I love every single one of the movies since 2009 (there is one I take issue with, bit it’s relatively minor) and every single one of the new shows. I’ve never seen any of the old shows and they hold absolutely no interest for me.
Having said that, I love Discovery. It is an absolutely fantastic show.
Strange New worlds is among one of the best sci-fi shows I’ve ever watched. It is absolutely fantastic and Anson Mount is utterly fantastic.
For me, the Orville is a window into old Star Trek. I absolutely love The Orville. The way that it touches on difficult subjects is done so beautifully that I can’t even begin to gush about how perfect it is. The moclan arc with topa and the follow-ups were so wonderfully done. As a cis white guy, I can’t think of a better way to handle and portray these situations and how important they are than the way the Orville did.
It is my personal opinion that the biggest enemies of Star Trek are it’s hardcore fans. You guys shit on everything that isn’t old Star Trek and you make it so that new viewers are less likely to check out the shows. You like to crap all over Discovery without understanding that is actually a really good show. It’s also a really good way to bring people like myself that could give a shit less about Star Trek into the universe so that I’m more likely to check out other shows like strange New worlds for example which is about the best representation of what Star Trek is that we’re ever going to get.
That said I do have one major gripe. Beasty boys? JJ Lim, are you fucking stupid? The movie was great up until that point, and then you chose the dumbest way to close it out. How the fuck did this get out of table reading? What the actual absolute fuck?
I blame Discovery and Picard. I tried watching Discovery the other day. I desperately tried, you guys. I quit - and I won’t be watching Picard. I reject the callous and hamfisted writing, so I’ve personally rejected it as cannon at this point.
Star Trek Shorts was kind of okay, and Brave New World was definitely a step in the right direction. I’ll watch that soon because I’m rewatching most of the shows in chronological order (based on this IMDB list). Also, Prodigy is actually pretty great. I’m glad it didn’t get cancelled. It’s a kids show, but the Prodigy writers show they actually care.
But my god. The writers for Discovery and Picard really screwed the pooch. I won’t even blame direction or acting, like at all. What I blame is the paint by numbers forced progressivism, which pisses me off, because it shouldn’t feel forced. It’s Star Trek FFS. It used to be the platform for progressive subjects.
Star Trek has been a playground for masters of the powerplay, for subtext, allusion and theme. It was a progressive platform already, but did so through writing methods which has been employed by writers for thousands of years to convey stories and characters, tried and true methods that yield good quality story telling. All of that went out the window with Discovery and Picard. The writing in those shows is the storytelling equivalent of smashing the square through the circle shape.
When it comes to the Orville? It shows that McFarlane really has a love for Star Trek and that he could have helped to modernize it, in a much better way than what the production team did with Discovery and Picard. But much like with the Flintstone’s reboot, he got shafted. But at least he got bawled out by Tucker in Enterprise while playing the role of an enson. So he’s apart of cannon in some way?
“Contrived” is a better word I guess. I don’t feel like many of the arcs have been fleshed out, leading to conclusions that are ill deserved Burnham as a character arc is a perfect example of this. I think she gets everything served to her on a silver platter, that the action setpieces are not enough to justify the order of things. This might be an issue with cutting for time, but still.
I always forget The Orville exists and that I’ve been meaning to watch it, so I’ll go and watch an episode and enjoy it, but the handful of episodes I’ve seen are just enjoyable fluff. They don’t stick with me at all, and I feel no compulsion to keep watching. When does it get compelling?
Orville was amazing, everything I remember trek being from my childhood. Weirdly I rewatch that childhood trek now and it isn’t what I remember… But Orville does it right.
I know I might be about to ruffle some feathers, but The Orville is how you do representation right imo. The whole story arc with Topa was beautiful.
Like, something that turned me off of nu-trek was how the representation was handled. It felt pandery to an almost gross extent. Like, Jesus Christ man, it’s the year 24-something-something, why are you still acting like being gay is a big deal? OoOoOoOoo oh nooooo, there’s gay people WoooOoOooo. And while I don’t remember there being spoken pandering in the few episodes I watched, there was something about how the scenes were constructed, the shots were lined up, etc, that felt like they were trying to draw attention to the LGBT members doing LGBT things. Again, it’s 24XX, I’m supposed to believe humanity has achieved near-utopia, why am I getting the feeling that you’re trying to show me how gay these dudes are purely because they’re gay. You don’t need to do that. It’s 24XX, who the hell is still getting bent out of shape about homosexuality 400 years from now?
The Orville, on the other hand, just kinda… treated it like it was normal. Some characters are gay, some characters are straight, but the show didn’t really focus on it; some guys just liked other guys more than gals and vice versa. They treated it like it was normal.
Okay, okay, but I brought up Topa, and Topa’s story arc is literally all about Topa’s gender problems. How does that not go against my previous complaints? Well, Topa isn’t human. Topa is from a male-dominated culture that believes femininity is weakness and should be eradicated via gender reassignment. It’s not a human culture, and so it doesn’t clash with the idea of humanity having a near-utopia. A human utopia involves everyone being treated equally, so when you imply different treatment, whether through dialog choices or cinematography, it clashes with that idea. But the Moclans don’t have a utopia, and so putting emphasis on Topa being female makes sense, especially when it comes to the human crew struggling with the clashing ideas of Moclan forced gender reassignment and the human take on sapient rights. Unlike nu-trek, there’s no dissonance there.
Expanse did it well too. There is a character that uses different pronouns, and people just used the right pronouns for them. Thats it. Boom representation achieved.
Now I get that trills were used to stealthily start trying to get trans and gender queer screentime in a very hostile 90s era.
In discovery, Adiras coming out had to once again be aided with the framing of the trill.
Adira had to loudly declare their preferred pronouns in the deep future when all of this was supposed to be no big deal.
It would have been so intelligent if they were just called by their pronouns and were just treated like any other character.
I understood the writers managed to get a coming out story that a lot of people can relate to. But in the future people should just be, and not need to come out.
Adira tells Stamets their pronouns, and Stamets says “okay” approvingly. That’s it. That’s the full extent of what you are calling a “big deal.”
You understand that even in a society where everyone is allowed to “just be,” accidental misgendering is still going to happen and corrections will still need to be communicated, right? Marco misgendered Nico on their first appearance, so Nico must have corrected him. You are effectively arguing that enby representation is only acceptable if actual conversations about gender occur off-screen.
They also don’t really force their will onto the Moclans. Sure, everyone else fundamentally disagrees with them, but they still respect Moclan sovereignty. The Orville’s federation is content to let them live as they choose. Instead of demanding compliance they agree to disagree. The crew focuses on guidance and assistance so they can help their Moclan allies figure it all out on their own terms.
I kinda disagree with this because at the end of the day the federation kinda did end up forcing their will on the Moclans. However, the federation tried as hard as they could to find solutions and compromises that would have allowed them to maintain their culture while also allowing people who didn’t want to be a part of it, primarily female Moclans, to have their own space where they could live the way they wanted to.
The reason why the federation eventually ended up forcing their will on the Moclans was for the same reason that modern society tends to eventually tell bigots to fuck off; the bigots weren’t content with bigoting off in their own little corner but instead felt offended by the fact they weren’t allowed to bigot everywhere else and threw a hissy-fit about it. Then people got tired of the bigots throwing whiney tantrums about not being allowed to bigot outside of their designated bigot-spaces and said, “fuck you, eat shit.”
True, but by the end the moclans had completely blown their shit. They were literally kicked out of the union and went antagonist (and promptly got their arses kicked again hahaha)
Meanwhile the whole Big Bad they were using as a stick to beat everyone else with (you need us to fight against the Kaylon or you’re dead!!!) was resolved with radical empathy and brought to peace.
It’s 24XX, who the hell is still getting bent out of shape about homosexuality 400 years from now?
I’m pretty lukewarm on Discovery, I’ve seen all of it but most episodes only once, so maybe I just don’t remember it. Who got bent out of shape over Stamets and/or Culber being gay?
Tbh I might have a unique way of processing fiction, because my brain seems to process it as, “I’m watching a future documentary” or “I’m watching future reality TV” or something. Like, these people have a camera crew or something following them around, so the camera crew is part of the act if that makes sense; so when the camera crew focuses on something, my brain interprets it as being important to the fictional future-history.
As such, while I don’t remember anyone actually being upset about them being gay in-universe, the fact that the camera crew seemed to like focusing on them being intimate makes my brain say, “this must be important to 23rd century humans in some way”.
Then again, I’m also not super into shows that feel like they spend too much time focusing on romantic relationships, so I might also be more critical that I should be as a result. If you’re gonna spend a bunch of time exploring a romantic relationship in a non-romance show, at least make it interesting. Maybe one of them is a cold-blooded lizardman and there’s some conflict about the temperature of the crew quarters or something.
That’s not a particularly unique perspective, many Trekkies choose to process Star Trek as “historical documents.” There’s a movie about it.
What I don’t understand is why you’ve assigned this theoretical camera crew the intent of “get the camera on the gay dudes, stat” when “get the camera on the relationship between the two main characters” is a much simpler explanation. There are entire episodes dedicated to Odo & Kira, Paris & Torres or Trip & T’Pol relationship drama. Stamets & Culber screen time pales in comparison, and at least Stamets & Culber have some chemistry.
I’m not a huge fan of relationships in media to begin with (unless it’s somehow tied into the plot), so it’s possible I’m being more critical and skeptical than I should be. I’m not exactly cishet so I’m not sure that’s really it, but as someone else pointed out it’s still not super common for gay characters, especially male characters, to be shown as being romantically involved, which can be jarring when you’re not used to it. Dunno, it’s weird.
That’s not a particularly unique perspective, many Trekkies choose to process Star Trek as “historical documents.” There’s a movie about it.
That’s kinda interesting, do you remember what the movie is called? I might watch it at some point.
but as someone else pointed out it’s still not super common for gay characters, especially male characters, to be shown as being romantically involved, which can be jarring when you’re not used to it. Dunno, it’s weird.
Yep, many people still struggle with it. What do you think it would take to change this?
the fact that the camera crew seemed to like focusing on them being intimate makes my brain say, “this must be important to 23rd century humans in some way”.
Might I also suggest that another possibility is that until very recently, there has been so little gay representation on TV that merely depicting it at all, as Discovery has done, can feel jarring to some.
A friend of mine was complaining about the same thing back on Season 1, but I asked him if it had been a hetero couple shown brushing their teeth together or having a smooch would he have minded and he admitted probably not. We chalked it up to just not being used to seeing that with a gay couple on tv.
I mean, I guess it’s possible. When it comes to my gender and sexuality, I’d say, “it’s complicated” because I’m not cishet, it’s just… complicated. Additionally I don’t tend to enjoy romance in media all that much to begin with, so it’s possible that I’m being more critical than I should. It’s just that gay relationships in media don’t bother me, it’s more when it feels “in my face” that I start to question the motivations behind it.
I guess the big thing is that if you’re happy with it, then cool! Something about it just felt off to me.
Frankly, the scene that introduced Stamets and Culber together I think was intended to surprise the audience in a different way –– Stamets is a huge jerk the previous few episodes and set up as a semi-antagonist, and that bit shows him in a very different light, as the audience/Burnham starts to thaw on the Discovery crew.
There was a multi episode story arc about a teenager (forgot her name, had a teenage boyfriend and got adopted by Stamets/Cullen) coming out as non binary and choosing they as their pronoun.
It was very heavy handed on drama, whereas if there was any internal consistency, there wouldn’t be any “coming out” at all because “staying in the closet” wouldn’t be a thing. The whole thing felt like having a Jane Austen dialogue in present Norway.
I would love to be able to say this was a one off occurrence, but pretty much all dialogue is heavy handed, with excessive drama not supported by the fiction. While TNG is rather under acted, DSC is heavily over acted. Out goes technobabble, in comes soap opera.
A “multi episode story arc”? You mean these 90 seconds? The only way this bit of character and relationship development could be less “heavy handed” would be if it didn’t happen at all.
Don’t be like that. We’re all discussing in good faith here.
Before that happens, Adira spends considerable time with the ghost boyfriend on how would that be received and goes through considerable angst processing it. Before even that it’s shown them in considerable anguish to come out to their boyfriend even.
Of that arc, the one thing well executed was the 90 seconds you pointed.
So yeah, most of it shouldn’t happen in a welcoming environment in the 25th century. Her adoptive parents had no issue being a gay couple adopting a teenager, in which universe would that teenager ever feel the need to hide their sexuality and insecurities from them? Why the anguish?
It’s pretty much established since TNG and DS9 that pansexuality is mainstream. In The Outcast, Riker was involved with a non binary alien; the episode wasn’t about the reactions (the crew was absolutely nonchalant about it), with Worf supporting Riker trying to rescue the alien that broke their social customs. You can still send a message with a good in universe justification.
There’s no in universe justification for Adira. She doesn’t come from a backwards culture, has crazy conservative parents, there’s no atavic crewmate around, no aliens taking offense… It’s a non conflict. It’s bad writing.
To be clear, it’s a message that needs to be on TV. But it’s a damn shame they did it so poorly when it could easily have been set up to actually create a conflict that would then be resolved. You need in universe bigots to show bigotry being overcomed.
It wasn’t intentional. English isn’t my first language and Adira being a female name where I’m from it just slipped out. I did get it right most of the time, but between articulating my thoughts and writing in English, I stumbled here and there.
I was having a really hard time processing the fact that what seemed like open discourse had so suddenly devolved to threats. Do you get a kick from doing that?
I would love to provide with some, but as it stands I’m not about to re-watch a show that didn’t entertain me enough in the first time just to make a point on an internet argument.
If you like the show and disagree with me, great. I believe there’s another season coming, so enjoy.
Don’t be like that. We’re all discussing in good faith here.
It’s not good faith to misrepresent or outright fabricate events. Nor is it good faith to dismiss people who are trying to point that out to you. There were no such lengthy, anguished conversations or multi-episode arcs. I’m baffled how you fabricated entire scenes that never occurred?
Adira spends considerable time with the ghost boyfriend on how would that be received and goes through considerable angst processing it. Before even that it’s shown them in considerable anguish to come out to their boyfriend even.
That never happened. That 90 second clip is it, and it’s actually only 27 seconds of that scene. It was never brought up before or after that conversation. Remember, Adira had amnesia when we first met them and was unable to recall anything about their past.
Of that arc, the one thing well executed was the 90 seconds you pointed.
There was no arc. That clip comprises the entirety of Adira’s coming out. Not to be redundant, but it’s never discussed before or after this scene.
So yeah, most of it shouldn’t happen in a welcoming environment in the 25th century. Her adoptive parents had no issue being a gay couple adopting a teenager,
You misgendered Adira and got the century wrong. Stamets is from the 23rd and Adira is from the 32nd.
Your comment is a moot point because Adira never once says they were discriminated against or fearful of that happening with Stamets (or any of the DIS crew.)
Setting that aside, in general you cannot make blanket statements about individuals unless they’re the Borg. People aren’t deterministic machines who follow a static program they’re unable to deviate from. They all have have different life experiences, cultural background, beliefs, and personalities which result in different levels of enlightenment. It would be more accurate to say that discrimination still exists in the future but it’s less likely relative to modern times.
There’s plenty of Star Trek episodes that demonstrates discrimination still exists. The Federation and Starfleet discriminate against synthetic life. Data was treated as property and ordered to undergo a life threatening procedure so Stafleet could create a race of slaves. He had to sue in court to win the right to choose is own fate. The Doctor on Voyager had similar experiences. Picard discusses the undercurrent of discriminatory attitudes that hampered the Romulan evacuation effort in PIC. Shapeshifters are often treated in a prejudiced manner and viewed as untrustworthy. Barclay was treated poorly by the Enterprise crew for the crime of not fitting in.
People in the future of Star Trek are still imperfect. They’re fallible beings who can engage in irrational behavior like discrimination. A more accurate statement is that discrimination still exists, but it’s less likely. Such things work based on probability, and the role enlightenment plays is to make it less common. Outliers exist though, especially in a population numbering in the trillions. All it takes is one bad experience to shape Adira’s interactions with others.
Anyway, this pretty much a moot point because Adira never mentions being discriminated against or felling that might happen with the DIS crew.
She
You misgendered Adira again.
doesn’t come from a backwards culture, has crazy conservative parents, there’s no atavic crewmate around, no aliens taking offense
No, you don’t actually know this. Those elements of Adira life are never revealed. Adira never states they were discriminated against or feared that’s what would happen on DIS. I’m unsure where you’re getting this.
If you’re referring to their tone or body language, you’d have to be psychic to know it was specifically a result of discrimination. There are lots of logical explanations you’re dismissing such as the simplest one—Adira’s personality. Conflict of any type (such as correcting your abrasive superior) often makes people uncomfortable. Occam’s razor and all that.
Even if I give you the benefit of the doubt I see no problem with that scene. Maybe Adira assumes someone from nearly 1000 years in the past is a bigot? Imagine coming out to someone from 1123. Or maybe Adira did have unaccepting parents or just one single bad experience that overshadowed everything? How do you know more about Adira’s life than Adira themself? That’s not a good faith argument; that’s just confirmation bias.
There was a multi episode story arc about a teenager (forgot her name, had a teenage boyfriend and got adopted by Stamets/Cullen) coming out as non binary and choosing they as their pronoun.
This never happened. The only time it ever comes up was in a single 27 second conversation with Stamets in S3 which someone else linked. It was never brought up before or after this scene. This is literally the one and only time any LGBTQ issue have ever been discussed in all four seasons of DIS. I’m utterly baffled how this scene got twisted into some lengthy after school special in at least two people’s minds in this thread.
The scene that actually happened wasn’t even heavy handed. Adira basically states, “I prefer to be called they. I never felt like a she.” Stamets literally responds with just “okay” at which point they move on and never bring it up again. I think you need to question why your mind warped it in such an exaggerated, critical way.
A big part of science fiction is how fictional technology and environments of the future that would seem very strange to us are completely normal to them. I agree that this should also extend to society itself and its speculative future progress. In the same sense that a character wouldn’t find a replicator to be strange technology it wouldn’t make sense to treat someones sexual orientation or gender to be strange if it is a social issue that was supposedly a thing of the distant past. I find that a lot of 21st century social issues seem to find their way into modern Star Trek in ways that don’t make a lot of sense.
Yeah, I mean, one of the most annoying parts is that there could have been ways for them to draw attention to characters being gay without it feeling pandery. Like, maybe Joestar Humantrek has a Caitian boyfriend and there’s a recurring gag where Joestar Humantrek is regularly in sickbay with a bleeding anus. Now you draw attention to the gay characters but it doesn’t feel pandery because the focus isn’t that Joestar Humantrek is gay, the focus is that Joestar Humantrek keeps winding up with a perforated colon because he can’t stop taking his boyfriend’s barbed cat dick in the ass.
Again, it’s 24XX, I’m supposed to believe humanity has achieved near-utopia, why am I getting the feeling that you’re trying to show me how gay these dudes are purely because they’re gay.
What? When did DIS ever do that? The fact Stamets and Culber are gay is not central to their character or any episodes. They’re just normal people who do normal things who is accepted by everyone around them without question. I’m not sure how much normal you can get than that. I think your issue is that they exist because DIS doesn’t do anything you claim with Stamets and Culber.
The Orville, on the other hand, just kinda… treated it like it was normal.
No, it doesn’t at all. Topa has zero character development beyond being transgender. The Orville only brings her out when they want to make an episode about her being discriminated against. She has zero character development outside that. That isn’t normal.
How does that not go against my previous complaints? Well, Topa isn’t human.
It does contradict your other complaint. Your praising the show that does exactly what you said you don’t want, and complaining about the show that does exactly what you supposedly want to see. Relegating LGBTQ issues to alien allegories is erasure.
A human utopia involves everyone being treated equally,
Which DIS does. Stamets and Culber are treated normally.
so when you imply different treatment, whether through dialog choices or cinematography
DIS doesn’t do this. There’s no hidden subtext which suggests they’re different. Not once are they ever discriminated against, even by the evil empress from the racist universe. I’m literally baffled how you think otherwise. I think your own phobias are making you see something that isn’t there.
In fairness, Adira does have a weird moment where they seem reticent about switching pronouns. But I’ll defend Disco’s representation because I think it’s just written with a different lens of how to treat queerness. The themes feel more modern, and more willing to explore what queerness is rather than treating it as something to be tolerated.
I’ll never forget my first watchthrough of Season 3 where Stamets refers to Adira as his child. I was floored because I’d mentally joked that Staments shoulda adopted them by now, but here the narrative was coming out and saying it. The writers dove deeper into themes like found family rather than retreading old ground. It’s heavy-handed at times, but it feels like queerness written for queer people.
It may seem like it, but August 2022 wasn’t three years ago.
Even if it was that doesn’t really seem so disqualifying after we’ve just had a new season of Futurama and anticipate a new season of King of the Hill.
Orville may not have the financial draw, but I bet Seth had more fun with that than any of the animated stuff.
Really? Season three is where I really thought Seth toned down the dick and fart jokes and started focusing on what made ST amazing. The whole left behind story where Gordon is trapped for long enough in the past that he has a whole family he has to leave behind was heartbreaking and exactly the sort of storyline that made me love TNG in the first place.
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