Primer and The Man from Earth are two of my all time favorite films. Production value is nice and all, but an interesting idea explored well wins every time for me.
You can use a tennis ball machine to measure how far away a house is by firing the tennis ball at a constant velocity, timing how long it takes the tennis ball to come back to you, multiplying that time by the velocity, and dividing by 2 (since you measured the distance for a round trip). This works pretty darn well for measuring the distance to houses.
But now try this same trick to measure the distance to another ball. When your measuring ball hits the ball you want to measure, it doesn’t stay resolutely planted in the ground like that nice friendly house. The energy from your measuring ball bounces the ball being measured off into the distance. Even if you could get your measuring ball to return, the ball you measured isn’t in the place you measured it.
Replace that tennis ball with a photon, and you have the basic picture. There’s no such thing as passive observation. Measuring something interacts with that thing. Conventional measurement is like in the case with the house, the thing being measured is so much bigger and more stable than the thing we’re measuring with that the effect is negligible. But once you start trying to measure something on the same scale as your measuring tool, the ensuing chaos makes it basically impossible to get useful measurements.
My favorite movie about time travel is Back to the Future, but the movie that I think did time travel best is Primer. If time travel works, it’s probably like that.
If the owner did they occupy a class position as a worker and owner.
Yup. Employers are entitled to a portion of total revenue proportional to the value they added. In the case of employers who perform necessary work, including administrative/clerical work, this can be a healthy sum. In the case of employers who solely fit the capitalist role of investor, this amount is $0.
The daycare I went to after school when I was a kid had a few that got a lot of play, but the most obscure were a 1994 ABC Family animated rendition of The Secret Garden and a 1985 Hanna-Barbera Pound Puppies TV special.
I wouldn’t be surprised, especially for A-listers, especially on-set. Eye-contact promotes conversations which, even when they are more stimulating than “Oh wow! You’re _____!! I loved you in that thing”, eat up time in a very busy production schedule. It’s even worse if the star is genuinely nice and personable, and sincerely appreciates their fans. It adds up to hours gone every day in 3-6 minute increments.