funkless_eck

@funkless_eck@sh.itjust.works

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funkless_eck,

love it. me and my tall friends can double-decker

funkless_eck,

thank you for this. my bed time now but I’ll dig into this over thr next couple of days

funkless_eck, (edited )

popularized from the Young Thug and Future track of the same name:

My bitch can’t sleep at my house
Make her sleep at a hotel now
And when you talk, man, you talking off cap
And your diamonds they looking like tap
I was always ducking from the paps
Keep an R&B bitch in my lap
Out in Beverly Hills, I adapt
But I still had to ride with that strap

Yellow diamonds like banana, that’s cap
Put some dirty in Mello Yello, no cap
Rocking Maison Margiela’s, that’s cap
Red bitch, Cinderella, no cap
I can turn perroI can turn Pedro
Bad bitch out the ghetto

funkless_eck,

I’ve fretted for a long time about whether I was the fuck up for "micro-"managing someone on my team but this post makes me realize it really was just them. Marketing not engineering.

They would get really nasty when I would feedback with "you can’t just make your task names “write marketing email” 5 times, you have to specify what the email is about, and for what project, otherwise I can’t check if the email will go out on time.

And also they would go totally off piste - a blog on disaster recovery rigs for data centers came back totally about rebuilding cities after earthquakes, nothing about attacks or power failure or database backups.

I’ve worried myself for a long time that I was micromanaging and I’m a bad person for it, but it really honestly was them.

funkless_eck,

On the other hand, which do you prefer, this:


<span style="color:#323232;"> life ← {⊃1 ⍵ ∨.∧ 3 4 = +/ +⌿ ¯1 0 1 ∘.⊖ ¯1 0 1 ⌽¨ ⊂⍵}
</span>

or this:


<span style="color:#323232;"> MODE UNIVERSE = [upb OF class universe, upb OF class universe]BOOL; STRUCT( INT upb, BOOL lifeless, alive, PROC(REF UNIVERSE)VOID init, PROC(REF UNIVERSE)STRING repr, PROC(REF UNIVERSE, INT, INT)VOID insert glider, PROC(REF UNIVERSE)VOID next ) class universe = ( # upb = # 50, # lifeless = # FALSE, # alive = # TRUE, # PROC init = # (REF UNIVERSE self)VOID: FOR row index FROM LWB self TO UPB self DO init row(self[row index, ]) OD, # PROC repr = # (REF UNIVERSE self)STRING:( FORMAT cell = $b("[]", " ")$, horizon = $"+"n(UPB self)("--")"+"l$; FILE outf; STRING out; associate(outf, out); putf(outf, (horizon, $"|"n(UPB self)(f(cell))"|"l$, self, horizon)); close(outf); out ), # PROC insert glider = # (REF UNIVERSE self, INT row, col)VOID:( self[row-2, col+1]&nbsp;:= TRUE; self[row-1, col+2]&nbsp;:= TRUE; self[row, col:col+2]&nbsp;:= (TRUE, TRUE, TRUE ) ), # PROC next = # (REF UNIVERSE self)VOID:( [0:2, LWB self-1:UPB self+1]BOOL window;  # init row(window[LWB window, ]); window[LWB self, 2 LWB window]&nbsp;:= window[LWB self, 2 UPB window]&nbsp;:= window[UPB window, 2 LWB window]&nbsp;:= window[UPB window, 2 UPB window]&nbsp;:= lifeless OF class universe;  window[LWB self, LWB self:UPB self]&nbsp;:= self[LWB self, ]; FOR row FROM LWB self TO UPB self DO REF []BOOL next row = window[(row+1) MOD 3, ]; IF row NE UPB self THEN next row[LWB self:UPB self]&nbsp;:= self[row+1, ] ELSE init row(next row) FI; FOR col FROM LWB self TO UPB self DO INT live&nbsp;:= 0;  FOR row FROM row-1 TO row+1 DO REF[]BOOL window row = window[row MOD 3, ]; FOR col FROM col-1 TO col+1 DO IF window row[col] THEN live +:= 1 FI OD OD; self[row, col]&nbsp;:= IF window[row MOD 3, col] THEN live -:=  live = 3 FI OD OD ) );
</span>
funkless_eck,

over on Instagram, its not even a typo any more. people just use the word car to mean cat

funkless_eck, (edited )

there was a book (Terry Pratchett?) I read as a young adult that had a character called Yoless because it was the 90s and he didn’t ever say “yo” and everyone thought that was notable, weird and hysterical

funkless_eck,

I believe it’s another word for Holland

funkless_eck,

why can we only critique “full on” socialism? (what does that even mean) and yet capitalism with democratic-socialistic elements is treated as if it’s “full on” capitalism?

funkless_eck,

This, the twenty-fifth day of the XIIth month, heretofore known as December, in the year of our Lord: Two Thousand and Twenty Three.

funkless_eck,

do a little dance

make a lil love

get down tonight

funkless_eck,

My Honda HRV is generally agreed to last 300k and up to 20 years. I will not consider myself ill-used if it makes it 75% of that.

Maybe even 50%. I buy new sofas, computers, phones, clothes, glasses, mattresses, etc. on a faster cycle.

Even cats and dogs as pets may not live as long.

If I ran a business off my transport maybe I’d feel different, but I’m not that fussed about a car per decade.

funkless_eck,

bisexual. was bullied with the f-slur intensely in school. I can’t reclaim it because it’s too painful for me. Happy when other people can, but it makes me too uncomfortable, so in the remit of “would I enjoy hearing a song that uses it”

The answer is no, and that’s okay.

funkless_eck,

no. Beckett specifically said “If I meant God I would have written God.”

He also wrote in French, where God is “Dieu” and Godot is “Gohdough” so the pun doesn’t work

funkless_eck,

They were Catholic and their boss is Henry VIII

funkless_eck,

The announcer changes periodically except at Embankment (pictured). It’s usually a woman’s voice, except for this station where it is this gentleman.

funkless_eck,

to doff is to remove an item of clothing, a skip is a dumpster

funkless_eck,

it didn’t help if you were in (eg) the uk where games cost £1 a go, rather than 25c. Which was nearly $2 in 1992, so 8x as expensive

funkless_eck,

for us oldbies, who went to school before the internet was popular, it used to be “You won’t have a calculator with you everywhere you go!”

funkless_eck, (edited )

I’ve worked in all sorts of performance disciplines. Comedia dell’arte, High clown, low clown / children’s ents, improv, film, theatre in pros-arch, round…, puppet , Grotowskian devised theatre, Boalian Theatre of the Oppressed…

Only one small subset of that work demands word-perfect adherence. Performance is much more than post-Stanivlaskian Aristotlean drama.

Even Beckett, who was completely, insanely anal about everything from the design of the tree in Waiting for Godot, to the size of the spotlight in Not I, to the length and timing of the tapes in Krapps Last Tape, still made on-set changes right up to the performance.

Not to mention, often on set the script supervisor will sometimes give you last minute changes between takes.

Then, no script is ever perfect. I did Glengarry Glen Ross (which is suuuper tight in terms of interruptions, e.g.

A: “And a man has to shiver in his…”

B: “…shoes…”

A: “…boots…”

B: “…shoes… boots…”

A: “…And for what?” )

But one night the cop missed his cue during one of the sections where people are coming in and out of the office to be interviewed, and I’m (as Roma) trying to put the screws on the guy from the Chinese restaurant so I have to keep vamping on convincing him not to call his wife until the cop remembers to come out and confuses him for Shelly Levene.

It’s so much better for the audience for me to vamp than it is for us to stop the play and go and tell the actor he missed his cue. The show must go on.

funkless_eck,

you could bludgeon a penguin, a puppy, a kitten, a child to death with a dildo every day in the board room and oil execs would end up cheering if they could make an extra dollar out of it.

funkless_eck,

oh yeah landlords love to rent to self employed people.

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