They coat the cans in a plastic lining. And most metals, including steel, have no flavor anyway. “metal” smell is from oils reacting together. youtu.be/BqLH-nTZEOc
They choose to use not only Cheap ingredients, but also a whole bunch of chemicals, many of them sweeteners (and add even MORE salt to hide the sweetness) and stabilizers. It’s not really rare commendable for human consumption if you ask me…
I’ve got a memory from pre-k where I was basically refusing to participate in nap time and got kicked out of class and ultimately kicked out of Pre-K entirely. I don’t remember a lot of the details but I do remember not wanting to take a and then getting kicked out to go to the toddler daycare room something like that
I don’t use ad blockers on YouTube because the creators that I watch on YouTube are people who I actually care about. I watch content on YouTube from real people who I want to be able to profit off of me watching their video. Ad blockers are effectively piracy, your taking the content without the agreed upon price, in this case, the price of the content is the ads.
And I don’t make that comparison to convince anyone that they shouldn’t use an ad blocker, I just think the decision of where to use ad blockers should be made with the understanding that you are pirating any content that you consume while using an ad blocker. Are you willing to pirate something from some random mega corporation? I am. Are willing to pirate content from this niche 3D printing YouTube content creator that you enjoy? I’m not.
As a default, I do use an ad blocker, but I will disable the ad blocker for any website that I can trust enough to not have malicious ads, especially websites that i want to financially support. Because for me all it means is sacrificing a little bit of bandwidth to load the ad that I’m just going to ignore anyway.
We’re not talking about what holds power in a court, we’re talking about functional reality.
What you can get away with on a technicality in court is irrelevant to whether or not it’s piracy.
By a legal definition, no, ad blocking is probably not piracy. I’m no lawyer but I would wager that Piracy is probably more strictly defined than that. My point though is that it is functionally the exact same thing as piracy.
Ad supported content is distributed based on the advertising income paying for the distribution. If you are blocking that advertising in a way that prevents compensation to the content creator you are consuming that content without the creator getting paid the price that they set for the content.
The price was agreed upon in the same way that the price in the grocery store is agreed upon.
The content provider set the price, in this case, the price being consuming an advertisement.
To be totally clear, I absolutely advocate for piracy in some situations, I’m not going to get into the weeds and talk about the specifics when I do or do not advocate for it, but to extend upon the grocery store analogy, there are also some situations where I would absolutely advocate for someone to steal from the grocery store. And I’m not going to get into the weeds and talk about the specifics for when I do or do not advocate for that either. The point though is by calling ad blocking piracy I’m not making a moral judgment on whether or not it is right or wrong, I’m just pointing out that it is functionally the exact same thing.
You say you’ll disable the ad blocker for sites that don’t push malicious ads? I’ve reported half a dozen deepfake “investment” ads on YouTube in the last couple of months, and they have done nothing about it. The ads YouTube pushes are horrible!
People advertising shady things is not the same thing as a malicious ad, at least not in the context of the point I’m trying to make. By malicious ad I’m referring to those things that pretend to not be an ad at all, they pretend to be the download button or a notification of an unread message, or something along those lines.
I may not be using the terminology exactly right, but that’s the kind of thing I’m referring to. And YouTube does. A YouTube does a perfectly fine job at being transparent when something is an advertisement and when it’s organic content. They’re not maliciously being deceptive at what is an ad and what isn’t.
Are willing to pirate content from this niche 3D printing YouTube content creator that you enjoy? I’m not.
I cleanse my conscience by supporting many of them on Patreon.
Accidentally clicking on clickbait without an adblocker directly results in a spammer getting money, and that just makes me feel like crap. There’s so much spam out there that wouldn’t exist without ads, which makes it harder for quality creators to get attention and fair compensation. I feel I can only engage with the internet ethically by refusing to participate in the ad economy.
It sucks that alternative payment models like Brave’s “Basic Attention Token” (or a fairer alternative) never got popular. The idea was to track the creators of websites/videos/etc. you visit and automatically split your monthly donation between them. IIRC it was proportional to the number of ads blocked for each creator, but you could tweak creators’ multipliers to deny profit to spam and reward higher-quality creators. I’d also accept microtransactions for individual videos, news articles, etc. but no platforms for these exist because the big players in internet monetization are all so focused on ads.
So I watched this last night. It is a pretty bad film, with the worst use of slow motion I think I have ever watched.
It feels very rushed in its plot, and the fizzles out instead of ending with a bang. Very few action scenes feel good, from bad camera angles and slow motion that highlights all the wrong things. I would also describe the film as a collection of nobody’s, very little character growth and you spend almost the entire film playing Pokémon with them.
I don’t recommend watching, and I would be surprised if a directors cut would make a difference.
I agree with all of this, the entire thing is inconsistent from the costuming for everybody to the accents to the slowmo to the character “development” to the sound effects for the lasers from guns to the world building with scifi and magic but also regular real world snow elk to the literal star wars shuttle crawl opening to blade runner but in the desert to the showing “good” characters because they’re against sexual assault who then never show up again to characters who get backstory in the last 35 minutes of the movie after having been with them for 2 hours, to characters motivations directly contracting themselves. So many scenes of faces just looking, no words, no help, just watching…
The slowmo is so awful, from scenes that are inconsistent through themselves - full speed, 60%, 30%, back to 60%, move to the next scene *still at 60%. Later? Eh, these four action scenes just set a 70% slow. They are so exhausting it genuinely feels like a chore to sit through. Oh, but the final fight has no slowmo from what I can remember, so there is one scene at least that doesn’t have it. The first half of the spider fight was okay outside of the racist music. Mostly everything else is literally just slowmo movement/shooting and closeup faces.
The movie is atrocious. I went into it with an open mind. I liked the self-indulgence for ZS:JL because it’s DC and it was a vision brought back from tragedy.
This?? He couldn’t get it right the first time that is on him. This is likely the most unoriginal, most predictable thing I have ever seen and the fact that there is a four hour version for part one is sad. I have never felt such disdain watching something. And honestly, that 4 hour cut could simply be Jimmy getting 45 minutes frolicking in a field getting his horns, an extended griffon flight sequence and 4 more added fight scenes with 2 dialogue scenes. Boom, 4 hours. I wish I even felt like this was being facetious.
I wanted to write a “the good” and “the bad” but… Genuinely, just watch James Gunns Suicide Squad instead. You’ll feel more emotion, get a deeper sense of the characters with actual fucking pacing, there’s actual set ups and payoffs that are meaningful instead of just… “Everything” and best of all you won’t have to sit through Rebel Moon. Oh, and if you want a sense of good use of slowmo, watch some of the Rocky movies, or Creed. As a slowmo comparison only, although thematically these movies are so much more impactful.
On the other hand, don’t wait. Watch it now and just see exactly how terrible it is. Maybe get really stoned or really drunk, watch it with someone who is familiar with Star Wars and its homages and prepare yourself for the rejected Star Wars story ZS presented to GL.
I’m not a hater, I’m not somebody who writes scathing reviews about movies because of stupid reasons, I generally like most movies even if they are bad. I generally like most things even if they’re mediocre and predictable, if it’s something done well it’s got merit.
I cannot recommend this movie. After seeing it, I can’t even see why anyone would want to see what 2 more hours even holds. At least 40% - being very generous - at least 40% of it would just be slowmo. It seems to contribute absolutely nothing of value and has absolutely no point to any of the decisions being anything. The entire thing is pointless drivel and I can’t believe I ever thought it might be worth watching. I haven’t called out so many sequence of events in a row since The Eternals (which I liked) but none of them were even meaningful or interesting. It was stupid shit like “oh she has a rope and fell, time to get it around and knock him down”. All of the background fire lasers are individual streaks, there’s no differentiation of weapons but there’s apparently multiple different weapon pulse fire noises. Sounds of 3 and 5, but nope, all just individual bolts.
And oh my gosh, the stupid fucking. The amount of talk about sex, that test where women talking about a romance and it failing? 15 minutes in, not even kidding. The main character apparently sleeps around, so does everybody the whole farm town is just an orgy. There is more talk about sex than plot in this movie.
The plot by the way is runaway on a farm imperials appear and create an army after surviving an ambush and the heroes ride off into the sunset. And everything is A-OK.
There’s no underlying theme. There’s no attempt at trying to make claims about philosophy. There’s no stitching of unique elements to create a fantasy world. It just babbles fake history at you and character repeat the fake history and we just get to accept that there’s random fantasy creatures in scifi space settings while we get philosophy babbled at us - it’s not positing ideas of making conversation with the audience, it’s just “my robot sentience is from magic and I feel bad”.
So yeah. I’m conflicted. On one hand, I don’t think anyone should subject themselves to this. On the other hand, I think everyone needs to see this so that ZS never gets another job, or at least severely reduced creative input.
Anyway. If you do watch it, I highly recommend Suicide Squad right after. Because for every deep chasm that you will find from Rebel Moon, this movie actually delivers something impactful. There is meaningful development. The conflict feels real and organic, not contrived. Even these ridiculous fantasy her- er, villains are more likable, relatable, and give you actual edge when they make a decision with actual consequences.
All of Rocky including Creed is also a good contrast. I don’t even watch boxing.
That “movie” was so awful I couldn’t watch more than an hour of it. I can’t imagine that extending it to three and a half hours will make it any better.
I was actually enjoying some of the world building and the story seemed like it was interesting if somewhat derivative, but when all the bad cliches and corny looking slo-mo gunfights started I just couldn’t take anymore.
I mean it’s a movie. Who knows how you will enjoy it in the first place and who knows how a future version of the movie will turn out compared to the original?
Unless it’s an obvious dumpster fire with 0% reviews go and see it for yourself and form your own opinion.
The current version is not a good movie at all. It’s a Stat Wars knockoff with a boring story and the visual effects that aren’t that great.
I’ve read that Snyder claims the directors cut is completely different, it’ll be R-rated, extra violent, etc etc. I really don’t see how making it R-rated is going to fix the problems it has. I’m not much of a fan of Snyder though, so I guess you should take my opinion with a grain of salt.
It’s just a setup for the second movie. Personally I enjoyed it but I came in with low expectations. I agree with others CG was weak and too much slow mo but w/e I want sci-fi.
For the justice league there was a different director. Why the hell wouldn’t this movie, where he was the director, be the directors cut. Was there some kind of public split with netflix?
You should just watch it. It’s fun to watch. It’s not really deep, but there is lots of action and it looks great. There are 15 characters but only 3 are developed hero and 2 villians. Most of the characters have no effect on the film and could have been 100% cut out with no loss of plot.
I liked the worlds and the development of the main conflict. The action was on point and the main character was well acted.
The final cut of a movie is often not the directors cut. The director gives the studio their cut, and then studio executives get to do what they want. Good execs with good directors know not to fuck with a good thing. But if the movie the director hands in stinks or if some bad audience previews get execs scared all kinds of things can happen
Basically, this is why the idea of a directors cut even exists. Because what you see is rarely what the director handed in when they were done.
But this is streaming and Zach Snyder was hired on the premise that he delivers his vision. There is no studio jumping in to make cuts.
Studios view the movie as a product. This process has a physical requirement to consume it of 2 hours. The point of cuts is to have more screenings in one room rather than hiring 2 rooms to show the movie. That studio integrity is met with frustration when they keep a movie as the director intended and the theater has 4 screening per day because it’s a 3 hour movie with 15 minutes between showings for cleaning.
Movie theaters are also putting pressure on the studio for short movies because they want people to move through the theater. Movie theaters don’t care about what they show as long as it brings in bodies who will eat and drink concessions. The movies are the feed and people are the cattle to be processed as quickly as possible.
The theaters want a shorter movie and the studio wants a shorter movie, so really the only person who can hold up the idea of a long movie is the director with the promise the movie will guarantee repeat viewings despite the smaller number of screenings. And Zach Snyder can’t make that promise.
His movies are the narrative equivalent of a Michael Bay movie - except Bay has better narrative and understands how to build tension. Snyder is incapable of making a low budget movie about genuine people. He is only talented when picking the color of blaster shots. His characters are trash. His plots are boring. His camera work nearly incomprehensible. There is no amount of work he can do to make his original cut work because there is nothing of substance that was cut out.
Streaming studios are still studios, and they act the exact same. Yes, there is a studio jumping in to make cuts. Of course they are. The man is saying there is a director’s cut.
Usually I’d agree with you, but Snyder said in interviews that there weren’t any demands from the studio for cuts. He just wants to make an R rated version and Netflix likes the publicity from having a Snyder cut. It worked for DC, so they use it as an advertisement to generate buzz around the movie.
Batman v Superman also had a “Director’s Cut” in the form of the Ultimate Edition, with additional scenes/context that weren’t suitable for the theatrical release due to length. Now that one wasn’t a radically difference movie, but it seems to be a recurring struggle Snyder has lately.
We think that markets are by far the best way of organising most human affairs that involve scarce resources, because they align people’s incentives in ways that communicate where resources can be be used most efficiently, and give people reasons to come up with new ways of using existing resources.
A system is justified if it is the one that best allows people to live the lives that they want to live, or makes them happiest or more satisfied than any other.
Watched this over the Christmas break. The best review I had read from someone else was from a post on Lemmy that said something to the effect of “if you set up a TV to play 10 generic sci-fi movies and just changed the channel between them allrandomly you’d end up with a film as cohesive as Rebel Moon.”
Maybe you’re noticing it more because deleting comments used to remove them completely from view including any replies, but I think recent updates to Lenny’s code changed this and now we see DELETED instead.
Dunno why you’re getting downvoted. This is a fun question.
I don’t know how to answer it but I guess I would have to bet with my heart and say we skip straight to the last chapter: Trump is toppled and replaced by some only slightly lesser evil who is at least forced to make some (temporary) pro-social concessions to the wider populace.
I was responding to your wondering about why this dumbass post was being downvoted by stating that The Hunger Games and talking about Trump is beyond exhausted and boring. I then supplied an equivalent question to OP’s but backdated the content about 40 years for comedic effect.
I suppose though the real and only proper response to you is:
asklemmy
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