Is this a line from Letterkenny? Because it sounds like a line from Letterkenny. They’d all end up doing really bad Australian accents.
Dan - I understands shes actins like shes fightin’ fer her lives, but I still thinks Meryls ates more scenery than any dingos could.
Katy - Meryl is beloved BECAUSE she’s like a dingo. You don’t get to be that beloved as a woman of age in Hollywood without eating the occasional metaphorical baby.
Dary - I just think she could have gone about it a little better. It’s like “did a dingo eat your manners?”.
Wayne - Come on now, a lady lost her kid. You’re about to cross some fuckin’ lines.
Valley Heat - a podcast from a freelance insurance adjuster about the goings on in his neighborhood. The primary story focuses on his mission to find out who is using his recycling bin as a drug drop.
It sounds boring but it’s absolutely brilliant.
The less you know about it going in the better.
He also has a couple Patreon exclusives that go deeper into the hijinks.
How do you stop it from pooping everywhere? I had a conure who was “trained” to fly back to her cage to poop, but she’d only actually do it a fraction of the time. I imagine chicken poop is a little messier than a tiny conure.
Boogie Nights - Paul Thomas Anderson made it a point that the characters not make any significant growth during the course of the film. It’s a masterclass of largely lateral movement.
Happiness (1998) - one of Philip Seymour Hoffman’s best roles.
The Talented Mr. Ripley - another one of Philip Seymour Hoffman’s best roles.
Yall remember the slap-chop guy Vince Offer? Before he was telling everyone how much they’d love his nuts he was hawking his Underground Comedy Movie. It was absolutely terrible, but they sold the shit out of it on late night infomercials. Everyone who saw it is stupid. I can say this because I saw it… and it was so bad it felt like my frontal lobe died and became a black hole in my brain. I am literally dumber for having volunteered to watch it.
I mean, you’re not wrong. Between not eating and having zero compulsion to drink, I saved a ton of money when I was a functional tweaker. Quitting meth turned me into a fat alcoholic.
I agree that moving to digital saved so much time, and I’ll never miss brainwraps or thrown platters… but working booth shifts threading projectors were some of the happiest times I had running theaters.
I’ve gotten bad keys from the studio before, usually when we were doing advanced screenings. It was a relatively quick fix… I think the longest delay was ~15 minutes. I never had to cancel a show because of it, certainly didn’t have to close the entire building.
For as much as I loved the convenience of digital, I really miss the days of 35 film.