Not bad. Very much an homage to old slasher flicks. I didn’t even realize this is the movie to go with his trailer from Grindhouse. It’s been so long, I forgot about those trailers. It’s campy, over the top, and pretty fun. Definitely not without faults, but overall a decent time.
Once the killer is revealed, a lot of the previous scenes don’t really make sense. The cast is way too old to be playing high school kids, but they meshed well. I couldn’t stand anyone in the movie, and was rooting for the killer, though, lol. They are all pretty horrible people, outside of the main girl. The opening scene was kind of depressing for me, just a reminder of our consumer-based culture and the horrible people in it.
But I loved the kills. One felt a little mean spirited, but overall they were silly and way over the top. The ‘Baw-ston’ accents were cracking me up. Especially the Hanover kid. He must have gone to the Eli Roth ‘Inglourious Basterds’ school of Boston accents. It was just crazy. I wish it leaned a little more into the camp and silliness, but overall, I had fun.
I have no issue with a long movie, but I’m of the opinion that any movie over two and a half hours needs an intermission. I don’t need a UTI for your art, directors/editors.
There was an intermission during Hateful 8 and it was glorious being able to get a restroom break and another beer without feeling guilty of getting up in the middle of the movie. So I definitely agree we need more of those.
This was the norm in Portugal when I visited in 2010 at least. In my childhood theater in rural Norway there was always an intermission as well, because they didn’t have dual projectors. Hot-swapping projectors was the only way to avoid one in the analog film days, as we all learned from Fight Club.
In Portugal, the only movie I saw where there wasn't an intermission was a very short movie, barely 50 minutes long. Anything longer than an hour has an intermission, or at least had before the pandemic.
Intermissions are standard in Icelandic cinemas, no matter the length of the movie. Since moving to Norway I always forget and my bladder is about to explode at the end of the movie. I don’t think an intermission is necessary for a 90 minute movie, but I think if it’s 2 hours or longer then an intermission should be required.
It terms of movies I never asked for, at least this film has plenty to work with. The original series/films establish that we’re at Hunger Games 74+ and there was a huge war.
I’m not sure if Snow is the best main character, but having watched the film I think he was a good enough choice.
A prequel is always going to be a difficult movie, but I thought this did a fine job. If they want to make a few more I’ll probably watch them, but if they don’t I’ll be ok.
It might be a mistake by Deadline or they are casting The Authority as the villains of the film which suggests they are taking the place of The Elite, probably drawing from “What’s So Funny About Truth, Justice & the American Way?” The Engineer would then be replacing Menagerie.
and isn’t The Authority another property on the film list?
It is indeed. With the wealth of characters in this film it looks like it will be laying a lot of the foundations for the Gunnverse.
What I was unsure about was how they’d make The Authority work. Gunn knows his comics, so he presumably understands that having the team as part of the main DC Universe just doesn’t work (they are a commentary on the Justice League and have too many analogues). So he either needs to have them in their own universe but using The Bleed to bring them over as needed, possibly in an antagonistic way (at least initially as they are anti-heroes) or he first introduces them as The Elite or a version of it which leaves the door open for a (semi?) self-contained Authority film.
As he knows his comics, and is clearly taking inspiration from the best of them, it shouldn’t be any surprise that he’s eyeing “What’s So Funny About Truth, Justice & the American Way?”
I’m assuming the movie will have to have Jenny Quantum instead of Jenny Sparks since they represent the turn of each century.
For western movies, yes generally. I love the trailers of Park Chan-wook’s movies. See the trailers for The Handmaiden and Decision To Leave for example. They don’t give out the plot, they are very intriguing, and subvert expectations once you see the movie.
I think he says both. People probably don’t know what you’re talking about because it’s a 30 year old movie. Whenever I try something on I always do the “do eye look cool naow” line from Twins, but nobody knows what I’m doing. Nobody except for my wife, that is.
I stopped going out of my way to watch trailers after Deadpool where it felt like they’d jammed all the best bits into the trailer and everything else was padding.
That’s a video that’s been formatted for YouTube. The quick bit at the front is designed to sit in the ad space of a video you can’t skip. So the idea is to keep you watching when you’d normally skip it.
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