Sure but also, ive then been driving the thing for nearly 20 years by that point, there are other considerations: safety developments / code, electronics, interior materials, rust, cabling/tubing that it might just be better / more comfortable / nicer to replace.
what specifically? vaccines cause autism/monkeypox, the democrats drink baby blood, trump won the last/next election, Putin is good because he’s only killing Nazis in Ukraine, forest fires are caused by Jewish space lasers, LGBTQ+ folks are grooming children and Bill Gates wants to put microchips in your brain?
Like — what are you saying, some misinformation is good?
I mean are you using prostitution to mean “pro-stituere” (“ready” “to be sold”) in which case even the most ardent captialist would agree. Or are you making an insinuation that exchanging the brane of labor-time-effort for the brane of exchange-account-value-store is somehow immoral? Because even the most barter-focussed kibbutz or shetl will eventually need to trade some kind of future (e.g. fishermen need boats before they can provide fish, farmers need to survive the winter to sow seeds in spring)
It is definitely labor. And the only unpaid work I’ve done in 20 years is for showreel, I definitely don’t do unpaid theatre and haven’t since I graduated drama school.
Learning lines (which is unpaid work before rehearsals even begin), blocking (and depending on role: combat, intimacy as is being discussed, music/song, choreography, props and costume tracks) are all pretty hard work. Not to mention 5 weeks of 10 hour days 6 days a week as a standard rehearsal process (all of which is usually done standing and moving, so generally harder physical work, longer hours and fewer days off than an office job).
To say nothing of “hell week” (tech and dress).
For us semi-pros, I’m often doing my day job around roles as well.
what the fuck are you talking about? How on earth is something like playing Pozzo in Waiting for Godot, or James Sr in Long Days Journey “emotional prostitution”?