Sounds like it would be wrapping up the Paul Atreides story, and laying the groundwork for the Emperor of Dune Saga in the last 15-30 minutes of the film. That should still be enough time to deal with Paul Atreides.
The only certainty I read is that Villeneuve doesn’t want to do children of Dune or beyond. But producers want mini series out of those and a Bene Gesserit prequel series that’s already on the works.
I try to buy all my music directly from the artist in CD form whenever possible. Whenever that’s not possible, I try to get a version that I can save locally & play offline…
I bought an album off iTunes last year in September. I made the mistake of joining Apple Music and it completely fucked my offline music library. So I had to revert to a backup prior to September.
Went back to download that album and was told I couldn’t because it’s no longer available in my region.
It’s okay to buy it but you can somehow lose access to it because rights expired that had no bearing on you.
It’s fucking stupid and they wonder why people pirate when they pull shit like this.
I have the opposite experience. I have a heap of MP3s and flacs and those live on some hard drives.
Apple Music was like “wanna twy?” And I was like “aite sure”. I love having lossless of basically everything when I’m not at home, and iOS doesn’t touch my at-home collection.
I guess the problem is buying DRM music. I never trusted any of that.
Music purchased from the iTunes Store is DRM free though. I think they actually upgraded purchases made prior to this change to DRM free versions (called iTunes Plus or something).
It used to work for me for years and then it gave it up for some reason I can’t remember. Though this was under iTunes Match which is still sort of the same thing, just exclusively for uploading music but no streaming what you haven’t uploaded or purchased.
Though, it did replace some of my music for clean versions which I despise. Music I’ve had for decades and have no copies of any longer…I would be morally justified pirating the right copies, but it’s too many to go through.
What they did this last time was that they replaced more of my music with different versions. I’m talking very different versions to what my CDs had from back when these were CDs my dad let me rip when I was a teen decades ago and they replaced some of my music with versions that didn’t download correctly and couldn’t be played anymore. Almost like corrupt copies.
My offline music library was a mess. 60+ GB worth of music, most of it was inaccessible anymore and would give me strange errors like it wasn’t available in my region anymore despite it being music I uploaded. Apparently others have experienced similarly recently and the only fix was if you have a backup to restore from backup.
That is super fucked and I’m so sorry that happened.
Replacing for clean versions though, that’s hilarious. Like WHY?!
I’m not blaming you AT ALL because software should never fuck with your music irreparably. I’m just paranoid something is going to go wrong with my collection I’ve curated for 15+ years, I keep it backed up on multiple drives now.
…after I had a HDD die.
I do love Apple Music though. It’s super cheap for having lossless shit everywhere, and I’m not a shill I PROMISE I USE LINUX ALSO AND UNFORTUNATELY PREDOMINATELY WINDOWS 10 AAAAAAAAAA
Whenever I release music myself, I actively block it in Russia, because they relentlessly steal my trance / freeform releases and upload them in warez sites.
Of course geoblocking can be circumvented by a determined pirate but it helps to not be on their radar in first place as a lesser known artist.
As an example, once I released a freeform album. Freeform is a very niche, small scene. It was on Russian forums within a couple of days. Fortunately one of my fans notified me, I had a Russian friend contact the site on my behalf to explain that I’m a poor struggling artist, and they’re literally taking money out of my pocket; to my surprise they agreed to take the links down.
People say this all the time about Spotify, but it’s actually a viable outlet for revenue if you’re on a decent label who understands how to leverage playlists.
Obv that doesn’t apply for freeform… but for styles like trance, techno, DnB etc it’s not unheard of for a track to get 500k streams across a variety of playlists, which equates to $1500.
Got a sample preview of your favorite release?
I don’t think it would be wise to dox myself here after I’ve made an unpopular comment!
This is actually one of the less effective examples of geoblocking that someone could ever imagine.
Russian warez sites are only “Russian” because they’re run by local admins as pirate sites located in the Global South have tendency to have a longer lifespan and less chances to end their days by being raided than hosted in the Western world. Most part of such sites users / uploaders are from worldwide, for example, if you’ll check your active peers for any active rutracker upload, you’ll see, that only small part of them have Russian flag. So such geoblocking makes literally zero impact, as it never prevents user from any other country from uploading the tunes to such website.
Also all Russian users are already geoblocked, as they won’t buy anything from you (even if they would want to) because most of webservices that you could use to promote your album won’t be able to charge their cards due to sanctions. And if some of such users use foreign VPN + credit card combo and are able to use such services, they are not affected by your geoblocking, as they’re attached to different region.
Having a sale price adjusted for local currency would likely go a long way, and I don’t mean just a price conversion I mean an adjusted sale price. Some regions 9£ is a lot of money vs their monthly income and others it’s not much at all.
Not so much currently (in the case of Russia) as you likely can’t sell it there due to sanctions, but in general that would help a lot in boosting sales vs piracy.
I agree. I think people have taken my comment as a defence of the geoblocking, was just offering an example of why someone like a small indie musician may choose to do that. I do find it frustrating when I have to VPN to a different country to watch a video.
But the reason I geoblock one country isn’t to be an arsehole, it’s because Russia has no recourse for indie musicians like myself who have their music stolen. They have no law preventing music theft which is why it’s rampant in that one territory (not saying it doesn’t ever happen elsewhere). Pretty much the entire rest of the world has some sort of avenue where I can issue something like a dmca.
They have proven many times over that pirating/accessibility have inverse relationship.
My most frustrating example was when I needed one song for a project my wife was working on a long time ago. I looked to try to purchase it online and could only find it on iTunes. In order to purchase from iTunes you had to download the application and install it. However I had an old machine running Linux… By the time I figured this all out I had spent 2 hours trying to pay $0.99 for one song. I could not find an approved way to do it. So I went the alternative route and had the song in under 5 minutes.
They keep pushing accessibility down recently. I am not playing their games again. When they want to be reasonable they will get paid.
Hard to say really. I’m fairly sure if it was available online for free, less people would have bought it.
When you’re talking only £2000 or so of sales for a small indie release, piracy makes a huge hit to sales. My more popular stuff like trance, the sales drop off a cliff the moment it’s leaked. There was a huge problem with people on promo lists leaking pre-released tracks to warez sites, not sure if the main labels (eg ones like Armada, Anjuna etc) ever got to the bottom of it, but it really hurt the sales of people who aren’t exactly making bank from their music
My only reason besides stuff being free is that I want my music library offline. There are some services like Bandcamp that offer it, but it would not cover a meaningful percentage of all my library. Not gonna buy and rip CDs myself as well
Yeah, this is the thing that’s making me want to go back to having a private music library again. I pay for this shit, and they keep removing songs from my play lists.
I started back up again with Lidarr + Plexamp, with the noted exception that I’ve actually tried to buy music from Bandcamp.
Not everything I want is available on the high seas
I’m at a place financially where I can drop $40 on something like Lagwagon’s back catalog.
Honestly? It’s way better than Spotify - the Plexamp DJs work really well, I can offline download albums for runs/work (where I’m in the basement and have zero cell coverage).
If you are looking for an open source alternative to plexamp I recommend checking out Logitech Media Server. Don’t let the Logitech in the name fool you.
I’ve done the same. You can get some obscure stuff from soulseek if Lidarr isn’t finding all the stuff you want. I’m mostly using that and just using Lidarr for organizing and tracking.
You’re 100% right about the plexamp DJs. They’re super good. Love the deepcuts one.
Yeah, I once discovered an artist, even bought some albums, only to notice about a year later that the place I discovered them was now blocked in my country. If I would’ve come a year later, I would never have bought these albums.
So many japanese creators still limiting themselve to CD releases (local only obviously so get fucked and export them) or making it a limited edition is so annoying…
It's totally dumb because it's not about getting a good deal for consumers or artists, purely about rights-holders maximising revenue. If they can't negotiate a good enough deal in a region they'll simply not allow it to be streamed. This is what happens when they separate the cultural value of "content" from the monetary value of it, the perceived desirability. Viewers and listeners want a good show to watch or album to hear, rights-holders simply want to get a good deal, regardless of what the stuff it.
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