You mean Murphy or the studios? I can’t fault Murphy for taking a paycheque, but if the studios think this is going to make money then they’re likely in for a rude awakening.
Boogie Nights - Paul Thomas Anderson made it a point that the characters not make any significant growth during the course of the film. It’s a masterclass of largely lateral movement.
Happiness (1998) - one of Philip Seymour Hoffman’s best roles.
The Talented Mr. Ripley - another one of Philip Seymour Hoffman’s best roles.
I was just having a conversation with my neighbor about how I don’t have time anymore for conversations, relationships, art, etc. if it isn’t inspiring or leaves you better for having experienced it.
I think we can’t overstress the importance of the stories that are in the zeitgeist. This film came up. We need more stories of a hopeful future. Not just because so much in the world is bleak, but because I believe the stories we tell and hear affect the world we build.
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