The ZAZ movies had a very specific style that relied on that. Every single character was the "straight man" and the bonkers shit was the universe. Mel Brooks was much more side-eye and poking at the fourth wall. In either case, I wanted Nick Rivers and Lone Starr and Sheriff Bart to succeed though. It wasn't complete anarchy or loosely connected sketches, and the juxtaposition of the absurd being hung on a pretty generic narrative structure makes it funnier, I think.