Night light was the big one for me. If I remember correctly they wanted to implement a workaround for night light on nvidia gpus on wayland for KDE Plasma 6. I guess that’s kinda superfluous now 😄
Took me a second to figure out that was the Nvidia drivers version number. I was wondering if gnome made another major version shift from 45 to 545 for a second :)
Did you measure the distance between the poles? I suspect it’s different from all the other spans, so this one happens to have a resonant frequency that exactly matches whatever vibration source is already there (could be the tension too). As for sources of vibration, wind is probably it, even if it’s not strong. If it just happens to create the right frequency, the cable will vibrate just like a violin string.
I immediately thought of the original Tacoma Narrows Bridge, which collapsed after wind caused a resonance to build up and literally shook itself apart: en.wikipedia.org/…/Tacoma_Narrows_Bridge_(1940)
No, I’ve never tried to quantify the variables in that way. Just out walking the dog, and notice this strange behavior from time to time. I always assumed the poles were placed a specific distance apart, but honestly, I’m not sure. I suppose if I ever have the urge to pace it out to get a good estimate, I will…
He is super abrasive and speaks like a salesman. I don’t like his mannerisms either, but his message and ideals are right up my alley. Also, his videos are not very well edited, if at all, so his videos would sometimes give a very bad first impression. He looks like he’s on some drug or something with the dark circles around his eyes. Several videos also make him seem like a gym/frat bro with how he interacts with his employees.
Most of my music is “pirated” because you can’t find it on any streaming platform, it’s usually a YT download, often for game OSTs (often ones I own a copy of), and offline play allows stuff like Music Speed Changer to change the pitch and speed of the music!
I see more often than I’d like to see retconned and greyed out releases in my playlist…
The fuck am I paying them.
God do I hate those publisher licensing agreements.
If it was just for game OSTs and other less common music. Over time I noticed that my playlists on streaming services start losing songs, mainstream music. Sometimes this is because an artist leaves one label for another, but sometimes I have no explanation. And I don’t even notice that until “hey, I haven’t heard that song in years… wait, where is it? where are these albums??” It’s frustrating. This pushed me to pirate music again.
Can’t watch the video rn so going to be THAT person who asks a question that may be answered in the video…
I have a remote server running PopOS! I use with the gnome DE, I use xrdp to connect to it, have done some hinting in past about ways to use Wayland instead but had no luck. Does this slow decom mean development for Wayland over rdp may be coming soon?
If you want to kill x86, you need to do what Valve and the Wine foundation did with Proton/WINE (mostly proton at this point though), but for x86 to ARM and maybe other architectures like RISCV (especially because the milkV pioneer is a thing).
There is too much legacy software that will never be converted that people still use to this day. Once you make it easy to transition, it will slowly but steadily start to happen.
Box86/Box64 are promising, but need help from contributors like you. If you want it to happen, go make it happen, or continue to live in the world you have now.
Well, you do have qemu, which can run x86 programs on other architectures (not just running x86 virtual machines on top of hosts of other architectures).
Well legacy software is fine, that stuff mostly runs on old machines/servers/etc. ARM will be more easily to move towards by focusing the consumer market, where legacy issue is less of an issue because their programs are frequently updated. Some old server using outdated software that people are afraid to touch, we don’t need to worry about converting that lol.
Whenever I release music myself, I actively block it in Russia, because they relentlessly steal my trance / freeform releases and upload them in warez sites.
Of course geoblocking can be circumvented by a determined pirate but it helps to not be on their radar in first place as a lesser known artist.
As an example, once I released a freeform album. Freeform is a very niche, small scene. It was on Russian forums within a couple of days. Fortunately one of my fans notified me, I had a Russian friend contact the site on my behalf to explain that I’m a poor struggling artist, and they’re literally taking money out of my pocket; to my surprise they agreed to take the links down.
People say this all the time about Spotify, but it’s actually a viable outlet for revenue if you’re on a decent label who understands how to leverage playlists.
Obv that doesn’t apply for freeform… but for styles like trance, techno, DnB etc it’s not unheard of for a track to get 500k streams across a variety of playlists, which equates to $1500.
Got a sample preview of your favorite release?
I don’t think it would be wise to dox myself here after I’ve made an unpopular comment!
This is actually one of the less effective examples of geoblocking that someone could ever imagine.
Russian warez sites are only “Russian” because they’re run by local admins as pirate sites located in the Global South have tendency to have a longer lifespan and less chances to end their days by being raided than hosted in the Western world. Most part of such sites users / uploaders are from worldwide, for example, if you’ll check your active peers for any active rutracker upload, you’ll see, that only small part of them have Russian flag. So such geoblocking makes literally zero impact, as it never prevents user from any other country from uploading the tunes to such website.
Also all Russian users are already geoblocked, as they won’t buy anything from you (even if they would want to) because most of webservices that you could use to promote your album won’t be able to charge their cards due to sanctions. And if some of such users use foreign VPN + credit card combo and are able to use such services, they are not affected by your geoblocking, as they’re attached to different region.
Having a sale price adjusted for local currency would likely go a long way, and I don’t mean just a price conversion I mean an adjusted sale price. Some regions 9£ is a lot of money vs their monthly income and others it’s not much at all.
Not so much currently (in the case of Russia) as you likely can’t sell it there due to sanctions, but in general that would help a lot in boosting sales vs piracy.
I agree. I think people have taken my comment as a defence of the geoblocking, was just offering an example of why someone like a small indie musician may choose to do that. I do find it frustrating when I have to VPN to a different country to watch a video.
But the reason I geoblock one country isn’t to be an arsehole, it’s because Russia has no recourse for indie musicians like myself who have their music stolen. They have no law preventing music theft which is why it’s rampant in that one territory (not saying it doesn’t ever happen elsewhere). Pretty much the entire rest of the world has some sort of avenue where I can issue something like a dmca.
They have proven many times over that pirating/accessibility have inverse relationship.
My most frustrating example was when I needed one song for a project my wife was working on a long time ago. I looked to try to purchase it online and could only find it on iTunes. In order to purchase from iTunes you had to download the application and install it. However I had an old machine running Linux… By the time I figured this all out I had spent 2 hours trying to pay $0.99 for one song. I could not find an approved way to do it. So I went the alternative route and had the song in under 5 minutes.
They keep pushing accessibility down recently. I am not playing their games again. When they want to be reasonable they will get paid.
Hard to say really. I’m fairly sure if it was available online for free, less people would have bought it.
When you’re talking only £2000 or so of sales for a small indie release, piracy makes a huge hit to sales. My more popular stuff like trance, the sales drop off a cliff the moment it’s leaked. There was a huge problem with people on promo lists leaking pre-released tracks to warez sites, not sure if the main labels (eg ones like Armada, Anjuna etc) ever got to the bottom of it, but it really hurt the sales of people who aren’t exactly making bank from their music
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