Bad writing for film and television really irks me because of how avoidable it is. I’m not talking about mediocre or lackluster writing, but the actual bad writing.
TV shows and movies are tremendously expensive to make. Every part of it costs a fortune except for one: the writing. Even if a studio or production company was paying for a whole team of writers to work full time it’s still only a fraction of the cost of paying film crews, actors, editors, and VFX artists.
Given the relatively lower expense, relative lack of time constraints, and enormous importance of the script to the overall quality of the product it absolutely boggles my mind that production companies consistently fuck up the writing process.
There’s something called dynamic range, which is essentially the difference between the loudest and quietest sounds. With a low dynamic range explosions and whispers are just as loud as each other.
There has been a recent trend for filmmakers to want a high dynamic range. This makes explosions, car crashes, and gunshots feel extra impactful. The problem is that that means other things become more quiet by comparison. Those “other things” include dialogue.
This leads to people not in a movie theatre or with a home audio setup that costs more than my car not being able to hear a goddamned word.
That’s what sticks in my craw. If I’m a studio exec who’s going to invest potentially hundreds of millions of dollars it’s beyond stupid to jeopardize that to get a payout a little faster.
It just seems stupid to put a time crunch on the most important phase of your investment. I don’t see how taking a greater risk of a project being a flop is worth getting the script a few weeks sooner.
It’s completely beyond me why scripts get rushed out the door before they’re at the very least solid. Sure, a production company might make their money just a little bit sooner but they run a massive risk of losing all of their money making a movie that completely bombs.
It’s impossible for every script to be a masterwork, but holy crap it seems like an audience wanting a competent script is too much to ask. It’s not like there’s a shortage of aspiring writers that can take a crack at a script until it’s at least passable.
Regardless of genre any work of fiction should have cohesive plot and characterization. It’s not elitism to say that the new trilogy is hobbled by numerous, avoidable writing pitfalls.
The other films had writing problems as well but not nearly as many as the new films. People are free to enjoy the new trilogy but they are poorly written.
And yes, I’m aware of how fucking cringe the dialogue in the prequels was.
Surely this will get people to think and vote the way I want them to. In the mean time let’s work ourselves into a fervor by publicly talking about how everyone who doesn’t agree with us are bigots.
We’re communicating instantaneously over a globe spanning computer network. In the early 90s that was not possible for the average joe. It was only in the very tail end of the decade that doing so didn’t require a fair amount of money and/or technical knowledge.
The network provides all of the information in every library on the planet to us instantaneously.