popularized from the Young Thug and Future track of the same name:
My bitch can’t sleep at my house
Make her sleep at a hotel now
And when you talk, man, you talking off cap
And your diamonds they looking like tap
I was always ducking from the paps
Keep an R&B bitch in my lap
Out in Beverly Hills, I adapt
But I still had to ride with that strap
Yellow diamonds like banana, that’s cap
Put some dirty in Mello Yello, no cap
Rocking Maison Margiela’s, that’s cap
Red bitch, Cinderella, no cap
I can turn perroI can turn Pedro
Bad bitch out the ghetto
I’ve fretted for a long time about whether I was the fuck up for "micro-"managing someone on my team but this post makes me realize it really was just them. Marketing not engineering.
They would get really nasty when I would feedback with "you can’t just make your task names “write marketing email” 5 times, you have to specify what the email is about, and for what project, otherwise I can’t check if the email will go out on time.
And also they would go totally off piste - a blog on disaster recovery rigs for data centers came back totally about rebuilding cities after earthquakes, nothing about attacks or power failure or database backups.
I’ve worried myself for a long time that I was micromanaging and I’m a bad person for it, but it really honestly was them.
<span style="color:#323232;"> MODE UNIVERSE = [upb OF class universe, upb OF class universe]BOOL; STRUCT( INT upb, BOOL lifeless, alive, PROC(REF UNIVERSE)VOID init, PROC(REF UNIVERSE)STRING repr, PROC(REF UNIVERSE, INT, INT)VOID insert glider, PROC(REF UNIVERSE)VOID next ) class universe = ( # upb = # 50, # lifeless = # FALSE, # alive = # TRUE, # PROC init = # (REF UNIVERSE self)VOID: FOR row index FROM LWB self TO UPB self DO init row(self[row index, ]) OD, # PROC repr = # (REF UNIVERSE self)STRING:( FORMAT cell = $b("[]", " ")$, horizon = $"+"n(UPB self)("--")"+"l$; FILE outf; STRING out; associate(outf, out); putf(outf, (horizon, $"|"n(UPB self)(f(cell))"|"l$, self, horizon)); close(outf); out ), # PROC insert glider = # (REF UNIVERSE self, INT row, col)VOID:( self[row-2, col+1] := TRUE; self[row-1, col+2] := TRUE; self[row, col:col+2] := (TRUE, TRUE, TRUE ) ), # PROC next = # (REF UNIVERSE self)VOID:( [0:2, LWB self-1:UPB self+1]BOOL window; # init row(window[LWB window, ]); window[LWB self, 2 LWB window] := window[LWB self, 2 UPB window] := window[UPB window, 2 LWB window] := window[UPB window, 2 UPB window] := lifeless OF class universe; window[LWB self, LWB self:UPB self] := self[LWB self, ]; FOR row FROM LWB self TO UPB self DO REF []BOOL next row = window[(row+1) MOD 3, ]; IF row NE UPB self THEN next row[LWB self:UPB self] := self[row+1, ] ELSE init row(next row) FI; FOR col FROM LWB self TO UPB self DO INT live := 0; FOR row FROM row-1 TO row+1 DO REF[]BOOL window row = window[row MOD 3, ]; FOR col FROM col-1 TO col+1 DO IF window row[col] THEN live +:= 1 FI OD OD; self[row, col] := IF window[row MOD 3, col] THEN live -:= live = 3 FI OD OD ) );
</span>
there was a book (Terry Pratchett?) I read as a young adult that had a character called Yoless because it was the 90s and he didn’t ever say “yo” and everyone thought that was notable, weird and hysterical
why can we only critique “full on” socialism? (what does that even mean) and yet capitalism with democratic-socialistic elements is treated as if it’s “full on” capitalism?
bisexual. was bullied with the f-slur intensely in school. I can’t reclaim it because it’s too painful for me. Happy when other people can, but it makes me too uncomfortable, so in the remit of “would I enjoy hearing a song that uses it”
I’ve worked in all sorts of performance disciplines. Comedia dell’arte, High clown, low clown / children’s ents, improv, film, theatre in pros-arch, round…, puppet , Grotowskian devised theatre, Boalian Theatre of the Oppressed…
Only one small subset of that work demands word-perfect adherence. Performance is much more than post-Stanivlaskian Aristotlean drama.
Even Beckett, who was completely, insanely anal about everything from the design of the tree in Waiting for Godot, to the size of the spotlight in Not I, to the length and timing of the tapes in Krapps Last Tape, still made on-set changes right up to the performance.
Not to mention, often on set the script supervisor will sometimes give you last minute changes between takes.
Then, no script is ever perfect. I did Glengarry Glen Ross (which is suuuper tight in terms of interruptions, e.g.
A: “And a man has to shiver in his…”
B: “…shoes…”
A: “…boots…”
B: “…shoes… boots…”
A: “…And for what?” )
But one night the cop missed his cue during one of the sections where people are coming in and out of the office to be interviewed, and I’m (as Roma) trying to put the screws on the guy from the Chinese restaurant so I have to keep vamping on convincing him not to call his wife until the cop remembers to come out and confuses him for Shelly Levene.
It’s so much better for the audience for me to vamp than it is for us to stop the play and go and tell the actor he missed his cue. The show must go on.
you could bludgeon a penguin, a puppy, a kitten, a child to death with a dildo every day in the board room and oil execs would end up cheering if they could make an extra dollar out of it.
Those markings really were unnecessary (lemmy.world)
want to get started but finding the technical side really overwhelming
I’d really like to get started with this stuff but finding the technical requirement exhausting....
SHEEEEEEEEEEEEEEEEEESH 9/11 Was Cringe (lemmy.world)
Decentralized [Work Chronicles] (startrek.website)
Website: workchronicles.com/comics/
You can have anything you wan... (sh.itjust.works)
hyperlink
"Blizzard" by TheyCanTalk (64.media.tumblr.com)
Source: Website - RSS
fr fr ong (startrek.website)
German Art (lemmy.zip)
What do you like about socialism?
Yes Ash Tyler, I can hear you! (startrek.website)
Accessibility text: Character Clem Fandango from Toast of London saying, “Hello Burnham, this is Ash Tyler, can you hear me?”
Yummy Mummy (lemmy.world)
Happy Christian Pride Month! (lemmy.ml)
Love and support (startrek.website)
*slurp* - Irregular Galaxy Doods (IGDoods) (file.coffee)
Sources:...
Just a lot of a word that hasn't aged all that well (lemmy.world)
Hurry up. (lemmy.world)
4chan prepared me for this debate 😏 (media.kbin.social)
Like a time capsule (startrek.website)
Where's my cooking show already? (startrek.website)
Yeah, but... (lemmy.world)
A good deal of IT work, too (lemmy.world)
Fun fact: Rick Bermans grave will be able to double as a urinal (lemmy.world)
All credit goes to the amazing Luna over on Tenforward.social....
We're doomed (lemmy.world)
Rent requirements in the US are nuts (i.imgur.com)