My best guess is that it originally was “fucking,” someone censored it to something like “hecking,” then someone else censored the censor back to “fucking”
Yeah except in 1999 you could go to Sam Goody or The Warehouse or whatever, and listen to the album in the store before buying, especially if it was a new release.
Personally, I was going to the public library and checking out it CDs from there.
If it’s 1999, you would go to a record store if you wanted to buy an album and depending on the store the would have a sampler disk and could tell you if it sucked or not. Also, if the songs where good you would have billboard to tell you how good it was as well as your local radio station.
Or you could just open Napster and download the whole album for free.
Me too. That is when I discovered the rarest Nirvana song of all time. It was Freak by Silverchair. It took me an hour to download it.
I also had the entire collection of songs Bill Clinton sang about blowjobs and Monica Lewinsky. Like, literally that’s all the dude sang about. Talk about being obsessed.
I could go on. What a great time it was to be alive.
I bought 3 Monster Magnet albums for Sugar Ray’s Mean Machine…on the plus side FUCKING Monster Magnet led me to The Atomic Bitchwax, Nebula, Kyuss, Low Rider, Fu Manchu, Orange Goblin, Dozer, Spiritual Beggars and more Stoner fun.
I dubbed mix tapes off the radio in the early 90s and got into burning CDs in the late 90s. I was a cheap ass pirate even back in the day. Also ripped a LOT of my friends CDs to cassette tape. My dad used to buy packs wholesale.
There were so many shitty albums I bought for $16 in the early 90s (even worse, that's like $30 now) and had the exact experience in the meme. Things like we loved the first Suicidal Tendencies album, bought the second and were 'wtf is this?' The only way we had to pick out death metal was based on the cover art and record label... put it in the CD player, okay, good guitar sound... just have to wait until the guy sings.... that pretty much decided it.
“Fuck that shit. We’ll fire the singer that put us on the map because she was only supposed to be a back-up, and then we’ll go full techno”.
(as you may guess, I never got over it. Also, I know this full-techno song was still w/ Liv Kristine, but they stayed techno-ey and I picked a song I don’t actually hate)
I tried to listen the song and it’s not really my cup of tea. It felt almost psychedelic.
I for the most cases , don’t enjoy any screaming and neither vocals for that matter. That’s why I mostly will only listen to instrumental pieces of the metal genre like the doom ost. Nothing else matters is an exception but that song is more of ballad.
The part from 1:09 to 1:18 was a pleasant surprise to my ears. The woman seems very talented and I totally understand why you’d feel like a it was a huge waste to fire her.
The start of the instrumental transported my mind into a bandit filled wasteland world. It’d fit soo well into ashe 2063 ( a free doom full conversions game that I highly recommend ) or at least watch a playthrough of. I guarantee you’d play it after watching a few minutes.
If you like that at all, their Aegis album features her much more heavily, if with somewhat less “growl”. She also has had a few bands since that did “okay” in Norway. Leaves’ Eyes does gothic twist on some traditional celtic.
Also, “Beauty and the Beast” death/doom are hard to find, but Cradle of Filth had a few phenomenal songs of that genre. Nymphetamine Fix is my favorite of theirs. It’s so hard to find good death or doom that fit my tastes.
I watched a little LP of ashe 2063. FPS’s don’t work well with me, but it seemed interesting. Me with gaming seems like you with music :) I don’t like “vocals” (action reflex games)
The dude growling voice wasn’t that bad the first time he sang. Later parts weren’t as good tho. The part at 1:22 till 1:45 was my favorite. Really digging the folklore feel.
I actually have really bad reflexes but most games allow to toggle the difficulty and juste enjoy the story with the exploration as the reward, not passing the challenges. I wish it was as easy to toggle the vocals off. So many songs I deeply enjoyed until someone sang and removed any joy listening to it, so i end up playing that first part over and over.
Yeah, IMO it’s definitely a step down from the growl voices I like, ex. Peter Steele or Raymond Rohonyi (but had to look him up, which shows how much more I respect Liv Kristine than him)
As for vocals. I’m so attached to vocals it’s hard for me to relate. Most music I listen to are the type of person you can immediately recognize if they sing a totally random song acapella. Everything from Enya to Celine Dion, Maynard to Trent Reznor to Peter Steele. Even bands I “kind of like” have that in common.
“Oh my god, that sounds like…” <–if I can’t say that if they do a cover or new release and I didn’t know, then I probably don’t like it.
We’re polar opposite. Nevertheless, I don’t hate all vocals, Celine Dion is indeed a phenomenal singer , but not everyone is a good singer nor have a good voice, and even then, the lyrics can be a turn-off. I have hyperphantasia and my mind tend to wonder whenever I listen to any song, vocal more often than not disrupt the process. My favorite genre is chiptune music.
With a new band you never know. It could be a low, murky graaar like Immolation or Bolt Thrower… or a higher pitch like most Entombed (I prefer Clandestine where some bassist from another band sang, but most people don’t, for some reason). Or it could be like Deicide where the singer is mainly good then they cheapen it with this cheesy high pitched thing…. Carcass where the singer is h medium pitched and sounds good, then they also have a low guttural voice thrown in here and there, which was alright. Or maybe all is well and it’s the perfect Morbid Angel vocals.
Fucking Death metal was my counter to shitty alternative albums with one hit…30 years later I’m still a fan of grindcore/death metal/stoner metal…thank god for Relapse Records.
Mostly THAT was EPs. Some of the best albums are EPs, but they’re short.
Rose for the Dead EP, was my favorite one. 6 songs.
NIN Broken was 8 songs.
A lot of punk albums have plenty of songs, but they’re so short some of them have terrible play times. OpIvy Energy (the first bootleg I ever had) is only about 35 minutes long and the whole thing mostly fit on one side of a (small) cassette tape.
I could probably find more, but that’s just off the top of my head.
That fucking album is proof there was hope, except it bankrupted London Records which killed Grotüs’ career. They are a dope ass band I found in a CD store with throwaway CDs for a dollar in 99. Definitely worth it for them. YouTube Grotüs’ Mass.
Oh I would listen the shit album 100 times and memorize the lyrics for each song. It might have been bad album, but it was mine and I was so excited to bring it home.
I don’t think any CD I ever wanted enough to buy was less than $16. My family was poor so cassette tapes were still a thing for quite a while.
By the time I could start thinking about affording CDs, I’d already seen the movie Hackers (1994) and was convinced everything would be digital really fucking fast.
The sad truth. I threw out my CD binders at least 10 years ago. I still have some of that uploaded to the cloud, but I’ve swapped provider a few times and probably lost some.
And more often, I Just listen on spotify or youtube music.
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