“Am I so out of touch? No… It’s the audience that are wrong”
I haven’t been to a traditional cinema in about 5 years. Home theatres are much better value. Can pause and rewind for bathroom breaks, don’t have to wear pants, can drink and eat anything I want. I don’t have to contend with people incessantly talking throughout the movie, there are no bored kids kicking seats and crying, I don’t have to pay for parking, and I can start and stop the film whenever my company and I want to.
I was excited when Disney+ started offering premiers at home. Them removing them wasn’t “training me”, I’m a patient person and I’m happy to wait to have my movie experience the way I want it when I want it.
Biggest example for me was waiting ~10 years to play Heavy Rain. I never owned a PS3 so I knew I’d have to either wait for a PC release (which I honestly thought would never be a thing after a while), or wait until I had a powerful enough PC to emulate it.
I don’t need to consume any media so desperately I can’t wait until it’s more convenient for me. I’ll be quite happy in the corner with some popcorn watching the inevitable shit show that will be GTA VI. I can’t wait for the neglected single player experience in favour of online cash grabs! I’ll pick it up on the cheap later on, thanks.
Well said. The disadvantages of going to the cinema far outweigh having to wait a few months to watch a movie at home. The studios should be leaning into this trend, not kicking and screaming that people aren’t going to the cinemas without fixing any of the downsides.
Anything cyberpunk usually fits that bill. Like Captain Laserhawk: A Blood Dragon Remix sounds and is ridiculous in many ways, but also has some insights on the rich taking over the media and prison system.
There Will Be Blood. The acting is brilliant and you see the MC going from a poor miner to his own oil empire, showing just what sociopathic chameleon he is at many points. It’s longer than average, but it’d sure keep you engaged. I see it as a modern-made epic story that pretty much describes what (self-built) multi-millionaires are like.
I think I need to watch that movie a second and third time. The first I wasn’t expecting the journey from a little guy finding success movie trope to literally being an insane bad guy, with a fucking brilliantly nuanced acting job by DDL. All of the layers went right over my head until the closing credits like…… oooohhhhhhhhhhhhhhhh
Super interesting too visiting the oil exhibit at the Kern County museum…knowing that PT visited it developing the ideas…and seeing the modern day oil fields, pipelines and smog everywhere around the San Joaquin valley now.
I literally grew up there and never thought much about it. I need to watch it again.
I watched it like 7 times and wish you have a great time with it.
Coming from an oil-rich region I passed these soviet oil-pumps looking like hammers, coming up and down, up and down in any weather. They left me curious what’s that all about and I almost ended in that industry, but got something else on my radar.
I came to appreciate how good Eli at being a competition to Daniel here. The first time I saw this movie, the ending seemingly came from out of nowhere. But now I see and like how both of them represent different ideas. Eli is the old, conservative America, and Daniel is the new one, the face of the industrial revolution.
After watching it another time with my friend, I woundered, where it all came from. It seems, he escapes any question about his past, but he feels pretty connected to that blonde girl (his son’s future wife), that’s said to be beaten by father. Maybe it’s a little clue he’s too a victim of violence at home. Him them digging the earth alone and then dragging himself across the desert with a broken leg seems like a logical conclusion to that. He needs to be perfect, otherwise he’d be beaten hard. And so he goes for that, and hate, suspect everyone who is not as tryhard as he. The end scene speaks a lot of his hatred to himself. He’s alone in his mansion, and he sees himself both a rich guy and a piece of shit. That leads to being a fucking asshole to his son who has a slight possibility to even compete with him, it leads to a conflict with Eli. He hates this always happy dude. He hates the hell of him. He wanted him to suffer for so long time, but at one instance needed him to get an oil transit, and received these silly slaps. And he remembered that, and brought his hatred tenfold. He couldn’t forget this embarassment to his ego, and he punished him as he wanted. He first made him destruct his faith, and then make it physical. He couldn’t, in his depressive condition, see his happy preaching face anymore. I wouldn’t be surprised if he’d eat a bullet right after that for all that hatred collected in him.
I would add Eat the rich and The menu (not related) for movies criticizing the rich. Although the former just makes fun of them.
I would also argue for Andor even though it doesn’t focus on the super rich and instead on the rebellion and the people making up the cogs of the fascist imperium. It still shows the rich in a critical light. I haven’t seen any series that made me want to fight the system more than Andor.
Mostly a joke. There has been some actual speculation around it though. What with it going through all the motions of a Disney story, but not having any originality or a coherent plot.
movies
Oldest
This magazine is from a federated server and may be incomplete. Browse more on the original instance.