Edit: (Slice of bread with a hole cut in the middle and an egg fried in it.) I have always called them daddy-o eggs but I have recently been informed that is incorrect.-
I’ve taken H2H, rapier, short sword and shield, sword and dagger and a few other stage combat classes in both UK and US — and then in production you usually just get “any old sword” (usually a heavy one, as Tybalt in R&J they gave me this really fancy grip with a finger hole for my index, but it made supranative positions difficult)
You’re right in that they are based on real combat — you learn fencing footwork and guards, but also you’re learning a mix of slight of hand (how to “knap” - fake the sound of hitting /being hit while reacting like its real), and safety instructions. As someone who came from ballroom to jazz/modern dance to acting, it’s more like dance, especially freeform contact improv dance, than it is like actual fighting.
I imagine in real fights-to-the-death there’s a lot less concern about safety, distancing and the lines your body draws in movement, and more about hurting the other fellow as efficiently as possible.
As you know, our blockade is perfectly legal (dmv.social)
Edit: (What do you call this dish?) (sh.itjust.works)
Edit: (Slice of bread with a hole cut in the middle and an egg fried in it.) I have always called them daddy-o eggs but I have recently been informed that is incorrect.-
If you ever feel useless (lemmy.today)