Not only that, but also the producer who forced Sam Raimi to include Venom in Spider-Man 3, and who is responsible for all those Sony/Marvel movies (including Morbius).
At first I confused Chris Ball and Uwe Boll. So when I realized that Chris Ball was the dude who did Maze Runner, rather than the dude responsible for almost every bad video game adaptation that’s ever been made, I felt a bit relieved. I’m just going to let that feeling carry me for a bit and hope for the best.
I said the exact same thing when reading about Kingdom of the Planet of the Apes earlier today.
I don’t know the director, but it seems like he’s got a visual sense of what’s needed. Visually I think the first Maze Runner was well done (didn’t see 2 & 3) and looking at the trailer for Planet of the Apes I think it matches the films that came before it.
I am cautiously optimistic that he can take an idea and put it to screen.
This is going to a difficult film to put together, but I expect when it’s all done the director isn’t going to be the issue. The issue is going to be putting together a good story and having a good story to tell.
Mario games are all about whimsy and spectacle. Mario 1 has you jump incredible heights and throw fireballs. Mario 2 has you in a dream world with potions. Mario 3 has you travel between unique worlds. Mario World has dinosaurs and secret paths. I could go on, but you get the idea and the movie did an excellent job.
Hypothetically if we had a Metroid movie it would have to be about isolation. Not complete isolation, but isolation with a sense of being watched or followed, or being in over your head.
But, we’re talking about Zelda. What makes a Zelda game and in turn a movie a Zelda movie? I think it’s a sense of exploration. It’s an adventure. Think Star Wars, think Indiana Jones, that’s the kind of movie this needs to be.
What if they adapted Link’s Awakening? An established hero, lost at sea, slowly uncovering secrets of the island. That could work. I don’t think they should adapt that story but that’s the sort of story they need to tell. A fairy boy with a greater purpose. A boy who seeks out his missing father in a storm. A boy trying to rescue his kidnapped sister.
Link talks. The fan theory that he’s mute is unsupportable. Too many instances of him conveying complex information to people he just met (and who wouldn’t know his gesture language). You can try to explain it away, but it will quickly get more complicated than assuming he talks.
Yeah. My first thought was who the fuck would want to play Link? Then I imagined Tom Holland as Link. This is going to be so bad. This is Masters of the Universe for a new generation.
This is going to be so bad. This is Masters of the Universe for a new generation.
You’ve contradicted yourself. MotU with Dolph Lundgren was amazing. Was it super accurate to the show, nah, but it was a cool story and Dolph Lundgren and Frank Langella made it a blast.
Well this is going to be an interesting one to watch what happens. Nintendo seem to have an idea of the story and direction but I’ve never felt you could translate a Zelda game faithfully to a single film. Maybe using an original story will mean a slightly different approach. But the games are all about exploration and dungeons. I don’t see how classic dungeons would work in film, but I could see the smaller BotW and TotK type dungeons working. But then I don’t see a film where the hero goes to 4 of them, fights a boss in each and then goes to fight another boss in Ganondorf to work as great film. Maybe something very different is needed that will fit the film media for a Zelda inspired film.
I’m calling it now: as soon as some casting is announced or stills shown there’s going to be a massive shriek from chuds over the 1-2 PoC actors portraying Hylians and they’ll pretend they’re actually just mad because lore says Hylians are white or some bullshit
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