Truth be told right now it’s One Piece. I never watched / read when I was younger, but was aware of it in the periphery. I watched the first episode of the Netflix adaptation and immediatly decided that it might be worth checking out. 900 some odd episodes later and I’m kinda sad I’m near the end of what’s currently available. Is it dumb as shit? Yes. Is it immensely charming and at times genuinely moving? Yes. Could it use a massive trimming of the fat—oh god yes. But still I love how completely zany the world is and how unabashedly batshit crazy things get.
Do videogames count as well? If so, then Hyrule - specifically the one from Breath of the Wild. There is something incredibly tranquil and peaceful about that world … I could get lost in there for days.
Otherwise, I am Team Discworld. GNU Terry Pratchett.
Most books, including the ten book series, are by Steven Erickson. There are several other books by Ian C. Esselmont. Read them in publication order regardless of author.
The Temeraire Series by Naomi Novik is one I go back to every now and then. Historical fiction where dragons serve the purpose of air force during the Napoleonic Wars in England. I stared reading, but also quite like the audible narration.
Possibly considered a bit basic or boring, but definitely Tolkien for me. It’s a classic for a reason, and personally it is still so special to me
One of my earliest and dearest childhood memories was my dad reading the Hobbit to me when I was quite small. We later read the trilogy books as well. Loved them all. Recently read them all with my daughter, creating a whole new set of precious memories.
I was 5 or 6 when he read the Hobbit aloud to me. The trilogy is a bit denser so I read that jointly with him I think when I was 10. My daughter and I did all the books as bedtime stories when she was 8, and she liked them all, but the Hobbit is definitely her favorite.
Warhammer: Fantasy world. I didn’t get into 40k that much, and that world, especially in End Times before killing it off for a remaster was so vivid, morbid and satirical. Having both strategy and shooter games of a refined quality helped it too.
Other than that, MythAdventures by Robert Lynn Asprin. Isn’t consistent, didn’t age well, but I love to reread these books from time to time. I really liked some jokes and characters here.
You caught me without pants as I just left one desktop for another and lost my collection I torrented from rutracker (most of it is abandoned anyway). I remember Goetrik and Fenix being a funny series of books, and from the lore books something called Black Library (?) published great in-world books, including a very cool medievally stylized manual for inquisitors.
Maybe a little old-fashioned (the first book was written in the 60’s), but I love Jack Vance’s Gaean Reach setting. Thousands of worlds with each of them containing a multitude of civilizations, each of those with their own strange customs. Some of them advanced, others medieval and some of them almost completely alien.
For me it is one of the best universes when it comes to exploration and experiencing new worlds.
Roshar, in Brandon Sanderson’s Cosmere books in the Stormlight Archive series. Everything from the magic system and the cultures to the animal life and the weather patterns are all really unique and totally immerse you in the world. Absolute masterclass worldbuilding.
Roshar is very cool, but I think I prefer Scadrial. Maybe that’s because I feel like I understand the history of that world a bit more. Plus Allomancy is really cool, but not as cool as Surgebinding.
Cradle by Will Wight because the characters are endearing and believable and tangibly grow as people while they grow in the magic system which while we’re at it is very satisfying variation on Chinese martial arts “magic” systems, the power scaling is nuts.
The world is deep and interesting and you get a lot of insight into it from other characters perspectives
It’s 12 books and everything builds from everything you’ve read naturally. The themes speak to me, etc.
I’m currently rereading this for like the twentieth time (ending Dreadgod atm). I’m going through some shit and these books are very… easy to read and they just are comfort reads.
I did finish it in English some days ago and will read it in my language again once it’s translated. I really liked it, but it feels either like the beginning to a whole new saga or likea long side quest.
! Bechel and Azlagur feel like a beginning of laying the explanations for Guntera. !<
The book also made clear how much elvish literature Eragon read in Ellesmera and how important it was that Oromis, Glaedr and Arya talked to Eragon in the Ancient Language. Galbatorix was not a good teacher to Murtagh, but Murtagh was a good student.
I did not quite understand what ‘Concentrate air and light’ was supposed to be. Is it something nuclear?
Pern. Just the quirk of it’s physical environment that I don’t want to give away, and the way people lived because of it felt very unique to me. It was so integral to the stories, too. You often see unusual environments in fantasy and sci-fi, but often only while setting the stage.
Yes! The planet and strange ecosystem is as much a character as any of the people, constantly affecting the events of the story. It is a story that couldn’t just as well happen on earth.
One of the things I like about the Pern universe (similar to the Wool universe) is that you start with a technologically advanced society that (for whatever reason) loses knowledge, and the way that hidden history impacts society over extended periods
Came here to say this! All the different islands with their overlapping but different cultures, talking dragons, great magic system. It’s awesome. I love the nomadic tribes on their huge floating rafts, especially.
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