I’ve worked in all sorts of performance disciplines. Comedia dell’arte, High clown, low clown / children’s ents, improv, film, theatre in pros-arch, round…, puppet , Grotowskian devised theatre, Boalian Theatre of the Oppressed…
Only one small subset of that work demands word-perfect adherence. Performance is much more than post-Stanivlaskian Aristotlean drama.
Even Beckett, who was completely, insanely anal about everything from the design of the tree in Waiting for Godot, to the size of the spotlight in Not I, to the length and timing of the tapes in Krapps Last Tape, still made on-set changes right up to the performance.
Not to mention, often on set the script supervisor will sometimes give you last minute changes between takes.
Then, no script is ever perfect. I did Glengarry Glen Ross (which is suuuper tight in terms of interruptions, e.g.
A: “And a man has to shiver in his…”
B: “…shoes…”
A: “…boots…”
B: “…shoes… boots…”
A: “…And for what?” )
But one night the cop missed his cue during one of the sections where people are coming in and out of the office to be interviewed, and I’m (as Roma) trying to put the screws on the guy from the Chinese restaurant so I have to keep vamping on convincing him not to call his wife until the cop remembers to come out and confuses him for Shelly Levene.
It’s so much better for the audience for me to vamp than it is for us to stop the play and go and tell the actor he missed his cue. The show must go on.
funny because, this is actually closer to what “The Method” really is than any of the weird shit you hear about (a way of analyzing text into small compartments of meaning and what their transitive emotional properties are and then considering the impact those words would have on another person when said with different intentions, and picking one based on surrounding context clues also found in the text)
it was a joke, there is no need to take it seriously. I have no real interest in discussing how closely aligned to any given real political view points fictional characters from a 20 year old movie are.
obviously what you vaguely describe has been around since 1945.
That home assistant devices are constantly listening and feeding back marketing data on every conversation is patent and disproven nonsense.
they have done packet sniffing investigations, they have disassembled the devices, they have run meters on the electrical charges… everything in every way you can imagine.
But even if you just think about it for a second - processing a live audio feed at a rate of 1 second per second indefinitely and correlating that data via voice recognition to your Google profile all to… make your ad personalizations… worse? more inaccurate?
like what the hell is the perceived benefit? That my wife says, “oh my dad found my old barbie house!” while at my neighbors house and my neighbor gets served barbie ads? Why would Google want that?