It’s a part of a long-standing internet tradition. I first knew the format as the Conversatron (1999). Posting in-character like this might go back as far as early IRC or Usenet.
Real question is: is there anywhere on Mastadon for this kind of stuff?
I love it when sci-fi teaches us about real stuff. The problem is that when you mix instant and classical (non-instant) communication channels, you get situations where information time-travels, and the receiver gets information from the future. This breaks causality (present based on future events), and so nature rightfully abhors it.
The closest we’ve come to instant communication is the use of entangled particles, but we can’t make practical use of the phenomenon. Touch one such particle, and it’s pair instantly changes to the opposite state. The catch is that you can’t know when to observe the particle, nor can you know what the original state was, via the same mechanism. So you still need to use normal photons moving at slow-ass light-speed to communicate that meta-information, thereby undoing any attempt to exploit it.
To be fair, said superpowers weren’t the kind of thing that would make him a viable supersoldier or unstoppable terrorist like Kahn.
Admiral: About this Stamets guy, can we review the footage of his illegal genetic modification powers?
:: watches video log of Stamets taking Discovery through shroom-space ::
Admiral: Ow, fuck, that looks incredibly painful. These mods are only good for this one task? And he can only do it with that machine, from that room, on that specific ship? And he’s okay with doing this to himself every time?! Yeah, we’re good.
Stargate: For the time, it did the Trek format incredibly well if not better. First season was rough, but oddly found its feet when SciFi took over (weird, right?) Good characters, great villains, fantastic arcs. The show “ends” multiple times, with the last few seasons being less than fan favorites. That said, if you love the characters by the end you may find yourself putting up with late season plot devices. Atlantis is good too, but shorter with slightly less compelling plot hooks. The short-lived SGU sequel/spinoff is has this man-v-man flavor not unlike DSC season 1, but doesn’t stand on its own lore-wise.
Babylon 5: The even more grounded DS9. But like the oft-compared Trek series, the production values are a 1990’s time-capsule, which (today) has a kind of charm to it. The story arcs center around diplomacy, subterfuge, spycraft, and interstellar war, all told in a universe that is delightfully consistent and charts its own territory. Characters play off each other incredibly well once the series gets going.
Galactica: I’m going to assume you mean the reboot*. This is a gripping serial epic with very few filler and bottle episodes. Characters grow and evolve, allegiances change, motivations shift, ethics are challenged, and whole personalities get re-written. You can slap “space opera” on the box and be correct, but you can’t describe more than two character arcs without filling your mouth with crazy nonsense. Yet somehow, it all works brilliantly and draws you in over and over again. It stands apart from the source material, but has lots of nods and references to the original so that the old farts in the audience are enthused.
(* The original BSG is a hot mess of amazing-for-the-time effects, cool characters, great concepts, and bad studio interference. Best enjoyed using mind-altering substances because that’s clearly what the writers were doing)
Not necessarily the level of the nacelles falling off the ship
I feel like “catastrophic” would be at least that, or maybe at the level of a warp core breach; basically losing chunks of the ship that are required for crew survival. Other categories should just work backwards from there.
While I know this is done for humor’s sake, I really love this critique.
Similar to the Bechdel Test, this comesvery close to perfectly illustrating the Mako Mori Test:
The requirements of the Mako Mori test are that a film or television show has at least one female character and that this character has an independent plot arc and that the character or her arc does not simply exist to support a male character’s plot arc.[2]
I would love to see what the fan edit looks like. I (re)watched it just last week and the theatrical cut is… a mess, to put it gently. There’s almost too much going on, with not enough focus on the elements that make the story tick. But there’s lots to work with here that would make a very high-production-value 50 minute Trek episode.
Scotty and Uhura’s flirting was cute, but it doesn’t go anywhere so it’s dead weight film-wise. But without it, the characters have even less to say in an already crowded story. It’s just sad.
One moment that stuck out to me was the bar fight. Kirk just tosses a Catian stripper, over his head, into a literal “pool” table and she’s rendered dead/unconscious floating face down in the water. Either she has bones like a baby bird or Kirk is on 'roids. I can’t make sense of that edit unless there was a longer fight that got chopped down somehow. It makes zero sense.
They make a nod to this on Lower Decks. The higher ranking officers have access to an entirely different replicator menu, suggesting a distinction in quality overall.
Imagine eating the 140p food
I would get tired of steamed bananas real quick. The guac and chips look okay though.