“Have you tried just listening to what she’s quacking about? Or do you just tune it out.
It’s a marriage, Bro, you need to listen as much as you talk. Communicate. Hear what’s bothering her and you might be surprised how easy it is.
If you don’t, we’ll I guess your goose is cooked.”
That’s getting to be a very annoying and more common human trait these days …
I have a question … but I already know the answer … give me a response so I can validate my feelings and feel better about myself OR disagree with me so that I can say you were wrong, correct you and make myself feel better about myself.
Agreed … I just feel that it is more pronounced these days than it was in the past … social media is like a collective amplifier of all our bad traits rolled into one
The shows is not good. The use this format for the show similar to pop team epic, but unlike pop team epic the show just keeps repeating the same joke of “isn’t this thing strange if we look at it without context?” And it gets really tiring. Credit to the show the jokes are fine, just not suited for a show.
The two of these things aren’t mutually exclusive to be honest. It’s possible to
I very much miss places and experiences which don’t exist any more, or have changed as society has changed.
An example is the way music is consumed. When purchasing physical media it took much more effort, thus you were more invested. You would typically visit a music shop, purchase the album, take it home and listen to it. There would usually be an album liner where you could read the lyrics, see photos of the band (which you’d only otherwise be able to see in magazines) and you felt like you had a direct connection with them.
The purchase of the physical asset connected you in some way to the artist and made for a type of relationship with the music which is much harder to emulate with streaming services, where the music is free and available immediately.
As a result, the way I like to discover music is at odds to the way Spotify wants to provide me music. It wants to provide me more of the same, I want to discover things I haven’t heard before.
That being said, Spotify has given me access to music I didn’t know existed by artists I love but had never heard of till I found them on someone’s random playlist. And it’s perpetually there when I’m driving, exercising and working. It plays for it doesn’t require rhe effort or thought of dubbing tapes or recording from the radio.
But it’s also improved music in general. It used to be possible for an artist to make one or two good tracks for radio play and then create subpar filler for the rest of the album, but now all of the tracks of the album are sold separately so every track has to be of equal quality. Additionally you aren’t bound to just the one song played on the radio when looking for new artists.
Friendly suggestion to anyone reading this that many of your favorite artists are on SoundCloud and other platforms: it costs nothing to send them a message to say you love their music.
Direct platforms like bandcamp also make it feel so good to know most of every dollar is heading their way.
As someone who grew up poor, I never got the record store experience, because if I wanted music, it would either be on the radio, or I’d need to play it myself.
The limited childhood budget would be like $20, which means, you could buy one CD with eight or ten tracks to listen on repeat, or… buy something like SimCity 2000, for possibly hundreds of hours of fun (I had a family friend neighbor who threw out an old PC/donated it to us because they got outdated real fast in the 90s).
Accounting for inflation, that $20 is probably closer to $40-80 now, and a Spotify subscription is definitely a lot less costly than even that, for not one disk, but an endless amount of music.
The value proposition, the cost of entertainment has dropped precipitously, and now as a rich adult and technocrat, artificial intelligence can autonomously create new music, much in the way Spotify can discover tracks that “you like”.
Every night, I’ve got 138-357 MB of brand new music, that no one’s ever heard of, courtesy of my algorithm, recombining chunks of music from everything I’ve ever heard, to create brand new bangers.
If these tracks were released to Spotify, people wouldn’t be able to tell they weren’t made by people. AI is after all, a plagarism machine, built on the hard work of real people and artists.
But between plagiarism and piracy, I feel this new streaming world answers a great need:
The desire for culture, to be free, for any and all, to enjoy.
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