This is a surreal fantasy movie that involved some kind of magic paintbrush and someone putting peanut butter on his head.
That’s clearly a reference to The Peanut Butter Solution (a bizarre, 1985 Canadian film), but the site responded with this:
One movie that matches the description is “The Pagemaster” (1994). It is a live-action/animated fantasy film where a young boy named Richard Tyler gets transported into an animated world after taking shelter in a library during a storm. In this surreal adventure, Richard encounters various literary characters and embarks on a quest to find the exit. Along the way, he comes across a magical paintbrush that brings drawings to life and encounters bizarre situations, including a scene where he accidentally puts peanut butter on his head.
There is no scene in The Pagemaster involving peanut butter.
This tendency of AI to just outright lie when it doesn’t have a real answer is mildly upsetting. It’s indicative of the fact that the people building these systems have no clue (or interest in?) how to implement basic ethical guidelines. That doesn’t bode well for the evolution of these systems and what they will be capable of.
What it boils down to is that they’re not really AI. They’re large language models, and chatbots built around them are basically using predictive autofill on steroids.
“The Goonies” is a movie that fits the description. It follows a group of kids who embark on an adventure to find hidden treasure in order to save their homes from being demolished.
For all the talk of Scorsese honoring the Osage in the production, I felt like Molly and the rest of the tribe were pushed into the background for a good 2/3rds of the movie in order to tell the story of the emotionally tortured white guy who keeps helping murder his in-laws. It felt like Molly’s only real moment of agency was when she went to DC to beg for an investigation.
Also, I for one (and my girlfriend and our friend for two and three) felt that this 3.5 hour movie felt like a 3.5 hour movie. It would have been better served as a miniseries à la Chernobyl, not least because I understand a lot of content from the book didn’t make it to screen. I feel like Scorsese is too much of a purist to have entertained that route though. There are enough big plot beats that you could break on big plot beats and it wouldn’t feel like… well, a 3.5 hour movie.
I felt like Molly and the rest of the tribe were pushed into the background
Having read the book, that was kind of the point. They didn’t have agency, because it was literally robbed from them at every moment. And during the part of the story where Ernest is under scrutiny and forced to own up to his sins, his wife is as passive as it can get, because she’s on death’s door and bed-ridden. It would be artificial to give her a big presence there, because in reality she was in the process of literally disappearing from the world. Molly actually gets more of an emotional presence onscreen, in part because the book is a more journalistic account and first hand sources of who she was are limited. I would like to have seen some scenes of her moving on with her life afterwards at the end in place of that weird epilogue.
Might be that the training set is too old; “That one with the fat dragon” got me Kung Fu Panda, because Po, while not a dragon, was fat.
Similar prompts (see my other replies to the OP) for older films seem to work, so Honour Among Thieves might be to recent. (Which would highlight one of the main issues with these large language models: they have to be periodically retrained with new data for them to remain accurate and practical.)
OK, opening it on another browser worked. “why it was so easy to blow up the death star” got me Rogue One. So far 3/3, plus a login prompt which drops the score to 0/4.
OK, last last one; “That one with Bill Murray and the gopher” got me Caddyshack, which I haven’t seen but does seem to be a better match than Groundhog Day, which is what I was going for (trying to see if the AI could figure out I was mixing my rodents; turns out there are too many Bill Murray rodent focused films for that to be a valid test, my bad).
I had to do it in a third browser 'cause the login prompt came back, though, so I won’t be doing any more attempts, between that and the GDPR prompt it’s pretty clear they don’t want people using their site. Shame, as the tool seems pretty good, but what can you do. 🤷♂️
So I tried to use this to identify a movie I remember seeing as a kid and haven’t been able to find since. I described the scene I remember, where an industrial accident releases freezing gas and a worker with a hard hat freezes his arm and it shatters.
As usual, when given specifics, the AI just straight makes shit up.
One movie that fits the description is “The Abyss” (1989), directed by James Cameron. Although it doesn’t involve a freezing gas, it does feature an industrial accident and a worker in a hard hat with a frozen arm. In the film, a team of deep-sea oil drillers encounters a mysterious alien species while working on an underwater drilling platform. During their mission, one of the workers, Bud Brigman (played by Ed Harris), gets his arm trapped in a closing hatch and it becomes frozen due to extreme cold temperatures. In his panic, he runs into a wall, shattering his frozen arm.
Nevermind the “marvel fans” (I didn’t even know that there were some left, but ok, there are trump voters left, so…) but this could be very marvel-like. Copy paste Scorsese instead of marvel shit. I mean every time the same actors, all have one face for all their roles, sorry is different though, however in the core mostly the same. Won’t watch it 10/10. Last Scorsese I watched was the Irishman and boy, what a waste of time that was. When things are a bit better than the absolute worst doesn’t make them good. If you got time on your hands while not-watching movies: the world is full of great graphic novels, I recommend “megalex”, everything connected to the incal, Fred Beltran’s work and start to explore from there. Beats movies made after 2018 anytime.
First off, it’s The Onion. It’s satire. Would your reaction have been as crybaby-ish and prejudiced if it came from, say, Mad Magazine?
Secondly, I’m not even going to get into defending Scorsese’s body of work nor his achievements in the motion picture arts. I’m going to talk slow and use small words so you can follow along, Mr Comic Book Man.
Copy paste Scorsese instead of marvel shit. I mean every time the same actors, all have one face for all their roles…however in the core mostly the same.…Last Scorsese I watched was the Irishman and boy, what a waste of time that was.
1967 - Who’s That Knocking at My Door
1972 - Boxcar Bertha
1974 - Alice Doesn’t Live Here Anymore
1977 - New York, New York
1982 - The King of Comedy
1985 - After Hours
1986 - The Color of Money1988 - The Last Temptation of Christ
1989 - New York Stories: Life Lessons
1991 - Cape Fear
1993 - The Age of Innocence
1997 - Kundun
1999 - Bringing Out the Dead
2002 - Gangs of New York
2004 - The Aviator
2010 - Shutter Island
2011 - Hugo
2013 - The Wolf of Wall Street
2016 - Silence
2023 - Killers of the Flower Moon
I’ve left out exactly five movies of Scorsese’s oeuvre…oops…filmography. The unwashed masses, you included, tend to remember only those. I’ll admit De Niro’s presence definitely “colors” a film regardless of his role and I’d go as far as to accuse De Niro more than what with you charge Scorsese. So, Mr. “the world is full of great graphic novels” – which is how fully-grown, emotionally-stunted adults call (and justify) comic books – go jump in the East River.
I always find the criticism of his use of particular great actors hilarious and bewildering. How is the cultivation and use of creative partnerships a bad thing?
To be fair, everything after 1999 is a DiCaprio movie. Hehe. But he’s one of the most talented actors in Hollywood, of course a legendary director is going to prefer him.
Yes, I do actually talk like this. The odor from your phone is most likely your accumulated breath, spittle and other grime. Consider 1) wiping down your phone (at least) daily with a disinfectant wipe, 2) washing your hands occasionally and 3) using a toothbrush and toothpaste more often.
sometimes i worry about how i come across to other people
then i see someone responding like this because someone else doesnt care enough about watching the correct pictures on a screen, and i actually feel pretty good about myself and the amount of self awareness i do manage
sometimes i worry about how i come across to other people
Judging by your original post, you say you worry but ultimately don’t give a damn. The important thing to you is to insert themselves into conversations that you were not part of and then seeing your own words on your cellphone. Congratulations.
there is nothing worse than inserting yourself into conversations you werent a part of with little regard, if any, for whether youre being a cunt over meaningless bullshit that doesnt remotely warrant it
on an entirely unrelated note, good luck with your business, expertly dodging self awareness for the rest of your life is going to be a toughie
I won’t be as crude as the guy you are responding to and deny Scorcese’s achievements. But we can all admit that he was taking the piss a little bit with the Irishman. Its a movie in the MCU - the martin cinematic universe. He gathers his avengers (De Niro, Pesci, Keitel) for an ensemble film within the Gangster oeuvre. He defends this by insisting that he went through the motions of “establishing” an “emotional core” or whatever. But at the end of the day, it’s De Niro saying “c’mere, whassamatta” again. Brought to you by special effects.
I personally think that there is nothing wrong with this, and Scorcese is a very saavy movie promoter to juxtapose how he makes films against the marvel method. But I do think that Marty is taking the piss just a little, even if it is in a pretty fun way.
Scorcese’s problem with “marvel movies” is the lack of creative control afforded to the filmmakers rather than their derivative nature. These two concepts are often intertwined, but not mutually inclusive.
He was actually in talks to direct Joker a film highly derivative of his own work, but ended up turning it down because he did not want to have to answer to the studios demands for how this existing world and characters should be handled.
Well, he has also been criticizing them in the sense that creating these movies are not done in pursuit of a creative purpose. That there is no emotional risk. I think it is an apt criticism - but where is the great creative risk in making another gangster movie staring Robby and Joey?
Where’s the creative risk?Making another gangster movie? Did you not read/comprehend what I wrote previously? You are doing the exact same thing as Mr Graphic Novel: ignoring a large body of work for fivefour “gangster” films. And even so, what if Scorsese’s preferred genre was solely gangster films? Why isn’t John Ford being “accused” of making only westerns? John Carpenter making only horror films? David Fincher only psychological thrillers? Where’s the “creative risk” in that?!
Are you saying his casting choices are a bit…one-note? Citing your previous example, he’s worked with Bob De Niro ten times out of 27 so, sure, I get the association – although I insist it’s De Niro’s heavy style that’s guilty here; De Niro in any role is always De Niro (Meet the Parents, anyone? How about The Mission?). Scorsese’s worked with Harvey Keitel…wait a minute…only five times! Joe Pesci?..only four times. And Al Pacino? The Irishman was the very first time Scorsese ever had Pacino in front of the cameras.
Compare the works, in story, style, and advancing motion picture arts technology, of the directors I’d listed above with the works based on 1970s wish-fulfillment pulp made for 12-year-old boys (the entire MCU oeuvre) created with pre-existing 3D tech and epilepsy-inducing, advertising-style editing. No creative risk my ass.
Personal taste is one thing and I’m fine with that. You don’t like caviar?, you don’t like caviar. But I’m so done with this myopic, prejudiced tunnelvision regarding one of the directorial greats of the history of motion pictures, especially when comparing Taxi Driver with Thor.
I’m speaking specifically about the Irishman, a movie I love btw. But do I think it is more artistically “valid” than infinity war? No.
It is less creatively “risky” than not doing another gangster film, thats simply a fact. And that’s okay. On some level, it is a “lets get the gang back together for one more ride” movie. On some level, all the players involved have certainly earned the right to do that. But it is odd to criticize studios for essentially taking the exact same approach to film making, especially for movies with massive commercial success - even if you argue that the quality of the art produced isn’t the same.
Pacino’s role is a good example. He practically admitted that he was too old for the role off Jimmy Hoffa after filming, in multiple different interviews. So why was he chosen? You said it yourself - people want to see one of the most beloved Italian American gangster actors get directed by one one most beloved Italian American gangster directors. And you are a fanboy over it. And that is okay. I “forgive” you or whatever. I am too.
It goes to show that formula film making can produce great films, and that the MCU movies that are bad (for many are fine films) aren’t bad because they are based on comic books, or because there is multiple of them. Comic books that were extremely artistic and considered important works of 20th century science fiction in their own right (talking about Jack Kirby specifically). I would argue that eventually the MCU did become a very cynical excercise that is determined more by studio number crunching. That happens for all sorts of reasons in Hollywood.
You said it yourself - people want to see one of the most beloved Italian American gangster actors get directed by one one most beloved Italian American gangster directors. And you are a fanboy over it.
Where exactly did I say that? Do not put words in my mouth and please do not refer to me as a fanboy as that’s mental laziness on your part.
Speaking of fanboy, I’m well informed regarding Jack Kirby (Machine Man? Devil Dinosaur? Destroyer Duck?)…and Joe Simon…and Jack Cole, Will Eisner, Jim Steranko, Jim Starlin, Alan Moore, etc. Household names, huh? Extremely artistic and important works of 20th century science-fiction, eh? Give me a break. Ask the person in the cubicle next to yours who created Batman and enjoy the blank stare. Stan’s almost a household name because he was a relentless publicity hound.
But now we’re veering off-topic into other territory and, frankly, I’m bored arguing with Philistines. Good night and good luck.
This gives the game away, although I’m sure you were joking.
Marty’s common refrain has been “there is an emotional core to this movie - we had a meeting!”
Look, there is a business to high production films, and we have to accept that. Marty clearly has, has participated in it, and used his well earned artistic reputation to criticize it. Good stuff.
Pretty amazing. I was fascinated by the look the whole time. To me, it had a look similar to B&W photos that had been colorized. Which really gave it this sense of the time period. It definitely looked like it was filmed in the 20s/30s.
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