i saw someone suggest it was for hanging torches and i desperately want to know what the fuck the inside of their mind looks like, and what they think a torch is
EDC torches with long-lasting paraffin and burnished-bronze keychain now on sale at Amazonicus. Buy now and get a credit-card-sized folding pitchfork half price, to always have in your pocket for those unexpected occasions.
I saw that post and it sort of made sense to me. Put the handle in the hole, stands upright. Another person comes along, rotates the torch to an angle and puts the handle of their torch in another hole to balance the weight of the two torches. Same with a third of needed, I think it could work if the device is big enough.
yeah that still doesn’t make sense to me, the only way i see it working is if you have a single torch placed in a face so it’s all upwards.
and why would you design something so strange to hold torches? imagine coming to someone’s house and their light switches are pipe valves in a closet you have to turn to dim the lights throughout the house, wack
if you want to hold multiple torches you can just have multiple sconces
Your light switch situation sounds like someone jury rigged their own Victorian gas light system with the controls in the cabinet next to the gas line for the stove.
Sounds very safe and an easy hobby project to teach both plumbing and explosive fire extinguishing
It’s a rope junction, with the different holes for different knots and rope bundles, with the spokes serving as rope bend/end points. Presumably it would get weeded out as the places where it was employed either stopped making use of them, like perhaps the weather fabric roof shielding of the coliseum, or ended up using more specialized means, like for sailing.
I was going to say, this looks very similar to knitting circles that are available today (I use them all the time). Those knobs and holes make me immediately think that this is used for fibre or knot work of some kind. Rope seems understandable, but I can’t tell from the picture if that is made from metal or clay. No issues if it was metal, but I would figure that clay wouldn’t hold up to the rope pulling and pressing against it in any intensive application.
I am curious as to why OP decided this is unlikely to be used for “knitting gloves”. The Romans may not have practiced knitting as we understand it now since that came about in the middle ages, but knitting isn’t the only form of knotwork that can produce cloth.
These things are generally found with coins. They would have been shockingly expensive to use as a rope junction when there are other, cheaper ways to do that. They would have been difficult to produce, especially in any great quantity, hell it would be hard today. There’s also at least one icosahedron floating around somewhere that’s very similar but with fewer openings
It would make sense that if there were better alternatives that the other, cheaper ways to do that would win out. It’s metal working, you are talking as if the gladius wasn’t common in ancient Rome.
It’s just intuitive for working with rope, given the shape of the spokes and the holes, in a way where it would be treated as a junction. The ones that do have the holes have different sizes, giving a glimpse of additional features being incorporated into the tool and hinting at what it might have been used for.
It’s called a Roman dodecahedron, except not so much for the version of it that has no holes.
What I’m beginning to think is that it was designed to spin (hence the circular groves on the sides) and join smaller ropes into those of bigger sizes, with different holes adapted to different templates of sizes. The version with no holes was designed to work with less ropes and didn’t need it or just simply didn’t incorporate it yet. Still placing my bets on a rope rigging junction.
That it was found in places with lots of coin makes sense, places like the Roman coliseum used a shitload of rope, from the rope that would be used to hold its canopy to those that would handle the weights, counterweights, and mechanisms of its lower levels, and those places would move a lot of money. But maybe it has the more utilitarian purpose being able to create rope bundles of different sizes on demand.
Darned if I know, I’m not an antropologist, just saying what I would assume intuitively, lol
My personal idea is that they are objects created both to flex metalworking craftsman skill and in worship of sacred geometry. Ancient peoples ascribed divinity to the harmonies of the universe, especially the harmonies in mathematics like geometry. The fancier looking platonic solids like dodecahedron and icosohedron have almost magical levels of symmetry built in to them making them both aesthetically pleasing complex shapes. The fact they even exist inspires philosophical and even spiritual thoughts. As far as I understand romans had some very impressive archetecture incorporating mathematical ratios almost constantly, archetects and metal workers may very well have needed to worship geometry as a divine aspect in order to achieve such neurotic levels of mathematics in their aesthetic.
1, I don’t expect most benchys to last longer than people who know what they’re for; I imagine the plastic will crumble to microdust before then, but 2. benchys look like little toy tugboats. Society being so destroyed we can’t recognize a toy boat while benchys are still around…I’ll believe that the last human to hold a benchy in their hands will say “Oh, a weird little toy boat” but not “no one on earth knows what this is or has the start of the beginning of the foggiest clue what it was for.”
Honestly, that’s a pretty good take. Considering that welding/brazing would be incredibly hard (or impossible) with the tools available in antiquity, we’re left with casting that beast in one shot. The thin walls and nubblins on all sides that need to permit molten bronze to fill, makes for a difficult to construct and pour mold. Heck, just constructing the master from clay or wood is non-trivial, and then there’s the finish work on the rough casting.
So yeah, a practically useless paperweight that demonstrates how amazing your brozneworks is? Totally plausible.
Edit: Upon closer inspection, it might have been mostly turned on a lathe out of a chunk of cast bronze, with a ton of manual finish work. So, still very hard. The nubblins don’t 100% interfere with the faces if you can get your tool in behind them, cutting from the axis of rotation, outward. Each face on the duodecahedron has an opposing face, making turning between centers easy. The nublins are also all opposed from each other, on the same axis, which would make those possible to also form on a lathe. It’s the hollow inside that would require turning to remove bulk mateiral, then a pile of manual finishing work.
So yeah, a practically useless paperweight that demonstrates how amazing your brozneworks is? Totally plausible.
It could be the equivalent to a master’s project for an apprentice. I build and fit custom orthosis and prosthetics, at the end of the fabrication portion of school they had us build a brace that’s not really ever prescribed anymore.
However, that particular brace requires all the fabrication skills required to practice in the field. Having one of these sitting on your table is instant proof that you can finish a complicated project.
It would also serve as an easy metric when traveling to places with non standardized measurement systems. Instead of transcribing what 1/32 of a cubic is, the customer could just point to a different sized hole.
I was wondering this too. I was reminded of the torture tests that stonemasons go through, starting with “cut a perfect cube, then cut it into a perfect sphere”, and culminating with something ornate like a gargoyle.
It’ll take them a single step on them to understand these were used in wars. That they are no longer used because they were probably banned for human rights violations.
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