“So this will be heard on every ship in the fleet?” “Yes, they’re just digitising and automating everything, so the commander presses a button and your voice plays…” “I’m not interested in all that, can we just crack on?”
The simplicity of that exchange, that Toast desperately wants to know why he’s saying these lines, but also is an ego maniac determined to show everyone this work is beneath him, cutting off the answer to a question he asked just to say he’s not interested, total genius. Toast of London, and in particular these recording scenes, is the best English comedy of the 2010s for me.
Start mid-S2 if it’s really rubbing you. Armageddon Game is a great intro to one of the best relationships on the show, and a good story in its own right. By the time you reach the Maquis you’ll be hooked.
It’s a riff on a Lizzo song. Replacing That Bitch with That Tig, because Tig Notaro plays Reno. But also, it’s got a typo, it’s supposed to say I’m 100% not in 100%.
I must have missed some Tallman background characters as I had fewer than that before moving on to tallying up her stunting for various main cast. (I checked two sources as I was worried this might be the case but as always Roles, Stunts and Secondary Artist work are not credited equally or properly).