Mostly THAT was EPs. Some of the best albums are EPs, but they’re short.
Rose for the Dead EP, was my favorite one. 6 songs.
NIN Broken was 8 songs.
A lot of punk albums have plenty of songs, but they’re so short some of them have terrible play times. OpIvy Energy (the first bootleg I ever had) is only about 35 minutes long and the whole thing mostly fit on one side of a (small) cassette tape.
I could probably find more, but that’s just off the top of my head.
That fucking album is proof there was hope, except it bankrupted London Records which killed Grotüs’ career. They are a dope ass band I found in a CD store with throwaway CDs for a dollar in 99. Definitely worth it for them. YouTube Grotüs’ Mass.
Holodecks are a terrifying technology.
Imagine your friends beam you into a running program while you are sleeping.
Everybody, when something out of the ordinary happens, would at first say: ”Computer, stop program!”
I have to believe an experienced holodeck user would be able to detect some of the telltale signs pretty easily. Like replicated food, if you see it enough you probably notice “holodeck vase #5” showing up scattered around the background of scenes as clutter. Or even minor visual distortions where it switches from 3d to the false horizon.
I’m sorry to disappoint you, but I randomly rewatched ‘Ship in a Bottle’ and even Data only recognizes they’re still in a simulation due to a blank transporter log. No visual clues, no glitch in the matrix, an empty log that could have been empty for any other reason.
Discovery of new music is so much easier now with Spotify/YouTube/etc. In the past you had a slim-to-none chance of coming across a band/artist/album outside your local scene, no matter what the genre. Back then you kind of had to be “in the know” for that to happen.
Spotify maybe, I’ve never used it. And Google Play music used to be the best for this, but YouTube music has me stuck in a loop of my last 10 or 20 songs and I hate it.
If I’m listening to some techno, and I change gears to old school country/bluegrass for awhile, then, YouTube will never ever recommend techno to me again. Not unless I manually remember some of my favorite songs, search for them, and retrain it that I like techno. But then of course country slowly dies. God forbid I mix in hard rock, punk rock, or rap. It just confuses it more.
And it’s not just a genre problem, even within a genre of repeats the same dozen or two songs every time I open the app.
It’s not just me, I have a family plan and my brothers have both separately complained to me about the algorithms being worse than Google Play music, which is what we used to use.
I literally created a playlist called YouTube music sucks, where I save my most liked songs, so I can reseed the algorithm when I want a change of tunes. I need the playlist because I have a terrible memory and can’t remember all the songs I’ve liked.
Why don’t I change? Because I’m cheap, and it’s bundled with YouTube premium for the whole family. And it has no right to be as bad as it is. I keep thinking they’re gonna fix it, but I guess maybe people like being spoon fed their last 20 liked songs?
Spotify is really good with recommendations. I think they use different algorithms for the different personal playlists: the Release Radar seems to use my followed artists and all my playlists, while Discover Weekly uses my recent listening history.
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