One of the most recent ones I watched was Whisper of the Heart. It can be summed up as “girl meets a cute guy, girl wants to be an author, writes about a cat in a parallel universe, finds an antique shop, random proposal at the end”, it was like watching a clipshow. I remember reading reviews for Totoro and them trying really hard to beat around the bush with “ah it doesn’t have a cohesive plot, buuuut…” and then the rest of the review, almost like they didn’t care because it was Studio Ghibli. I’ve seen movies panned for that (e.g. Alita Battle Angel or Spiderman 2).
Studio Ghibli today is a pale shadow of what it was in the 80s and 90s.
Most of the new stuff they did has been repeated over and over again to the point that they are no longer ‘new’ to a modern audience. Half of modern Japanese pop-culture, and a significant share of modern Chinese and Western pop culture borrow from their three early films (Cagliostro, Nausicaa and Laputa). Nausicaa is probably the single most influential animated movie in history.
To fully appreciate Totoro, you have to watch Grave of the Fireflies first.
I mean some of them show their age a bit and ok some of them rehash ideas from preceding ones, but it’s hard to think of any Miyazaki movie that did nothing for me at all.
If you ever want to ruin Princess Mononoke, just think "what exactly does the main character guy do to advance the plot?" The answer: almost nothing haha
I don’t think that ruins it for me, rather the opposite. Ashitaka is a member of a tribe far away from the places in the movie. When he gets there he is just an observer to the war between industry and nature and wants to form his own opinion. He gets sucked into it and even if he did nothing the story would have continued almost the same, bar the ending where he then has made up his mind. I’d have to watch it again and spare more than a few minutes before sleepy time to write a better response, but those are my two cents
I mean in general, not really all of them (for example, Spirited Away gets honorable mention on every list). I remember reviewers for Totoro trying their hardest to not spotlight the fact it has such a jumbled plot when movies have been panned for that before. A masterpiece is supposed to impart something onto someone, but except for Spirited Away and arguably Marnie, my main reaction was little more than “well now I can say I saw it”.
Grave of the fireflies left a deep impression with me. I recently saw a bunch of them with my girlfriend and I’ve come to the conclusion that most are nice looking long TV show episodes. Which is fine for what the are.
Being all their ages didn’t change a lot for me (not sure how normal that is amongst those age groups). Except for Totoro which I watched when I was four if I remember correctly, I was roughly a preteen to teen when I watched all of them (or all the ones I watched, which is all but three) up to The Boy and the Heron (which just came out, I’m an adult now) which would only put me out of range with Ponyo and Porco Rosso when I watched those. Most people have a good sense of feeling for a story that adds up. I was little when I watched Totoro and little me had to stop myself from getting distracted from the movie itself.
I don't know...I watched princess mononoke and was pretty impressed by the movie. Only other anime I've watched is ghost in the shell which I thought was alright. I'm not really an anime fan but I'm super glad I watched princess mononoke!
I think Mononoke was easily the weakest of Miyazaki’s movies but it’s the one everyone raves about because it was the first one to see a widespread and non-butchered release in the West on DVD.
The earlier Totoro, Kiki, and to a lesser extent Laputa are all better movies, in my opinion. The former two shine exceptionally by being charming slice-of-life vignettes from a time before that sort of thing was the mega genre it is today, managing to be captivating stories that somehow don’t need or contain any kind of villain, quest, or cliché call to adventure whatsoever.
Laputa does – in spades – but it’s still great. It’s got so many villains that it’s got two sets of bad guys, but one set of bad guys turn out not to be bad guys and basically the entire damn movie is a flying scene of some type or another and it’s fantastic. Castle of Cagliostro is also awesome, and it was arguably one of those pivotal Citzen Kane style moments for the medium that turned out to be surprisingly influential to subsequent works, both animated and not. (And also introduced an entire generation to the only version of Lupin who is not an huge asshole, much to the surprise of everyone who watched this movie first and went on to check out… any… other Lupin III works.) Cagliostro was so influential that Japan’s (former) Princess Sayako based her real life wedding dress off of Clarise’s dress from the movie, and said so.
The ending of se7en makes no sense. All the previous victims were murdered because they suffered from one of the seven deadly sins (gluttony, sloth, greed, lust, pride). But the final two victims - that supposedly would complete the list - did not suffer from these sins, but instead the perpetrators murdered them out of envy and wrath. Gwyneth did not suffer from envy, and Brad did not get murdered for his wrath.
Such a shame because the rest of the movie is great.
that ending was the very first draft of the film. there were multiple other ones but the directer was sent that one by mistake but loved it so much it stayed as that
That’s really interesting! The ending is famous and otherwise well regarded, so the director probably made a good decision - even though I will always disagree :)
Brad suffered extremely for his wrath. As did spaceys character. (who was wrath all along in this movie.)
With envy you’re right. Never thought of that. But the whats in the box scene is so very powerful I kinda never noticed. It is powerfully acted, directed, shot. It cemented the career of everyone who was involved, right there.
As an alternative approach you can look into ansible. As opposed to making a system backup you can define your system configuration as code that you can redeploy with it.
Yeah but I had a hard time setting things up manually (docker), so port that to ansible would be quite the job I guess (especially nginx), and I’m toying with the idea to compile Lemmy from scratch so eventually I could help one day.
Never run a lemmy server but I can’t think of anything offhand that would change lemmy configs. Honestly, IDK. You’ll likely have to reconfigure your network card but that would take all of 30 seconds.
It’d work for everything, data lives in your storage devices, not the motherboard.
Barring UEFI/bios config issues or hardware incompatibility you just swap hardware and boot up exact same as before.
You might then need to make small tweaks if things aren’t setup quite ideally. For instance if you have lemmy binding to a specific IP rather than 0.0.0.0 and you use dhcp reservations then you might need to adjust that IP in config. Or if you don’t have fstab using uuid then your mounts might be messed up. But that stuff can all be avoided and they’re minor to fix.
Most movies have always sucked. We remember the good and forget the trash, so the past seems better than it was. Social media and other forms of entertainment have changed things, but never underestimate survivorship bias and nostalgia.
Not sure if this counts as unpopular. But man Hollywood really butchered Godzilla and many other iconic movie monsters. Why the hell is Godzilla some kind of anti-hero and don’t get me started on the cast.
That’s what most Japanese Godzilla movies are like if we’re being honest. If you’ve only seen the original, I get why you might think Godzilla is usually a villain, but even the direct sequel had him fight another, more evil monster. Let’s be real, the human characters in most of those sequels were awful and boring. Those movies exist mostly for the monster fights.
If you’re unaware, just look up Godzilla’s dropkick to understand what I’m talking about. That scene might be the pinnacle of the silliness, but it was by no means an outlier.
Compared to the goofy trash that encompasses 90% of Godzilla movies, the 2019 Godzilla movie where Godzilla goes super saiyan was one of the best Godzilla films ever made. Big fights, badass moments, and human characters that exist to compliment the monsters. The original Gojira, Godzilla Minus One, and even Shin Godzilla aren’t comparable to or representative of most Godzilla movies.
I think the subtle difference between Hollywood and Japanese cinema is that Hollywood is literally applying the Avengers formula but on monsters. And that really ruined it for me.
As someone who grew up with the goofy Toho movies, I felt like the Americans used that formula more than the Avengers formula.
The human characters have little control over the monsters, relying on Godzilla or Kong to win fights and only being able to help them do what they already wanted to do. That’s fairly in line with what the Japanese movies did.
Marvel movies have more quipy heroes with emotional backstories who rise to the occasion and save the world. There are some comedic human characters, but they’re sidekicks to the monsters and aren’t self aware like in Marvel movies. The monsters sometimes do silly things, but they don’t quip and aren’t sarcastic because they can’t talk. There’s tragedy in them being the last of their kind, but that’s never the focus.
I really think the Monsterverse has carried on the legacy of Japanese monster mashes fairly well. They’ve actually been on the better end of the spectrum.
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