’m a huge fan of KDE Plasma now. KDE Plasma 6 in 2024 will probably be awesome.\n
- The GitHub repository “Awesome-Linux-Software” was awesome during the first weeks. It made me realize that most of the stuff I was already using, is also available for Linux. Only software I had to leave behind: Affinity Designer (IMO far more intuitive to use than GIMP, sorry FOSS community) and Visual Studio for Mac (which is dead anyway)\n
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\n
TODO in the next year:\n
\n
- Trying out gaming on Linux, maybe buying a Steam Deck\n
- Migrating to KDE Plasma 6 (and switching to Wayland)\n
- Recommending our religion Linux to others
"""
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Show voter details
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87 |
DENIED
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edit
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App\Entity\EntryComment {#2106
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In the end of November 2022 (1 year ago), I switched from MacOs to Linux (Debian with KDE Plasma) on my MacBook.\n
\n
No regret! Was a very good decision.\n
\n
I think, I’ll never go back.\n
\n
Experience:\n
\n
- I did not know about KDE Plasma until 1 year ago. The picture in my head about Linux was pretty much GNOME. I’m a huge fan of KDE Plasma now. KDE Plasma 6 in 2024 will probably be awesome.\n
- The GitHub repository “Awesome-Linux-Software” was awesome during the first weeks. It made me realize that most of the stuff I was already using, is also available for Linux. Only software I had to leave behind: Affinity Designer (IMO far more intuitive to use than GIMP, sorry FOSS community) and Visual Studio for Mac (which is dead anyway)\n
- The only advanced thing I had to do in the beginning: My WIFI connection is always gone when I close my MacBook, but there is not automatic reconnect when I reopen it. None of the usual stuff recommended when using Debian on a MacBook helped. So, I had to write a service that checks for this (something with rmmod, modprobe, brcmfmac, …). Probably too much for a casual user and hopefully not necessary for them…\n
\n
TODO in the next year:\n
\n
- Trying out gaming on Linux, maybe buying a Steam Deck\n
- Migrating to KDE Plasma 6 (and switching to Wayland)\n
- Recommending our religion Linux to others
"""
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Show voter details
|
88 |
DENIED
|
moderate
|
App\Entity\EntryComment {#2106
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+url: null
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In the end of November 2022 (1 year ago), I switched from MacOs to Linux (Debian with KDE Plasma) on my MacBook.\n
\n
No regret! Was a very good decision.\n
\n
I think, I’ll never go back.\n
\n
Experience:\n
\n
- I did not know about KDE Plasma until 1 year ago. The picture in my head about Linux was pretty much GNOME. I’m a huge fan of KDE Plasma now. KDE Plasma 6 in 2024 will probably be awesome.\n
- The GitHub repository “Awesome-Linux-Software” was awesome during the first weeks. It made me realize that most of the stuff I was already using, is also available for Linux. Only software I had to leave behind: Affinity Designer (IMO far more intuitive to use than GIMP, sorry FOSS community) and Visual Studio for Mac (which is dead anyway)\n
- The only advanced thing I had to do in the beginning: My WIFI connection is always gone when I close my MacBook, but there is not automatic reconnect when I reopen it. None of the usual stuff recommended when using Debian on a MacBook helped. So, I had to write a service that checks for this (something with rmmod, modprobe, brcmfmac, …). Probably too much for a casual user and hopefully not necessary for them…\n
\n
TODO in the next year:\n
\n
- Trying out gaming on Linux, maybe buying a Steam Deck\n
- Migrating to KDE Plasma 6 (and switching to Wayland)\n
- Recommending our religion Linux to others
"""
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|
Show voter details
|
89 |
DENIED
|
ROLE_USER
|
null |
|
Show voter details
|
90 |
DENIED
|
moderate
|
App\Entity\Entry {#1597
+user: App\Entity\User {#265 …}
+magazine: Proxies\__CG__\App\Entity\Magazine {#1680 …}
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96 |
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99 |
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100 |
DENIED
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101 |
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103 |
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date: 2023-11-23 22:44:14.0 +01:00
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} |
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Show voter details
|
104 |
DENIED
|
moderate
|
App\Entity\EntryComment {#2066
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+title: "tip for dealing with audio mixing in movies"
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+body: "common complaint about movie audio is ‘the speech is too quiet and the action is too loud’. this can be resolved with dynamic range compression or normalization. ffmpeg provides a normalization filter called [dynaudnorm](http://ffmpeg.org/ffmpeg-filters.html#dynaudnorm) which u can use in mpv via --af=“dynaudnorm”."
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+"title": 156324
} |
|
Show voter details
|
105 |
DENIED
|
ROLE_USER
|
null |
|
Show voter details
|
106 |
DENIED
|
moderate
|
Proxies\__CG__\App\Entity\Entry {#2336
+user: Proxies\__CG__\App\Entity\User {#3061 …}
+magazine: Proxies\__CG__\App\Entity\Magazine {#1589 …}
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If you use Linux to edit audio, mix songs and work with audio in general, including having trouble making certain audio hardware work, it’s your chance to join a community effort to make Linux audio creation better and more accesible.\n
\n
The Audio Creation SIG (Special Interest Group) is a hub for creators to help each other create and together try and find ways to get better hardware and VST support for Linux.
"""
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It was definitely easier to create music with my current tools when I used Windows and Cubase! I left Windows behind for good and haven’t been able to scratch that itch.\n
\n
Would love to be able to get back to low-latency and tools I understand. I haven’t been breaking my back trying, but I spent a few days with different DAWs and not really getting anywhere close. If it became easier, I’d get my MIDI kit back out and my USB audio interface and mics and start creating music again. I’m no Dev, but a creative lacking the tools for expression.\n
\n
Good to hear that something like this is possibly getting moving.
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…2
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|
Show voter details
|
107 |
DENIED
|
edit
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Proxies\__CG__\App\Entity\Entry {#2336
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If you use Linux to edit audio, mix songs and work with audio in general, including having trouble making certain audio hardware work, it’s your chance to join a community effort to make Linux audio creation better and more accesible.\n
\n
The Audio Creation SIG (Special Interest Group) is a hub for creators to help each other create and together try and find ways to get better hardware and VST support for Linux.
"""
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It was definitely easier to create music with my current tools when I used Windows and Cubase! I left Windows behind for good and haven’t been able to scratch that itch.\n
\n
Would love to be able to get back to low-latency and tools I understand. I haven’t been breaking my back trying, but I spent a few days with different DAWs and not really getting anywhere close. If it became easier, I’d get my MIDI kit back out and my USB audio interface and mics and start creating music again. I’m no Dev, but a creative lacking the tools for expression.\n
\n
Good to hear that something like this is possibly getting moving.
"""
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…2
} |
|
Show voter details
|
108 |
DENIED
|
moderate
|
Proxies\__CG__\App\Entity\Entry {#2336
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If you use Linux to edit audio, mix songs and work with audio in general, including having trouble making certain audio hardware work, it’s your chance to join a community effort to make Linux audio creation better and more accesible.\n
\n
The Audio Creation SIG (Special Interest Group) is a hub for creators to help each other create and together try and find ways to get better hardware and VST support for Linux.
"""
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It was definitely easier to create music with my current tools when I used Windows and Cubase! I left Windows behind for good and haven’t been able to scratch that itch.\n
\n
Would love to be able to get back to low-latency and tools I understand. I haven’t been breaking my back trying, but I spent a few days with different DAWs and not really getting anywhere close. If it became easier, I’d get my MIDI kit back out and my USB audio interface and mics and start creating music again. I’m no Dev, but a creative lacking the tools for expression.\n
\n
Good to hear that something like this is possibly getting moving.
"""
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…2
} |
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Show voter details
|
109 |
DENIED
|
ROLE_USER
|
null |
|
Show voter details
|
110 |
DENIED
|
moderate
|
App\Entity\EntryComment {#2343
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If you use Linux to edit audio, mix songs and work with audio in general, including having trouble making certain audio hardware work, it’s your chance to join a community effort to make Linux audio creation better and more accesible.\n
\n
The Audio Creation SIG (Special Interest Group) is a hub for creators to help each other create and together try and find ways to get better hardware and VST support for Linux.
"""
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It was definitely easier to create music with my current tools when I used Windows and Cubase! I left Windows behind for good and haven’t been able to scratch that itch.\n
\n
Would love to be able to get back to low-latency and tools I understand. I haven’t been breaking my back trying, but I spent a few days with different DAWs and not really getting anywhere close. If it became easier, I’d get my MIDI kit back out and my USB audio interface and mics and start creating music again. I’m no Dev, but a creative lacking the tools for expression.\n
\n
Good to hear that something like this is possibly getting moving.
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date: 2023-11-18 01:48:19.0 +01:00
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Show voter details
|
111 |
DENIED
|
edit
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App\Entity\EntryComment {#2343
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If you use Linux to edit audio, mix songs and work with audio in general, including having trouble making certain audio hardware work, it’s your chance to join a community effort to make Linux audio creation better and more accesible.\n
\n
The Audio Creation SIG (Special Interest Group) is a hub for creators to help each other create and together try and find ways to get better hardware and VST support for Linux.
"""
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It was definitely easier to create music with my current tools when I used Windows and Cubase! I left Windows behind for good and haven’t been able to scratch that itch.\n
\n
Would love to be able to get back to low-latency and tools I understand. I haven’t been breaking my back trying, but I spent a few days with different DAWs and not really getting anywhere close. If it became easier, I’d get my MIDI kit back out and my USB audio interface and mics and start creating music again. I’m no Dev, but a creative lacking the tools for expression.\n
\n
Good to hear that something like this is possibly getting moving.
"""
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} |
|
Show voter details
|
112 |
DENIED
|
moderate
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App\Entity\EntryComment {#2343
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If you use Linux to edit audio, mix songs and work with audio in general, including having trouble making certain audio hardware work, it’s your chance to join a community effort to make Linux audio creation better and more accesible.\n
\n
The Audio Creation SIG (Special Interest Group) is a hub for creators to help each other create and together try and find ways to get better hardware and VST support for Linux.
"""
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}
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It was definitely easier to create music with my current tools when I used Windows and Cubase! I left Windows behind for good and haven’t been able to scratch that itch.\n
\n
Would love to be able to get back to low-latency and tools I understand. I haven’t been breaking my back trying, but I spent a few days with different DAWs and not really getting anywhere close. If it became easier, I’d get my MIDI kit back out and my USB audio interface and mics and start creating music again. I’m no Dev, but a creative lacking the tools for expression.\n
\n
Good to hear that something like this is possibly getting moving.
"""
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date: 2023-11-18 01:48:19.0 +01:00
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} |
|
Show voter details
|
113 |
DENIED
|
ROLE_USER
|
null |
|
Show voter details
|
114 |
DENIED
|
moderate
|
Proxies\__CG__\App\Entity\Entry {#2350
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> 5,719,123 subtitles from opensubtitles.org\n
\n
> Wanted to search the text of every subtitle\n
\n
> [files.catbox.moe/lrmid1.torrent](https://files.catbox.moe/lrmid1.torrent)\n
\n
Bless the data hoarders
"""
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Show voter details
|
115 |
DENIED
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edit
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Proxies\__CG__\App\Entity\Entry {#2350
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> 5,719,123 subtitles from opensubtitles.org\n
\n
> Wanted to search the text of every subtitle\n
\n
> [files.catbox.moe/lrmid1.torrent](https://files.catbox.moe/lrmid1.torrent)\n
\n
Bless the data hoarders
"""
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Show voter details
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116 |
DENIED
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moderate
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Proxies\__CG__\App\Entity\Entry {#2350
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> 5,719,123 subtitles from opensubtitles.org\n
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> Wanted to search the text of every subtitle\n
\n
> [files.catbox.moe/lrmid1.torrent](https://files.catbox.moe/lrmid1.torrent)\n
\n
Bless the data hoarders
"""
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Show voter details
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117 |
DENIED
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ROLE_USER
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null |
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Show voter details
|
118 |
DENIED
|
moderate
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App\Entity\EntryComment {#2289
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> 5,719,123 subtitles from opensubtitles.org\n
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> Wanted to search the text of every subtitle\n
\n
> [files.catbox.moe/lrmid1.torrent](https://files.catbox.moe/lrmid1.torrent)\n
\n
Bless the data hoarders
"""
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Show voter details
|
119 |
DENIED
|
edit
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App\Entity\EntryComment {#2289
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> 5,719,123 subtitles from opensubtitles.org\n
\n
> Wanted to search the text of every subtitle\n
\n
> [files.catbox.moe/lrmid1.torrent](https://files.catbox.moe/lrmid1.torrent)\n
\n
Bless the data hoarders
"""
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Show voter details
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120 |
DENIED
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moderate
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App\Entity\EntryComment {#2289
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> Wanted to search the text of every subtitle\n
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> [files.catbox.moe/lrmid1.torrent](https://files.catbox.moe/lrmid1.torrent)\n
\n
Bless the data hoarders
"""
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Show voter details
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121 |
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ROLE_USER
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Show voter details
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122 |
DENIED
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moderate
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App\Entity\EntryComment {#2345
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+body: "Thanks! But I just found the former redditor/data hoarder who did all the real work."
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> 5,719,123 subtitles from opensubtitles.org\n
\n
> Wanted to search the text of every subtitle\n
\n
> [files.catbox.moe/lrmid1.torrent](https://files.catbox.moe/lrmid1.torrent)\n
\n
Bless the data hoarders
"""
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} |
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Show voter details
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123 |
DENIED
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edit
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App\Entity\EntryComment {#2345
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> 5,719,123 subtitles from opensubtitles.org\n
\n
> Wanted to search the text of every subtitle\n
\n
> [files.catbox.moe/lrmid1.torrent](https://files.catbox.moe/lrmid1.torrent)\n
\n
Bless the data hoarders
"""
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} |
|
Show voter details
|
124 |
DENIED
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moderate
|
App\Entity\EntryComment {#2345
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> 5,719,123 subtitles from opensubtitles.org\n
\n
> Wanted to search the text of every subtitle\n
\n
> [files.catbox.moe/lrmid1.torrent](https://files.catbox.moe/lrmid1.torrent)\n
\n
Bless the data hoarders
"""
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|
Show voter details
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125 |
DENIED
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ROLE_USER
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null |
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Show voter details
|
126 |
DENIED
|
moderate
|
Proxies\__CG__\App\Entity\Entry {#2087
+user: Proxies\__CG__\App\Entity\User {#3322 …}
+magazine: Proxies\__CG__\App\Entity\Magazine {#1680 …}
+image: null
+domain: Proxies\__CG__\App\Entity\Domain {#3364 …}
+slug: "Z-Library-Blog-Unprecedented-seizure-of-our-domains-with-books-on"
+title: "Z-Library Blog: "Unprecedented seizure of our domains with books on rare languages""
+url: "https://z-library.se/blog/48"
+body: """
> Today we are forced to share some sad news - yesterday many of our domains were seized again. **We should highlight that the majority of the seized domains were not mirrors of the Z-Library website. Instead, they were separate sub-projects, containing only books in rare languages of the world, and their blocking is perplexing.** For instance, these domains included books in Tamil, Mongolian, Catalan, Urdu, Pashto, and other languages:\n
> \n
> afrikaans-books.org\n
> \n
> bengali-books.org\n
> \n
> urdu-books.org\n
> \n
> marathi-books.org\n
> \n
> chamorro-books.org\n
> \n
> Over the 15 years of the project’s existence, we’ve managed to collect an impressive collection of rare texts in many uncommon languages. These domains featured many unique texts that can’t be found anywhere else, including rare books, documents, and manuscripts. **All of this is a priceless heritage, contributing to the preservation and study of world cultures, and serving as important material for researchers in linguistics, anthropology, and history.**\n
\n
Z-Library also states in the blog post that they did not lose the files, just the domains.
"""
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App\Entity\EntryComment {#2095
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+body: """
[torrentfreak.com/fbi-austrias-c4-hit-z-library-wi…](https://torrentfreak.com/fbi-austrias-c4-hit-z-library-with-a-massive-new-wave-of-domain-seizures-231108/)\n
\n
tl;dr - USA and Austria
"""
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date: 2023-11-12 10:32:24.0 +01:00
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…2
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Show voter details
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127 |
DENIED
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edit
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Proxies\__CG__\App\Entity\Entry {#2087
+user: Proxies\__CG__\App\Entity\User {#3322 …}
+magazine: Proxies\__CG__\App\Entity\Magazine {#1680 …}
+image: null
+domain: Proxies\__CG__\App\Entity\Domain {#3364 …}
+slug: "Z-Library-Blog-Unprecedented-seizure-of-our-domains-with-books-on"
+title: "Z-Library Blog: "Unprecedented seizure of our domains with books on rare languages""
+url: "https://z-library.se/blog/48"
+body: """
> Today we are forced to share some sad news - yesterday many of our domains were seized again. **We should highlight that the majority of the seized domains were not mirrors of the Z-Library website. Instead, they were separate sub-projects, containing only books in rare languages of the world, and their blocking is perplexing.** For instance, these domains included books in Tamil, Mongolian, Catalan, Urdu, Pashto, and other languages:\n
> \n
> afrikaans-books.org\n
> \n
> bengali-books.org\n
> \n
> urdu-books.org\n
> \n
> marathi-books.org\n
> \n
> chamorro-books.org\n
> \n
> Over the 15 years of the project’s existence, we’ve managed to collect an impressive collection of rare texts in many uncommon languages. These domains featured many unique texts that can’t be found anywhere else, including rare books, documents, and manuscripts. **All of this is a priceless heritage, contributing to the preservation and study of world cultures, and serving as important material for researchers in linguistics, anthropology, and history.**\n
\n
Z-Library also states in the blog post that they did not lose the files, just the domains.
"""
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+parent: Proxies\__CG__\App\Entity\EntryComment {#2091 …}
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+body: """
[torrentfreak.com/fbi-austrias-c4-hit-z-library-wi…](https://torrentfreak.com/fbi-austrias-c4-hit-z-library-with-a-massive-new-wave-of-domain-seizures-231108/)\n
\n
tl;dr - USA and Austria
"""
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…2
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Show voter details
|
128 |
DENIED
|
moderate
|
Proxies\__CG__\App\Entity\Entry {#2087
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+slug: "Z-Library-Blog-Unprecedented-seizure-of-our-domains-with-books-on"
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+url: "https://z-library.se/blog/48"
+body: """
> Today we are forced to share some sad news - yesterday many of our domains were seized again. **We should highlight that the majority of the seized domains were not mirrors of the Z-Library website. Instead, they were separate sub-projects, containing only books in rare languages of the world, and their blocking is perplexing.** For instance, these domains included books in Tamil, Mongolian, Catalan, Urdu, Pashto, and other languages:\n
> \n
> afrikaans-books.org\n
> \n
> bengali-books.org\n
> \n
> urdu-books.org\n
> \n
> marathi-books.org\n
> \n
> chamorro-books.org\n
> \n
> Over the 15 years of the project’s existence, we’ve managed to collect an impressive collection of rare texts in many uncommon languages. These domains featured many unique texts that can’t be found anywhere else, including rare books, documents, and manuscripts. **All of this is a priceless heritage, contributing to the preservation and study of world cultures, and serving as important material for researchers in linguistics, anthropology, and history.**\n
\n
Z-Library also states in the blog post that they did not lose the files, just the domains.
"""
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+user: App\Entity\User {#265 …}
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+magazine: Proxies\__CG__\App\Entity\Magazine {#1680 …}
+image: null
+parent: Proxies\__CG__\App\Entity\EntryComment {#2091 …}
+root: Proxies\__CG__\App\Entity\EntryComment {#2091 …}
+body: """
[torrentfreak.com/fbi-austrias-c4-hit-z-library-wi…](https://torrentfreak.com/fbi-austrias-c4-hit-z-library-with-a-massive-new-wave-of-domain-seizures-231108/)\n
\n
tl;dr - USA and Austria
"""
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date: 2023-11-12 17:54:32.0 +01:00
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date: 2023-11-12 17:54:32.0 +01:00
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}
]
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…2
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Show voter details
|
129 |
DENIED
|
ROLE_USER
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null |
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Show voter details
|
130 |
DENIED
|
moderate
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App\Entity\EntryComment {#2095
+user: App\Entity\User {#265 …}
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+title: "Z-Library Blog: "Unprecedented seizure of our domains with books on rare languages""
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> Today we are forced to share some sad news - yesterday many of our domains were seized again. **We should highlight that the majority of the seized domains were not mirrors of the Z-Library website. Instead, they were separate sub-projects, containing only books in rare languages of the world, and their blocking is perplexing.** For instance, these domains included books in Tamil, Mongolian, Catalan, Urdu, Pashto, and other languages:\n
> \n
> afrikaans-books.org\n
> \n
> bengali-books.org\n
> \n
> urdu-books.org\n
> \n
> marathi-books.org\n
> \n
> chamorro-books.org\n
> \n
> Over the 15 years of the project’s existence, we’ve managed to collect an impressive collection of rare texts in many uncommon languages. These domains featured many unique texts that can’t be found anywhere else, including rare books, documents, and manuscripts. **All of this is a priceless heritage, contributing to the preservation and study of world cultures, and serving as important material for researchers in linguistics, anthropology, and history.**\n
\n
Z-Library also states in the blog post that they did not lose the files, just the domains.
"""
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date: 2023-11-12 10:32:24.0 +01:00
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…2
}
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+parent: Proxies\__CG__\App\Entity\EntryComment {#2091 …}
+root: Proxies\__CG__\App\Entity\EntryComment {#2091 …}
+body: """
[torrentfreak.com/fbi-austrias-c4-hit-z-library-wi…](https://torrentfreak.com/fbi-austrias-c4-hit-z-library-with-a-massive-new-wave-of-domain-seizures-231108/)\n
\n
tl;dr - USA and Austria
"""
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} |
|
Show voter details
|
131 |
DENIED
|
edit
|
App\Entity\EntryComment {#2095
+user: App\Entity\User {#265 …}
+entry: Proxies\__CG__\App\Entity\Entry {#2087
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+domain: Proxies\__CG__\App\Entity\Domain {#3364 …}
+slug: "Z-Library-Blog-Unprecedented-seizure-of-our-domains-with-books-on"
+title: "Z-Library Blog: "Unprecedented seizure of our domains with books on rare languages""
+url: "https://z-library.se/blog/48"
+body: """
> Today we are forced to share some sad news - yesterday many of our domains were seized again. **We should highlight that the majority of the seized domains were not mirrors of the Z-Library website. Instead, they were separate sub-projects, containing only books in rare languages of the world, and their blocking is perplexing.** For instance, these domains included books in Tamil, Mongolian, Catalan, Urdu, Pashto, and other languages:\n
> \n
> afrikaans-books.org\n
> \n
> bengali-books.org\n
> \n
> urdu-books.org\n
> \n
> marathi-books.org\n
> \n
> chamorro-books.org\n
> \n
> Over the 15 years of the project’s existence, we’ve managed to collect an impressive collection of rare texts in many uncommon languages. These domains featured many unique texts that can’t be found anywhere else, including rare books, documents, and manuscripts. **All of this is a priceless heritage, contributing to the preservation and study of world cultures, and serving as important material for researchers in linguistics, anthropology, and history.**\n
\n
Z-Library also states in the blog post that they did not lose the files, just the domains.
"""
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date: 2023-11-12 10:32:24.0 +01:00
}
+__isInitialized__: true
…2
}
+magazine: Proxies\__CG__\App\Entity\Magazine {#1680 …}
+image: null
+parent: Proxies\__CG__\App\Entity\EntryComment {#2091 …}
+root: Proxies\__CG__\App\Entity\EntryComment {#2091 …}
+body: """
[torrentfreak.com/fbi-austrias-c4-hit-z-library-wi…](https://torrentfreak.com/fbi-austrias-c4-hit-z-library-with-a-massive-new-wave-of-domain-seizures-231108/)\n
\n
tl;dr - USA and Austria
"""
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moderate
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App\Entity\EntryComment {#2095
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+slug: "Z-Library-Blog-Unprecedented-seizure-of-our-domains-with-books-on"
+title: "Z-Library Blog: "Unprecedented seizure of our domains with books on rare languages""
+url: "https://z-library.se/blog/48"
+body: """
> Today we are forced to share some sad news - yesterday many of our domains were seized again. **We should highlight that the majority of the seized domains were not mirrors of the Z-Library website. Instead, they were separate sub-projects, containing only books in rare languages of the world, and their blocking is perplexing.** For instance, these domains included books in Tamil, Mongolian, Catalan, Urdu, Pashto, and other languages:\n
> \n
> afrikaans-books.org\n
> \n
> bengali-books.org\n
> \n
> urdu-books.org\n
> \n
> marathi-books.org\n
> \n
> chamorro-books.org\n
> \n
> Over the 15 years of the project’s existence, we’ve managed to collect an impressive collection of rare texts in many uncommon languages. These domains featured many unique texts that can’t be found anywhere else, including rare books, documents, and manuscripts. **All of this is a priceless heritage, contributing to the preservation and study of world cultures, and serving as important material for researchers in linguistics, anthropology, and history.**\n
\n
Z-Library also states in the blog post that they did not lose the files, just the domains.
"""
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…2
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+body: """
[torrentfreak.com/fbi-austrias-c4-hit-z-library-wi…](https://torrentfreak.com/fbi-austrias-c4-hit-z-library-with-a-massive-new-wave-of-domain-seizures-231108/)\n
\n
tl;dr - USA and Austria
"""
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Show voter details
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133 |
DENIED
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Show voter details
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134 |
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App\Entity\Entry {#1687
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App\Entity\Entry {#1687
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136 |
DENIED
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…2
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149 |
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ROLE_USER
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Show voter details
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150 |
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moderate
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App\Entity\Entry {#1697
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date: 2023-11-05 17:08:09.0 +01:00
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Show voter details
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151 |
DENIED
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edit
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App\Entity\Entry {#1697
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+domain: Proxies\__CG__\App\Entity\Domain {#1678 …}
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Show voter details
|
152 |
DENIED
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moderate
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App\Entity\Entry {#1697
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} |
|
Show voter details
|
153 |
DENIED
|
ROLE_USER
|
null |
|
Show voter details
|
154 |
DENIED
|
moderate
|
App\Entity\Entry {#1562
+user: App\Entity\User {#265 …}
+magazine: Proxies\__CG__\App\Entity\Magazine {#1589 …}
+image: null
+domain: Proxies\__CG__\App\Entity\Domain {#1554 …}
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I could research this on my own, but was interested in hearing from the community.\n
\n
Software tends to fall in categories based on who has control, how it is accessed, and who owns the data.\n
\n
For instance, a FOSS project hosts encrypted user data for free, and the user easily controls who accesses it, but if the server/service goes down, users lose access to everything. Or, a user has their own offline files they control 100%, but sharing is more cumbersome.\n
\n
Where does git fall in this spectrum? It seems that it’s a mix, where authoritative copies may be offline at times before merging, when it returns to the hosted version. Its hosted, but can be self-hosted, and multiple copies of code canbee offline as well. Does it rely on a central source hosting, and a company willing to support the software?\n
\n
I’ve never contributed to a project with version control before, though I’ve worked in a few places that used JIRA or git. It interests me how it works, and I’m just curious to read a Lemmy discussion while it’s raining where I am.\n
\n
(As I prepare to press SUBMIT it occurs to me this is a FOSS question more than a Linux one. If this is a stupid post for this /r/, please report/remove or ask me to and I will.)
"""
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date: 2023-11-05 20:01:19.0 +01:00
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|
Show voter details
|
155 |
DENIED
|
edit
|
App\Entity\Entry {#1562
+user: App\Entity\User {#265 …}
+magazine: Proxies\__CG__\App\Entity\Magazine {#1589 …}
+image: null
+domain: Proxies\__CG__\App\Entity\Domain {#1554 …}
+slug: "Discussion-Git-How-is-it-classified"
+title: "[Discussion] Git - How is it classified?"
+url: null
+body: """
I could research this on my own, but was interested in hearing from the community.\n
\n
Software tends to fall in categories based on who has control, how it is accessed, and who owns the data.\n
\n
For instance, a FOSS project hosts encrypted user data for free, and the user easily controls who accesses it, but if the server/service goes down, users lose access to everything. Or, a user has their own offline files they control 100%, but sharing is more cumbersome.\n
\n
Where does git fall in this spectrum? It seems that it’s a mix, where authoritative copies may be offline at times before merging, when it returns to the hosted version. Its hosted, but can be self-hosted, and multiple copies of code canbee offline as well. Does it rely on a central source hosting, and a company willing to support the software?\n
\n
I’ve never contributed to a project with version control before, though I’ve worked in a few places that used JIRA or git. It interests me how it works, and I’m just curious to read a Lemmy discussion while it’s raining where I am.\n
\n
(As I prepare to press SUBMIT it occurs to me this is a FOSS question more than a Linux one. If this is a stupid post for this /r/, please report/remove or ask me to and I will.)
"""
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|
Show voter details
|
156 |
DENIED
|
moderate
|
App\Entity\Entry {#1562
+user: App\Entity\User {#265 …}
+magazine: Proxies\__CG__\App\Entity\Magazine {#1589 …}
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+domain: Proxies\__CG__\App\Entity\Domain {#1554 …}
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+url: null
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I could research this on my own, but was interested in hearing from the community.\n
\n
Software tends to fall in categories based on who has control, how it is accessed, and who owns the data.\n
\n
For instance, a FOSS project hosts encrypted user data for free, and the user easily controls who accesses it, but if the server/service goes down, users lose access to everything. Or, a user has their own offline files they control 100%, but sharing is more cumbersome.\n
\n
Where does git fall in this spectrum? It seems that it’s a mix, where authoritative copies may be offline at times before merging, when it returns to the hosted version. Its hosted, but can be self-hosted, and multiple copies of code canbee offline as well. Does it rely on a central source hosting, and a company willing to support the software?\n
\n
I’ve never contributed to a project with version control before, though I’ve worked in a few places that used JIRA or git. It interests me how it works, and I’m just curious to read a Lemmy discussion while it’s raining where I am.\n
\n
(As I prepare to press SUBMIT it occurs to me this is a FOSS question more than a Linux one. If this is a stupid post for this /r/, please report/remove or ask me to and I will.)
"""
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Show voter details
|
157 |
DENIED
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ROLE_USER
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null |
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Show voter details
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158 |
DENIED
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moderate
|
Proxies\__CG__\App\Entity\Entry {#1403
+user: Proxies\__CG__\App\Entity\User {#3245 …}
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+image: Proxies\__CG__\App\Entity\Image {#3285 …}
+domain: Proxies\__CG__\App\Entity\Domain {#3287 …}
+slug: "Piracy-is-Preservation"
+title: "Piracy is Preservation"
+url: "https://feddit.de/pictrs/image/1bc96cb3-085e-4ad9-b007-c08499d2f75e.jpeg"
+body: "> Image description: a screenshot from the Wikipedia page for the Doctor Who TV series, with a user-added caption that reads “Preserve the media you can before it’s gone forever.” The Wikipedia article reads, “No 1960s episodes exist on their original videotapes (all surviving prints being film transfers), though some were transferred to film for editing before transmission and exist in their broadcast form. [88] Some episodes have been returned to the BBC from the archives of other countries that bought prints for broadcast or by private individuals who acquired them by various means. Early colour videotape recordings made off-air by fans have also been retrieved, as well as excerpts filmed from the television screen onto 8 mm cine film and clips that were shown on other programmes. Audio versions of all lost episodes exist from home viewers who made tape recordings of the show. Short clips from every story with the exception of Marco Polo (1964), “Mission to the Unknown” (1965) and The Massacre (1966) also exist.”"
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+body: "I just noticed a Disney film with the 100 years logo, and realized they still have copyright on their OG stuff. Too bad. It was never meant to establish a dynasty, just a bit of crumb before your work went into public domain. Sigh…"
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159 |
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160 |
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Show voter details
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161 |
DENIED
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Show voter details
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162 |
DENIED
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moderate
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App\Entity\EntryComment {#2469
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163 |
DENIED
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edit
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App\Entity\EntryComment {#2469
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+createdAt: DateTimeImmutable @1698680966 {#2458
date: 2023-10-30 16:49:26.0 +01:00
}
+"title": 80148
} |
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moderate
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App\Entity\EntryComment {#2469
+user: App\Entity\User {#265 …}
+entry: Proxies\__CG__\App\Entity\Entry {#1403
+user: Proxies\__CG__\App\Entity\User {#3245 …}
+magazine: Proxies\__CG__\App\Entity\Magazine {#1680 …}
+image: Proxies\__CG__\App\Entity\Image {#3285 …}
+domain: Proxies\__CG__\App\Entity\Domain {#3287 …}
+slug: "Piracy-is-Preservation"
+title: "Piracy is Preservation"
+url: "https://feddit.de/pictrs/image/1bc96cb3-085e-4ad9-b007-c08499d2f75e.jpeg"
+body: "> Image description: a screenshot from the Wikipedia page for the Doctor Who TV series, with a user-added caption that reads “Preserve the media you can before it’s gone forever.” The Wikipedia article reads, “No 1960s episodes exist on their original videotapes (all surviving prints being film transfers), though some were transferred to film for editing before transmission and exist in their broadcast form. [88] Some episodes have been returned to the BBC from the archives of other countries that bought prints for broadcast or by private individuals who acquired them by various means. Early colour videotape recordings made off-air by fans have also been retrieved, as well as excerpts filmed from the television screen onto 8 mm cine film and clips that were shown on other programmes. Audio versions of all lost episodes exist from home viewers who made tape recordings of the show. Short clips from every story with the exception of Marco Polo (1964), “Mission to the Unknown” (1965) and The Massacre (1966) also exist.”"
+type: "image"
+lang: "en"
+isOc: false
+hasEmbed: true
+commentCount: 98
+favouriteCount: 936
+score: 0
+isAdult: false
+sticky: false
+lastActive: DateTime @1699254614 {#3280
date: 2023-11-06 08:10:14.0 +01:00
}
+ip: null
+adaAmount: 0
+tags: null
+mentions: null
+comments: Doctrine\ORM\PersistentCollection {#3288 …}
+votes: Doctrine\ORM\PersistentCollection {#3290 …}
+reports: Doctrine\ORM\PersistentCollection {#3292 …}
+favourites: Doctrine\ORM\PersistentCollection {#3294 …}
+notifications: Doctrine\ORM\PersistentCollection {#3296 …}
+badges: Doctrine\ORM\PersistentCollection {#3298 …}
+children: [
App\Entity\EntryComment {#2469}
]
-id: 8541
-titleTs: "'piraci':1 'preserv':3"
-bodyTs: "'1960s':38 '1964':161 '1965':166 '1966':170 '8':121 '88':67 'acquir':92 'ad':19 'air':104 'also':108,171 'archiv':78 'articl':35 'audio':133 'bbc':75 'bought':83 'broadcast':65,86 'caption':20 'cine':123 'clip':126,151 'colour':98 'countri':81 'descript':2 'doctor':11 'earli':97 'edit':58 'episod':39,69,138 'everi':153 'except':157 'excerpt':114 'exist':40,62,139,172 'fan':106 'film':49,56,115,124 'forev':32 'form':66 'gone':31 'home':141 'imag':1 'individu':90 'lost':137 'made':101,144 'marco':159 'massacr':169 'mean':96 'media':25 'mission':162 'mm':122 'off-air':102 'onto':120 'origin':43 'page':8 'polo':160 'preserv':23 'print':47,84 'privat':89 'programm':132 'read':22,36 'record':100,146 'retriev':110 'return':72 'screen':119 'screenshot':4 'seri':14 'short':150 'show':149 'shown':129 'stori':154 'surviv':46 'tape':145 'televis':118 'though':51 'transfer':50,54 'transmiss':60 'tv':13 'unknown':165 'user':18 'user-ad':17 'various':95 'version':134 'videotap':44,99 'viewer':142 'well':112 'wikipedia':7,34"
+cross: false
+upVotes: 0
+downVotes: 0
+ranking: 1698755507
+visibility: "visible "
+apId: "https://feddit.de/post/5104533"
+editedAt: null
+createdAt: DateTimeImmutable @1698669107 {#3267
date: 2023-10-30 13:31:47.0 +01:00
}
+__isInitialized__: true
…2
}
+magazine: Proxies\__CG__\App\Entity\Magazine {#1680 …}
+image: null
+parent: Proxies\__CG__\App\Entity\EntryComment {#2385 …}
+root: Proxies\__CG__\App\Entity\EntryComment {#2384 …}
+body: "I just noticed a Disney film with the 100 years logo, and realized they still have copyright on their OG stuff. Too bad. It was never meant to establish a dynasty, just a bit of crumb before your work went into public domain. Sigh…"
+lang: "en"
+isAdult: false
+favouriteCount: 28
+score: 0
+lastActive: DateTime @1698680966 {#2411
date: 2023-10-30 16:49:26.0 +01:00
}
+ip: null
+tags: null
+mentions: [
"@JetpackJackson@feddit.de"
"@foggy@lemmy.world"
"@p03locke@lemmy.dbzer0.com"
]
+children: Doctrine\ORM\PersistentCollection {#2379 …}
+nested: Doctrine\ORM\PersistentCollection {#2383 …}
+votes: Doctrine\ORM\PersistentCollection {#1906 …}
+reports: Doctrine\ORM\PersistentCollection {#1708 …}
+favourites: Doctrine\ORM\PersistentCollection {#2023 …}
+notifications: Doctrine\ORM\PersistentCollection {#2372 …}
-id: 80148
-bodyTs: "'100':9 'bad':23 'bit':34 'copyright':17 'crumb':36 'disney':5 'domain':43 'dynasti':31 'establish':29 'film':6 'logo':11 'meant':27 'never':26 'notic':3 'og':20 'public':42 'realiz':13 'sigh':44 'still':15 'stuff':21 'went':40 'work':39 'year':10"
+ranking: 0
+commentCount: 0
+upVotes: 0
+downVotes: 0
+visibility: "visible "
+apId: "https://lemmy.world/comment/4934382"
+editedAt: null
+createdAt: DateTimeImmutable @1698680966 {#2458
date: 2023-10-30 16:49:26.0 +01:00
}
+"title": 80148
} |
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