Why are anglo writers obsessed with using latin as some ancient, mystical language? Why would Latin be tied to magic in any way? Do they realize that Latin was spoken all through Europe for millenia and its vulgar form evolved into tons of current languages? Or that people were using latin in churches, courtrooms and universtities all the way up to the 20th century? Latin was an optional in my high school. I took two years.
If random Latin words could do magic all of Europe would have been constantly exploding. Newspapers would be covering the latest magic volcano to pop up in Southern France. World War II movies would include accidental summonings.
Also, for us romance language speakers it sounds vaguely understandable, so the weird things they use for spells sound goofy as hell. I'm not sure if that's better or worse than using fake Latin-sounding made up stuff as in Harry Potter.
Latin was the lingua franca for the educated western world for centuries. Texts on alchemy, mysticism, and religion were all written in Latin. Church rituals were performed in Latin.
Most magic in fiction has its roots in the past. What language would be more fitting?
No, wait, it was not "lingua franca in the educated western world", vulgar latin was just... the language a lot of Europe spoke for centuries.
People think of Latin as this highbrow educated thing, because that's what was left of it after the development of romance languages from vulgar Latin, but Latin was just what normal people used to talk to each other for a long time.
And yes, sure, texts on alchemy, mysticism and religion were written on it.
Also texts on food recipes, tax collection, how the tree from your neighbour's yard was blocking the sun to your oranges and the rude graffitti in the tables of the pub.
Honestly, I don't see why the chosen language would have to matter to your fictitious magic system. Surely if you have to say words and words mean things, the language doesn't affect what the words mean. I tend to like it when people still manage to tap into magical thinking without the crutch of pulling what they think sounds old-timey from somewhere. Neil Gaiman, Jim Henson or Grant Morrison were/are really good at it.
Or, you know, if you're a meganerd like Tolkien you can always just... make a whole new language for it. That also works.
I’m not talking about vulgar Latin or the romance languages.
For about a millenia and a half, everything that could be considered scholarship was written in Latin. Newton’s Principia Mathematica? Latin. Copernicus’ De revolutionibus orbium coelestium? Latin. Kepler’s Astronomia nova? Latin.
Almost every educated person in the western world learned Latin. That’s how they communicated with their colleagues in other countries - letters written in Latin. That’s why it was a lingua franca.
Yes? I think you may have missed my point in the shuffle.
What I'm saying here is that Latin doesn't make sense as a mystical, secret language for magic because it was too common. I'm not saying it wasn't the language of scholars, I'm saying that not only was it the language of scholars, so every treatise on optics or history would have triggered accidental lightning bolts, but it was also a commonly spoken language as well.
Hey, you know what is lingua franca for science while being widely spoken? English.
If English had been a dead language for fifteen hundred years and was only used by people who talk about things only a tiny subset of the population understands?
But that's my point, it hasn't been, and it wasn't.
Again, Latin was mandatory in my high school for a year, optional for two more. In the 1990s. It's still optional, I believe. My parents went to church in Latin as kids.
So no, it doesn't sound mystical outside the anglosphere, it sounds like crusy old priests, lawyers and boring lessons. Today.
This planet has - or rather had - a problem, which was this: most of the people living on it were unhappy for pretty much of the time. Many solutions were suggested for this problem, but most of these were largely concerned with the movement of small green pieces of paper, which was odd because on the whole it wasn’t the small green pieces of paper that were unhappy. Many were increasingly of the opinion that they’d all made a big mistake in coming down from the trees in the first place. And some said that even the trees had been a bad move, and that no one should ever have left the oceans.
Correct on every damn count. Even though I have my little digital watch.
Fantastic author with a fantastic set of books. The bit about how humans can fly will always make me laugh my ass off. Apparently we possess the capability of flight but we’re doing it wrong. The trick is to throw yourself at the ground and miss.
Agreed, Adams was a genius with an incredible sense of humour. When I was 12 years old I started reading the HHGTTG books and I loved them all. The Dirk Gently books were tremendous fun as well. But the real hidden gem was his book about animals going extinct (Last chance to see). A friend of mine taped a reading session of Adams at his university in Germany back in the day. He later converted it to mp3 files and many years later I still love listening to that gig every few months or so. Let me know if you’d like a copy of it.
There was an animated tv show that had this as a plot line, where an american man met a woman from japan. I can’t remember what show it was, though. Its a memory barely visible in the back of my brain.
Written, you could get a vague sense of what’s being said. Spoken, the two languages are absolutely not intelligible. You might pick up a couple of words that are close enough but definitely not enough to have anything close to a conversation.
Portuguese and Spanish are much closer in terms of intelligibility.
Just because Chekov wasn’t on the bridge and we didn’t see him doesn’t mean that he wasn’t still part of the crew somewhere else on the ship. When we finally did see Chekov in Season 2, he at no point claimed to have just joined the crew.
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