My principle is I don’t hang out in fucking Nazi spaces.
Like, I wouldn’t go to a bar that advertised itself as a Nazi bar, and I wouldn’t upload my content to a site like this, that has enough Nazis on it that they’re in the recommended videos for a fucking Louis Rossman video.
If Louis is happy hanging out at Nazi bars, that’s on him and you can hardly hang that on “principles.”
Repairing things used to be normal. From that point of view, conservatism is perfectly right.
Conservatism has only ever existed to keep an aristocracy. Look at history, it’s literally why it developed as an ideology, because a lot of the aristocracy from Europe didn’t actually want the aristocracy to end, so they needed to make up political positions that supported the idea that there should be an untouchable elite to whom laws don’t apply.
It has literally never, ever existed to “conserve” anything like natural resources or the rights of individuals. At it’s core it was about retaining Kings, Queens, Dukes, and Lords without actually keeping those, but instead making it about wealth.
So yeah, gonna hard disagree on that. Conservatism is the source making laws that deny you the ability to repair, the conservatives aren’t the ones out here fighting for it.
What’s really wild is that people arguing for things like Right-to-Repair would be anywhere near right-wing to begin with.
Like, Louis, you don’t see how the entire conservative ideology undermines ideas like right-to-repair? How can you be like “Yeah, I trust these guys who all would shut down the things I’m arguing for,” and just be oblivious to it?
It’s not just Netflix, it’s every licensing issue in every country.
I love lots of foreign television, but quite a lot of it isn’t immediately available (or ever available) in my country.
If I want to watch those shows or movies, I am literally at the mercy of the piracy community helping me access them, because there’s a good chance that it’s either months or years away from release in my country, or that I’ll be unlucky and it will never release here at all.
It’s a completely broken system, and Gabe Newell called it what it was over a decade ago. Piracy is a service problem, not a pricing problem.
It won’t be solved without massive changes to international copyrights and how shows/movies are bought and sold on an international market.
You hear that, plebes? The governments of the world have already won, so you shouldn’t even try being an independent human being with a sliver of privacy.
You’re not entirely wrong but the defeatist attitude screams “I love the flavor of this boot.”
“The “Overlords” of this world are that smart and special, maybe you should just let them be in charge” is a real wild fuckin take. Especially when the last fifteen years have been nothing but evidence that the “Overlords” of the world are absolute fucking dipshits just like anyone else.
Dead Man will always be my favorite (still love seeing Gary Farmer in stuff), but I have a soft spot for Jarmusch’s more experimental stuff, which has been more of his recent stuff.
I’m not even sure The Dead Don’t Die is experimental as much as it is satirical. It was a fun little romp, though.